最近忙於新計畫的籌備,但沒想到同一時間內 M@M Records 四樓唱片行 進貨量出乎意料地多(因為疫情很多實體延到年底發行),分身乏術的狀況下,一年一度的年度50張電氣導向專輯推薦,還是趕在2020最後一天整理出來。
一如以往,所有的推薦都有實體發行(CD、黑膠、卡帶任一形式都可),也是我想固守的老派的浪漫。
這份推薦名單的選擇方向,除了算是自己本命的各類drum & bass以及我在希望阿爆能有Remix專輯那篇文章裡提到的UK club bass/breaks之外,也明顯反映了我這一兩年來聆聽習慣的兩大轉變:
其一是自己在唱片行重開之後有更多時間獨自靜下心來感受更多ambient與靜態/極簡電子作品,其二則是更宅(?)之後花了更多時間涉獵vaporwave/future funk、synthwave/retrowave領域。
當然,也少不了有幾張各具異稟的台灣電子音樂專輯。
最後跟大家說聲新年快樂,2021也請記得常常來粉專晃晃。
【 50張專輯(依字母排列) 】
■ Actress《Karma & Desire》
■ Ana Roxanne《Because Of A Flower》
■ Andras《Joyful》
■ Andrea《Ritorno》
■ Autechre《SIGN》
■ Auragraph《Memory Tracer》
■ Baauer《Planet’s Mad》
■ Beatrice Dillon《Workaround》
■ The Beneficiaries《The Crystal City Is Alive》
■ Bing & Ruth《Species》
■ Blinkar Från Norr《Metaphors For Things》
■ Bronson《Bronson》
■ Buspin Jieber《V.H.S. Volcanic / Harmonic / Sounds》
■ Chari Chari《We Hear The Last Decades Dreaming》
■ Cuushe《WAKEN》
■ Daniel Avery + Alessandro Cortini《Illusion Of Times》
■ DEADLIFE《City of Eternal Rain》
■ DJ Python《Mas Amable》
■ Dom & Roland《Lost in the Moment》
■ Fiesta Soundsystem《Rites Of Passage》
■ Green House《Six Songs For Invisible Gardens》
■ Ghetto Kumbe《Ghetto Kumbe》
■ Hotel Pools《Still》
■ Hyph11E《Aperture》
■ Ital Tek《Outland》
■ Julianna Barwick《Healing Is A Miracle》
■ K-Lone《Cape Circa》
■ Kaitlyn Aurelia Smith《The Mosaic of Transformation》
■ Kelly Lee Owens《Inner Song》
■ KillerBlood《鄉愁香》
■ KMRU《Peel》
■ Krust《The Edge of Everything》
■ Machinedrum《A View of U》
■ Metrik《Ex Machina》
■ MJ Cole《Madrugada》 + 《Madrugada Remixes (Record Store Day 2020) 》
■ Nahash《Flowers of the Revolution》
■ Nicolas Jaar《Cenizas》
■ Oneohtrix Point Never《Magic Oneohtrix Point Never》
■ OVDS《黑的韌性》
■ Phuture T《Persuasive Funk》
■ Redeyes《Selfportraits》
■ Romare《Home》
■ Ruby Fatale 鹿比 ∞ 吠陀《彼岸》
■ The Soft Pink Truth《Shall We Go On Sinning So That Grace May Increase?》
■ Sonia Calico《Simulation Of An Overloaded World》
■ Squarepusher《Be Up a Hello》
■ Theo Parrish《Wuddaji》
■ vtofubeats《TBEP》
■ upsammy《Zoom》
■ Vaperror《Saccharine Synergy》
【同場加映:20張DJ-Mix專輯/合輯 】
■ Avalon Emerson《DJ-Kicks》
■ Brian Eno《Film Music 1976-2020》
■ Bushwacka! 《Listen Up! vol.1 (1995 - 2005) 》
■ Dua Lipa《Club Future Nostalgia》
■ Fatboy Slim《Back To Mine》
■ Foul Play《Origins》
■ Helena Hauff《Kern, Vol. 5》
■ Jorvis Voorn《Rotterdam》
■ Josey Rebelle《Josey In Space》
■ Maribou State《Fabric Presents Maribou State》
■ Mars89《∞∅》
■ Octo Octa & Eris Drew《Fabric Presents Octo Octa & Eris Drew》
■ Priscilla Ermel《Origens Da Luz》
■ V.A.《Alterity》
■ V.A.《Black Riot: Early Jungle, Rave and Hardcore》
■ V.A.《Bryan Gee presents Future》
■ V.A.《Evident Ware Part 1 & 2》
■ V.A.《Kulør 006》
■ V.A.《MOACD1-3》
■ V.A.《Still In My Arms: Compiled By Bayu And Moopie》
#麥大電激
#逛唱片行才是正經事
同時也有1部Youtube影片,追蹤數超過1萬的網紅Naomi Huth,也在其Youtube影片中提到,This episode wasn't planned on being published. However, listening back to this casual catch-up with Navid, it feels very aligned to share it with the...
rites of passage 在 黃之鋒 Joshua Wong Facebook 的最佳貼文
[Remember 12 names. Save 12 HK Youths.]
Retweet: https://twitter.com/joshuawongcf/status/1310545929699647488
Global petition: https://bit.ly/save12youthspetitions
It has been 37 days since 12 Hongkongers were arrested by the China Coast Guard in the name of illegal entry - contacts with family members lawyers are still rejected while no information has been received from the detainees.
They are a group of young people who love Hong Kong; while their detainees. Your attention on the issue, though might not be able to necessarily bring them back to Hong Kong immediately, can at least protect them, bringing a glimpse of hope to their family members.
喬映瑜 (Qiao)
Despite a lack of related information, she is a girl who loves Hong Kong. Under severe depression, hardly can we imagine how she could endure 33 days without the assistance of medicine, alone.
張俊富 22歲 (Cheung, 22)
Being a student form the Open University of Hong Kong, he should have been similar to other people, leading a simple life. Instead of opting for pleasant university life, he chose to stand up for Hong Kong. We hope that he can safely return home, together with 11 of the others.
嚴文謙 21歲 (Yim, 21)
He is also a student. It was alleged that he was in Yantian, ShangShen China. At that time, his hair had been totally shaved and his eyes dully glazed over – could anyone imagine what had he experienced?
黃臨福 16歲 (Hoang, 16)
Wong is a 16-year-old secondary school student, the youngest among the 12 detainees. Supposedly, as a teen under 18 (the legal age in Hong Kong), he cannot entrust a lawyer on his on device. John Lee Ka-Chiu, the Security for Security, however, claimed that Wong voluntarily did so. Wong’s family lawyers afterwards requested for a meeting with Chinese officials but were forced to withdraw.
鄧棨然 30歲 (Tang, 30)
Suffering from asthma and skin disease, 30-year old Tang might not have medicine since related information was not found. Worrying, his mother’s every single word in the press conference was heartbreaking to many.
李宇軒 29歲 (Andy Li, 29)
He is a 29-year old youngster who has a strong interest in Manga. As a computer engineer, he endeavoured on the career path with self-study. But if he was to choose between personal interest and the future of Hong Kong, he undoubtedly chose the latter. Nevertheless, due to the possible retrospective period of the National Security Law, his trust in the legal systems vanished, having no choice but to escape.
張銘裕 20歲 (Cheung, 20)
As a youngster in his twenty, Cheung originally was similar to other young people, having hobbies ranging from playing football, rock climbing to diving. Since he is relatively more mature, he takes care of himself well. Such an active youngster was however arrested during the Anti-extradition Law movement, being entitled with a criminal charge.
Cheung had once told his father that he needs to “fight for democracy and freedom”, which was questioned by his father as to for what he was fighting for. “For the next generation”, Cheung answered resoundingly. Such a firmed belief continued to glow upon the moment he was on board. He understood that to fight for the next generation, he should first stay alive.
李子賢 29歲 (Lee, 29)
Lee is a 29-year old cat lover - going to sleep with the two cats he adopted was the most valuable moment in his life. Attempting to leave Hong Kong, he took the initiative to take a photo with his mother. Before going on board, he took out the photo, thinking about his mother who was always proud of his helpfulness and filial piety. Tracing back to his mother’s birthdays on which he made cheesecake and sang a song, he hoped that his mother would know he loves Hong Kong, too.
郭子麟 18歲 (Kok, 18)
Apart from his family, Kwok, an HKU Engineering Student who loves drama, was also thinking about a girl whom he knew from the Drama Club. Perhaps she is, indeed, the main cast of his life.
Before leaving his homeland, he plucked up all his courage to confess to the girl, echoing to one of HKU students’ sayings - “striving all your effort and leaving no regrets (BJMF)”. Life is like a play. Contemplating on the rippling waters, was he wondering whether this his affection would simply be buried, like a pearl sinking into in the vast ocean?
鄭子豪 17歲 (Cheng, 17)
Bringing with him a fishing rod and bucket; claiming that he was going to fishing – it was the way Cheng waved goodbye to his family; it was the white lie Cheng told in order to leave without notice, protecting his family from worrying.
Before leaving, Cheng used his pocket money to purchase a phone for his mother as a birthday gift. The phone is still here while the receiver has been so distant away. Cheng loves Hong Kong no less than his family. He was willing to bear the burden and go away, taking all the fishing equipment and leaving overnight.
廖子文 17歲 (Liu, 17)
Liu will become 18 after less than one week. To celebrate his birthday, he used to dine outside with his family – such usual practice, however, became a memory. Nevertheless, he actually has already participated in the Rites of Passage Ceremony – because what he experienced was much more than any other others.
Liu is a tough guy, hiding most of the emotions.
When he was small, knowing his older brother being bullied, he would directly ride on a bicycle to drive away the bullies. Most probably, his insistence on justice was what drives him to embark on the journey of the Movement.
黃偉然 29歲 (Wong, 29)
“Forgive my selfishness. In face of the parting of life and death, millions of words inside my throat can only be expressed between written lines.” – this was what written by Wong, a 29-year old motor mechanic, who left in his room the letter written with wordings like “I’m so sorry”, “sorry, mom” and “forgive my selfishness”.
Even since being released from Lai Chi Kok Reception Centre, Wong had been more distant to his friends and family. Rarely did he have dining with his family, but often did he lock himself inside the room. He even reduced contacts with two of his favourite cats. Probably, he was paving the way for the departure with his family who may be more accustomed to living a life without Wong.
rites of passage 在 讀書e誌 Facebook 的最讚貼文
本週的輕鬆小品,喜歡看電影的人會有豁然開朗的感覺!號稱是 “史上最誠實的編劇指南” ,作者的寫作手法非常幽默卻仍然實用。台灣在多年前就有中文版了。
“Save the Cat” is the screenwriting rule that says: “The hero has to do something when we meet him so that we like him and want him to win.” (讓英雄先救貓咪是一條編劇的原則,原因是故事的英雄出場時必須讓觀眾喜歡而且希望看到他獲勝)
裡面有很多讓我覺得 “喔,真的是這樣耶!”的時刻,會想起很多之前看過的電影,原來劇情,場景,和對話,都是經過精心設計和安排的。其中也會看見“創作”是一件非常科學以及有結構的事情。很多人問作者,難道這些原則和結構不會抹煞創意嗎?其實就是因為有這些架構,才能更加幫助創意,同時可以有市場性。雖然大部分的人並非編劇,但其中很多技巧,都可以用在簡報與教學。畢竟,“故事”對於人腦是有著特別的吸引力,可以讓我們記得並且產生共鳴,所以學會說好故事,真的是非常值得不斷精進的一門學問啊!
我個人覺得讓我很驚艷的是作者對於電影的分類方式。不同於一般分類成恐怖劇,喜劇,愛情劇等等,他分為以下十個種類,我寫下中文版翻譯和括號中我自己覺得更傳神的翻譯:
1. Monster in the House 屋裡有怪物 (有怪獸!):大白鯊,侏羅紀公園,異形四部曲等等。這類電影主要是引發人類求生的本能而讓觀眾有所共鳴。
2. Golden Fleece 英雄的旅程:星級大戰,綠野仙蹤,回到未來,魔戒系列等等。這類電影的重點在於主角內心的成長,在克服困難後他也成了一個完全不同的人了。
3. Out of the bottle 阿拉丁神燈 (靠,夢想竟然成真!?):例如 王牌天神,摩登大聖,命運好好玩,以及辣媽辣妹還有各種身份互換的電影。這類電影就是主角發現美夢成真是,先是開心的享受了一陣子,但最後還是發現原來自己原本的人生才是最值得珍惜的。
4. Dude with a problem 小人物遇上大麻煩 : 諸如終極警探前兩集,辛德勒的名單,或是魔鬼終結者,一個平凡的人突然要解決一件大事 (恐怖分子要炸掉整個城市,納粹突然要危害我的猶太朋友們,還是機器人從未來回來要殺掉救世主),小人物要如何找到他內心深處的勇氣呢?
5. Rites of Passage 成長儀式: 例如獨領風騷,可可夜總會,辣妹過招,或是近期的壁花男孩。大部分主角都是青少年,也是我們人生中最尷尬的年紀。隨著故事的演進而逐漸摸索出真實的自己。
6. Buddy Love 夥伴情:例如致命武器,雨人,海底總動員等等,當中兩位主要的主角常常是一開始互相看不順眼,或是反差很大又必須要一起完成任務,在旅程中發現原來不能沒有彼此。這當中也包含很多愛情片,都是走這個路線。這樣看來冰雪奇緣的Elsa and Anna 也是這樣的故事呢!
7. Whydunit 犯罪動機: 唐人街,綁票通緝令,神秘河流等等,描繪動機的成分多過於凸顯個別的人。
8. The fool triumphant 傻人有傻福: 精靈總動員,金髮尤物等等,而阿甘正傳是這當中最經典的。而且通常傻人身邊一定有個配角,一直眼睜睜看著這個傻子一路過關斬將而無法置信 (丹上尉的角色😂)
9. The institution 精神病院 (集體的盲目):例如教父系列電影,美國心玫瑰情,華爾街之狼,甚至我覺得去年的寄生上流都像是這個類型的。同一種人在一個群體中,主角偶然會有一些似乎跳脫的時刻,然後會發現這個群體給他歸屬感,同時也讓他失去一部分自我,而他要如何抉擇呢?這種電影通常在快結束時都有一幕某人睜大眼睛不可置信的表情。
10. The super hero 超級英雄:除了一般認知的超級英雄電影之外,還有類似神鬼戰士或是美麗境界裡的數學家。英雄或天才從有一種“別人都不能了解我”的痛苦,這是可以引起每個人共鳴的心情之一。
書中還有提到很多拯救爛劇本的方法,或是一個小動作就可以讓觀眾被吸引 (例如書名“讓英雄先拯救貓咪”)。推薦給想要說好故事,或是喜歡電影的人!
中文版和其他延伸閱讀在部落格中👇👇👇
https://dushuyizhi.net/save-the-cat-%e5%85%88%e8%ae%93%e8%8b%b1%e9%9b%84%e6%95%91%e8%b2%93%e5%92%aa/
#電影 #編劇 #savethecat #說故事 #storytelling
rites of passage 在 Naomi Huth Youtube 的精選貼文
This episode wasn't planned on being published. However, listening back to this casual catch-up with Navid, it feels very aligned to share it with the world with this present reality. Illusion or Truth? How much of what we think is actually an illusion? Let Navid blow your mind a little ...
♡ Chapters
0:00 // Intro
0:24 // Dream vs. Reality
3:07 // Being Non-Judgemental within Expressions of Consciousness
8:14 // The Illusion of Aliens and Extraterrestrial Life
16:10 // Rites of Passage - Growing Up
25:40 // Child Wisdom
28:10 // Experience Slut
YOUNIVERSE Podcast: https://redcircle.com/shows/youniverse
Connect with Navid: https://www.facebook.com/Simranmedita...
Connect with me: www.instagram.com/naomi.huth/
Support my work: www.paypal.me/naomihuth
New episode every Tuesday, Thursday and Saturday 7pm SGT!
rites of passage 在 The Rites of Passage Institute - Home | Facebook 的推薦與評價
Places available in our last Rites of Passage Leadership Training for the year, 3 - 5 December in the Byron Bay hinterland. Dont miss out, register today: https ... ... <看更多>