關於 professor e包 ，我們在網路上蒐集到這些相關的討論、資訊與評價

幾個月前, 我接到 #加州大學法學院 的邀請, 希望我在國際法學期刊上發表一篇有關區塊鏈和加密貨幣的文章, 我想這也是對我在立法委員任內關注這個題目和推動政策的一項肯定吧, 我就答應的這個邀約, 我選了央行數位貨幣 (Central Bank Digital Currency, #CBDC), 題目訂的是: An Alternative Monetary System Reimagined:
The Case for Central Bank Digital Currency.

主要是探討各國央行CBDC 的策略和做法, 包含中國實行的數位人民幣 (e-RMB),也把台灣的案例也放進去, 央行目前實行的兩階段試驗, 這個文章除了分析CBDC之外, 也提出對於極權貨幣制度和去中心化貨幣制度的比較論點, CBDC實際的實行狀況還有一段時間和需要驗證的過程, 對於主權和發幣權的辯證也是需要被討論的觀點。無論如何，這個浪已起，我們是否乘浪或是被浪推倒, 端看我們的態度。

很高興這篇文章正式被刊在法學期刊了，今天飄洋過海來到台灣, 雖然還沒親自看到，甚感欣慰..特別要謝謝與我共同撰寫的蔡孟凌 我給了大致的方向，她做了大部分的功課,調研和校對, 如果沒有她這篇論文不可能完成.。

也特別感謝加州大學法學院 James Cooper 教授的邀請

#國際期刊發表成就解鎖

Extremely humbled to see the article that I author published on California Law Review. The article --An Alternative Monetary System Reimagined:The Case for Central Bank Digital Currency -- examines CBDC and several case studies including China and Taiwan. Clearly, it still takes time to prove implementation but the concept is being tested and technology is ready.

I am thankful for Professor James Cooper's invitation and my co-author Lindy Tsai's effort in making this possible. It is with great honor to be able to get my thoughts published on an international journal.

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🎵珍稀歷史錄音：黃金年代的波蘭鋼琴大師莫里茲‧羅森塔爾 (Moriz Rosenthal 1862-1946)演奏蕭邦的b小調馬厝卡舞曲，作品33之4

傳奇的李斯特學生、更曾是蕭邦著名學生米庫里(Karol Mikuli)的學生 - 黃金年代的波蘭鋼琴大師莫里茲‧羅森塔爾 (Moriz Rosenthal)，與他同時代有密切交集的音樂家有例如布拉姆斯、約翰·史特勞斯、安東·魯賓斯坦、漢斯·馮·布羅、聖桑、馬斯奈和阿爾班尼士。

他一生跟在各個名鋼琴教育家下學習，1878年，在李斯特逝世前9年，他一直在李斯特指導下深造。他也是李斯特最得意的弟子。李斯特逝世後，他息影舞台並去維也納攻讀哲學。在六年後重返舞台，技藝有長足進步使人耳目一新，成為國際聞名「高貴氣質」的偉大鋼琴家之一。

羅森塔爾之所以出名，是因為他的技藝出彩輝煌，他對於音樂的平衡和分句非常敏感，他善於利用豐富的音色變化來保持住長的句子，即使在高音區，他也能以神奇的指觸發出優美豐滿的聲音。他創作了一些技巧非常難的鋼琴小品與改編曲，並與席勒合寫了《高級鋼琴彈奏法》。他的弟子包括了已故的鋼琴家波雷、羅森等。

Moriz Rosenthal (17 December 1862 – 3 September 1946) was a Polish pianist and composer. He was an outstanding pupil of Franz Liszt and a friend and colleague of some of the greatest musicians of his age, including Johannes Brahms, Johann Strauss, Anton Rubinstein, Hans von Bülow, Camille Saint-Saëns, Jules Massenet and Isaac Albéniz.

Rosenthal was born in Lemberg, Austria-Hungary (later Lwów, Poland, now Lviv, Ukraine) into a Jewish family, where his father was professor at the chief academy. At eight years of age he commenced his piano studies under Galoth (1869–1872).

In 1872, Rosenthal became a pupil of Karol Mikuli, Chopin's pupil and editor, who trained him along more academic lines at Lviv Conservatory. At the age of twelve he became a pupil of Rafael Joseffy in Vienna. His debut occurred in Vienna in 1876. He had immediate success and after a tour of Romania he was made Court Pianist of Romania when he was fourteen years of age. From 1878 to 1879 he studied with Liszt at Weimar and Rome. He was associated with the great Hungarian master until 1886, when Liszt died at Bayreuth. Having the conviction that a well-rounded classical education was necessary in his work as an interpreter, he studied at the Staats Gymnasium in Vienna and at the University, where he was a pupil in philosophy under Von Zimmerman and Brentano and in esthetics under Hanslick. His virtuosity guided by a probing intellect was nonpareil. In 1912 he was made Kammervirtuoso for the Emperor of Austria.

As Liszt's pupil, Rosenthal made appearances in St. Petersburg, Paris, and elsewhere. His general education, however, was not neglected, and in 1880 Rosenthal qualified to take the philosophical course at the University of Vienna. Six years later he resumed his career with the piano, achieving brilliant success in Leipzig, and in Boston, where he made his U.S. debut in 1888, and subsequently in England in 1895. He taught at the Curtis Institute of Music from 1926-1928. From 1939, he taught in his own piano school in New York City, where he died in 1946.

His pupils included Charles Rosen, Robert Goldsand, and Jorge Bolet. An anthology of Rosenthal's autobiographical writings was published as Moriz Rosenthal: In Word and Music (ed. Mark Mitchell, Allan Evans. Indiana University Press, 2006), which also contains a CD of representative and unpublished recordings.

工商時間：台灣絃樂團成立三十週年講座 - 留聲機黃金時代（1900-1940)小提琴名家演奏錄音

2020年適逢台灣絃樂團成立三十週年，古殿樂藏的殿主將前往舉辦一場講座作為慶祝。

https://youtu.be/RzYliE3x_Y0

當天將會播放以下這些歷史小提琴名家的原音蟲膠唱片：

Joseph Joachim(1831-1907),
Bronislaw Huberman(1882-1947),
Fritz Kreisler(1875-1962),
Eugen Ysaye(1885-1931),
George Enesco(1881-1955),
Carl Flesch(1873-1944),
Joseph Szigeti(1892-1973),
Ginette Neveu(1919-1949),
Micha Elman(1891-1967),
Jascha Heifetz(1901-1987),
Cioconda De Vito(1907-1994),
David Oistrakh(1908-1974),
Adolf Busch(1891-1952),
Jan Kubelik(1880-1940),
Toscha Seidel(1899-1962)

8/29(六)14:30
主講人：王信凱（古殿樂藏殿主）
主持人：陳昭佺
票價：300／人

地點：台灣絃樂團（台北市中正區臨沂街75巷4-1號B1）

報名表單：
https://docs.google.com/forms/d/e/1FAIpQLSfcqd8seqydZIK78vxVTRLa_z3hMi0sAU5hvwni4ZH1rJwr0g/viewform?fbclid=IwAR1TRxEEsn9bc79x6UU9r6i7RsvsxnLEAv9UjcJo-YJFhRFfEpujTy9dPfA

穿搭單品資訊
第一套
毛帽 Leuchtfeuer Strickwaren (Groovy Store入手)
襯衫 Niko and...
內搭 Unvesno
包包 Sealson
長褲 Professor. E

第二套
帽款 Wacko Maria
襯衫 GU
帽Ｔ United Athle (Takesit入手 / https://lihi1.com/RSi6v)
長褲 UNIQLO U

第三套
漁夫帽 Stussy
背心 Niko and...
帽Ｔ GU
短褲 Wisdom

第四套
毛帽 Leuchtfeuer Strickwaren (Groovy Store入手)
外套 Tommy Hilfiger (Takesit入手 / https://lihi1.com/RSi6v)
大學T Kapital
短褲 UNIQLO

Takesit官網: https://lihi1.com/RSi6v
使用我的專屬折扣碼: SH22
下單即享全館單件85折 兩件8折

Howde Lab x 那個矮子聯名襪
售價 240一雙
連結: https://user93051.pse.is/39cufj
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