關於 musicians on facebook ，我們在網路上蒐集到這些相關的討論、資訊與評價

這一週，在處理著無數變動和延期之際，我們仍相信創作永遠能帶來無限希望，願爵士樂也能些許撫慰正在疫情下的台灣，並與世界站在一起!

在這艱困的時刻，也想與大家分享打氣：我們上個月與紐奧良爵士博物館 & 台灣花磚博物館於 4/30 國際爵士日 (International Jazz Day) 合作的線上特別演出，登上了 UNESCO International Jazz Day 的全球官方網站和粉絲頁! 那也是 Vincent Hsu 徐崇育《African Princess》的作品首演!

International Jazz Day 的機構來信中寫著 "....We are honored to have your partnership and participation on behalf of Taiwan for this year's celebration." 被全球影片萬中選到的我們，也萬般榮幸，想跟一路支持鼓勵我們的觀眾們分享這個好消息! 也再次由衷地感謝幕前幕後所有的工作夥伴，沒有你們，這些音符都只是在樂譜上的符號而已!
*************************
《African Princess》by Vincent Hsu 徐崇育
★影片這裡看★
官方網站▶ https://jazzday.com/global-submissions/
Youtube▶ https://youtu.be/CSDID35Ac3A
Facebook
▶ https://fb.watch/5AoPbLARIU/
▶https://fb.watch/5AAhuErUtF/
*************************
★Musicians 演出者★
Vincent Hsu & Soy La Ley Afro-Cuban Jazz Band
Double Bass｜Vincent Hsu 徐崇育
Soprano Saxophone｜Hank Pan 潘恒健
Tenor Saxophone｜Justin Liao 廖莊廷
Piano｜Dennis Chung 鐘崇豪
Drums｜Cody Byassee 白克迪
Congas｜Carol Huang 黃昱寧

★Production Team 製作團隊★
Director｜Ordynari People
Cinematography｜Ordynari People
Editing｜Ordynari People
Composition｜Vincent Hsu 徐崇育
Recording Engineer｜Min-Fu Kao 高敏福
Sound Engineering｜Just Music Ltd. 捷越音響有限公司
Producer｜Calice Chen 陳思含
Filming Location｜Museum of Old Taiwan Tiles 台灣花磚博物館

★Special Thanks to 特別感謝★
New Orleans Jazz Museum 紐奧良爵士博物館
Taipei Cultural Center of TECO in New York 紐約臺北文化中心
Museum of Old Taiwan Tiles 台灣花磚博物館

#JazzDay, #JazzDay10, #UNESCO
徐藍山 Hank Pan 漢克班 Liao Chuang Ting 廖莊廷 Dennis Chung 鐘崇豪 黃昱寧 Cody Byassee

不論何種形式，我們相信創作永遠能帶來無限希望，願爵士樂也能些許撫慰正在疫情下的台灣，並與世界站在一起!

在這艱困的時刻，也想與大家分享打氣：我們上個月與紐奧良爵士博物館 & 台灣花磚博物館於 4/30 國際爵士日 (International Jazz Day) 合作的線上特別演出，登上了 UNESCO International Jazz Day 的全球官方網站和粉絲頁! 那也是團長徐崇育《African Princess》當時的作品首演!

International Jazz Day 的機構來信中寫著 "....We are honored to have your partnership and participation on behalf of Taiwan for this year's celebration." 被全球影片萬中選到的我們，也萬般榮幸，想跟一路支持 Soy La Ley 的好朋友們分享這個好消息! 也再次由衷地感謝幕前幕後所有的工作夥伴，沒有你們，這些音符都只是在樂譜上的符號而已!

*************************
《African Princess》by Vincent Hsu 徐崇育
★影片這裡看★
官方網站▶ https://jazzday.com/global-submissions/
Youtube▶ https://youtu.be/CSDID35Ac3A
Facebook
▶ https://fb.watch/5AoPbLARIU/
▶https://fb.watch/5AAhuErUtF/
*************************

★Musicians 演出者★
Vincent Hsu & Soy La Ley Afro-Cuban Jazz Band
Double Bass｜Vincent Hsu 徐崇育
Soprano Saxophone｜Hank Pan 潘恒健
Tenor Saxophone｜Justin Liao 廖莊廷
Piano｜Dennis Chung 鐘崇豪
Drums｜Cody Byassee 白克迪
Congas｜Carol Huang 黃昱寧

★Production Team 製作團隊★
Director｜Ordynari People
Cinematography｜Ordynari People
Editing｜Ordynari People
Composition｜Vincent Hsu 徐崇育
Recording Engineer｜Min-Fu Kao 高敏福
Sound Engineering｜Just Music Ltd. 捷越音響有限公司
Producer｜Calice Chen 陳思含
Filming Location｜Museum of Old Taiwan Tiles 台灣花磚博物館

★Special Thanks to 特別感謝★
New Orleans Jazz Museum 紐奧良爵士博物館
Taipei Cultural Center of TECO in New York 紐約臺北文化中心
Museum of Old Taiwan Tiles 台灣花磚博物館

#JazzDay, #JazzDay10, #UNESCO
Hank Pan Hank Pan 漢克班 Liao Chuang Ting 廖莊廷 Dennis Chung 鐘崇豪 黃昱寧 Cody Byassee

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

【400,000 Subscribes Special】I played soundtracks from Studio Ghibli written by Joe Hisaihi in a music store located in Taipei. Thank you all for making this happened!
↓ More info down below ↓

💬SLSTalk
Finally, 400K Subscribers. It's been a long way! We're really sorry we couldn't celebrate by doing recital, concert or fans event due to the coronavirus issues. Still, we prepared this special video for you, hope you like it.

I've played them a lot at live streaming, but I rarely do videos for Studio Ghibli Animations. Not because I don't like it, it's just because there were too many covers already on YouTube. So I think this time it's a good opportunity to make it a medley with a different style of video, adding some words I'd like to say to you, hope you like this video.

As many of you might know, maybe it's the change of time, or change of the algorithm, change of YouTube, musicians on YouTube lives much harder than 4 or 5 years ago. We all have to find another way out to keep living. So in the past few month we've been working on streaming platforms, digital albums, and now is the Patreon. It would be really helpful that fans support us with those platforms IF you're able and willing to.

And just to be clear, I won't quit doing music videos even if it keep going worse, because doing these things including performing, recording and editing is one of my personal interest, that's why I started all this in the first place, and that's something never change.

Once again, thanks for all the supporters around the world. We couldn't have done it without you. I don't know how far we can go, but as long as there's audience waiting for me, the music would never stop. No matter what way you choose to support us, we truly appreciate it from the bottom of our hearts.

2021.07.23
SLS

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⏰Song List:
0:16 Merry-Go-Round of Life／人生のメリーゴーランド
1:36 Reprise／ふたたび
2:23 One Summer Day／あの夏へ
3:41 Carrying You／君をのせて
5:06 The Legend of Wind / 風の伝説
7:12 A Town with an Ocean View／海の見える街
■──────────────────■
#ghibli #piano #joehisaishi

Go to https://buyraycon.com/xiaomanyc for 15% off your order! Brought to you by Raycon. Today I’m talking with Julien Gaudfroy, who in my opinion has a pretty strong claim to having quite possibly the best Chinese of any foreigner ever. He has been a host on Chinese radio and television for many years now, has acted in Chinese movies, and has also been a performer of Chinese crosstalk comedy xiangsheng which is known for being extremely difficult linguistically. And on a personal level I’ve been jealous of his Chinese for at least a decade now! During this interview we spoke together in Chinese and English about how his Chinese got so good, what was his xiangsheng (Chinese crosstalk) training like, how that impacted his Chinese abilities, his experience in the Chinese media world, Dashan (Mark Roswell), and his training as a classical musician.

You can find Julien on social media here:
Julien's new vlog Youtube channel (under construction, many videos soon) : https://www.youtube.com/channel/UCU9s0d_3Sl-tSkTel24Ugzg
Julien's personal cello videos channel : https://www.youtube.com/c/JulienGaudfroy
今日头条 vlog channel : https://www.toutiao.com/c/user/token/MS4wLjABAAAAENgVnkDdKJi8X3hkjwA9jr0tJ7-1ZfaaZdm1HrRzIaNApfuvHAgWZPy-WCyqUr0O/
西瓜视频 vlog channel : https://www.ixigua.com/home/3830347248712782/
Bilibili vlog channel : https://space.bilibili.com/1577120264
Julien performing Xiangsheng (crosstalk with Risteard O Deorian) : https://v.youku.com/v_show/id_XMjY2ODA0MzY=.html

0:00 Sponsorship
1:09 Introduction
2:00 Julien introduces himself in Chinese (with subtitles!)
14:20 We switch to English
15:22 How Julien got so good at Chinese
21:08 Julien’s story with xiangsheng (Chinese comedy)
34:47 Is Julien a “white monkey”?
36:16 Discussing China’s most famous foreigner, Dashan (Mark Roswell)
40:49 Censorship in China and the evolution of the media landscape
48:31 Life in China vs. France
56:11 Do musicians learn languages better?
1:04:19 Julien’s advice for people who want to learn Chinese
1:09:01 Conclusion

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THE PIANO TAKE refers to acoustic works that pianist SLS collab with guest vocalists / musicians. Here is the 5rd time we're glad to invite @Ronn to sing for us, please enjoy "LAST STARDUST" by @Aimer Official YouTube Channel from Fate/stay night.

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Hi all, this is SLS. This is the 5th video of THE PIANO TAKE series, I hope you guys like our version. And don't forget to like and share this video so we could have faith to do more of this series 🙏 This time we're honor to have Ronn to sing this classic Aimer song for us. When I first watch her own cover of "春はゆく" on her channel, I was totally fascinated by her voice. Don't forget to check out her channel as well!

🎙Ronn
YouTube► https://www.youtube.com/c/RonnOfficial/
Twitter► https://twitter.com/ronnxxxx21
六等星の夜► https://youtu.be/UelKq76Tw1Q

🎹Spotify ► http://bit.ly/SLSMusicSpotify
🎻iTunes ► http://bit.ly/SLSiTunes
🎶YouTube Music ► https://music.youtube.com/channel/UCg6SauJ10pWcVOZGLAITNGA
✅LINE Stickers ► https://store.line.me/stickershop/product/7239025

🎧 Playlists
🎙THE PIANO TAKE 🎹
https://www.youtube.com/watch?v=N34Yxd9vYGw&list=PLqY5-xxyprjsC1h0XIhRuZMsMmWjthNCp
Official Playlists 🎥
https://www.youtube.com/playlist?list=PLqY5-xxyprjtckllGMQK4XljIu_5csx3z

🎤Social Media
🔴WEBSITE: https://www.slsmusic.net
🔵INSTAGRAM: https://www.instagram.com/slsmusictw
🔴TWITTER: https://twitter.com/slsmusictw
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🥁DONATION
PayPal ► https://www.paypal.me/SLSMusic
歐付寶 ► https://www.bit.ly/DonateSLS

🔧Equipment
●Piano / NORD PIANO 3
●Speakers / ADAM A7X
●Audio Interface / Audient iD14
●Camera / Panasonic GH5
●Microphone / Rode NT1 ・ Shure SM7B
●Studio Desk / Wavebone HEADQUARTER

■──────────────────■

#THEPIANOTAKE #Aimer #Fatestaynight