關於 concert tour history ，我們在網路上蒐集到這些相關的討論、資訊與評價

就是這禮拜六啦！
感謝Crescent Lament再給我一次穿和服表演的藉口

★【夢迴】Crescent Lament X 暴君 ◆ 噤夢 / 島嶼神話 專輯聯合巡演 - 台北場★

▲ 2021/01/09 W6 台北 凝聚力展演空間
陣容：Crescent Lament / 暴君 / 奉獻之火
入場時間：18:30
開演時間：19:00

預售票券：500元
現場票券：600元

【Crescent Lament X Bloody Tyrant】2020 Combined Album Tour ◆ Land of Lost Voices / Myths of the Islands – Taipei Concert

Taiwan, our country, our stories.

Crescent Lament and Bloody Tyrant, two folk metal bands of this beautiful island, release their 2020 albums recounting the forgotten, erased stories in Taiwanese history.

From this December, take a ride with us to discover the lost memories of our motherland.

————————————————————————
★【 Land of Lost Voices / Myths of the Islands】Combined Album Tour – Taipei Concert ★

▲ Date: 2021/01/09 (SAT)
▲ Venue: Cohesion Space, Taipei
▲ Lineup: Crescent Lament / Bloody Tyrant / Sacrifire

Open: 18:30
Start: 19:00

Ticket (Adv): NT$500
Ticket (Door): NT$600

#恆月三途 #暴君 #奉獻之火 #凝聚力音樂娛樂 #夢迴

09/01/2020【Jazz Supreme 爵士．無所不在】# 139
「African American History」Vol.1- The Civil Rights
Movement
「非裔美國人歷史月 」第一集- 非裔美國人人權運動大記事
★每週單元《雲端唱片行》本週專輯★
In Concert At The University Of Puerto Rico/Eddie Palmieri
★爵士名人語錄★
"Jazz is something you have to feel, something you have to live." -- Ray Brown

本週內容：
近來除了疫情影響了全球, 另外一個重要的時事就是美國的種族話題. 『爵士無所不在』受到了聽友的建議, 問及有沒有可能在節目上也製作有關的主題. 因此『非裔美國人歷史月』就這樣誕生了. 在這個月裡, 我們將把非裔美國人的人權歷史做一個回顧與整理, 並同時為大家播放因應主題或特別選出的爵士樂.

爵士樂的歷史就是非裔美國人在美國所經歷的一切事件. 爵士樂是他們的出口, 他們的生活, 進而成為美國文化的代表之一. 如果要瞭解爵士, 從創造這音樂的非裔美國人歷史開始是一扇打開我們認識這音樂核心的重要步驟. 本週二歡迎大家來收聽, 第一集特輯：「非裔美國人人權運動大記事」

本週播放曲目 ：
1. I Wanna Be Loved /Dinah Washington-I Wanna
Be Loved
2. The Freedom Rider/Art Blakey-The Freedom
Rider
3. Consequence/Cecil McBee-Alternate Spaces
4. Fran Dance/The Miles Davis Quintet-All Of You:
The Last Tour 1960
5. Autumn Leaves/Bill Evans Trio-The 1960 Birdland
Sessions
6. Black Wish/The Last Poets-The Last Poets
7. A Night in Tunisia/Dizzy Gillespie's Big Band/
Complete Studio Sessions (1956 - 1957)
8. Alabama (Takes 4 & 5)/John Coltrane-The
Classic Quartet - The Complete Impulse! Studio
Recordings [Disc 2]
9. La Malanga/Eddie Palmieri-In Concert At The
University Of Puerto Rico

Jazz Supreme 爵士．無所不在】
每週二晚上 8:00pm 首播 (每週日晚上 11:00pm 重播)
台北 Bravo FM91.3 首播時間：09月01日 (二) 20:00
台北 Bravo FM91.3 重播時間：09月日06(日) 23:00
台中 Classical 古典音樂台 FM97.7：09月04日 (五) 23:00
*********************************************
♫♫ 收聽方式♫♫
1. 廣播電台-大台北地區 BRAVO FM91.3台中地區 Classical 古典音樂台 FM97.7
2. PC收聽 https://goo.gl/Y5oOcK
3. 手機收聽 https://goo.gl/NCxYKV
4. 經典重聽 https://goo.gl/3PwCi5
#JazzSupreme #爵士無所不在 #BravoFM91.3 #VincentHsu #徐崇育 Vincent Hsu Calice Chen BRAVO FM91.3 台北/都會/音樂 Classical FM97.7 古典音樂台

🎹鋼琴的大千世界/名家名言：「為何稱我為大師？主人在這裡（指著鋼琴），我只是他的奴才。」

— 李斯特著名的弟子，德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)

Why, there is the master (pointing to the piano), I am only the slave.”

— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.

📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾，演奏李斯特的第十號匈牙利狂想曲：
https://youtu.be/e12YwuHiQtY

📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/

———————————————————————1905-1906 鋼琴名家萊森奧爾（Alfred Reisenauer）在美國進行數月的巡迴演出，並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版，隔年他在德國巡迴演出期間於下榻的飯店房間內過世。

📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.

▪️With Liszt

“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.

▪️Liszt’s Pedagogical Methods

“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”

Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:（見譜例圖四）

Chopin’s next thought was, no doubt:（見譜例圖五）

But with his unerring good taste and sense of symmetry he writes it so:（見譜例圖六）

Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:（見譜例圖七）

The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.

“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”

▪️A Unique Attitude.

Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”

▪️The Future of Pianoforte Music.

An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.

Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”

As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.

▪️American Musical Taste.

Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.

▪️Concert Conditions in America.

“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”

Vote for #TeamIvy, #TeamNenia, or #TeamKen.
Who will win 10,000 Pesos for #JLOWeek on #MackySayawChallenge
One winner to be announced on 08.08.20 at 08:08.
#JLo #MackySayawChallenge #MackyAcademy #DJMackySuson

Fun Facts About Jennifer Lopez
Jennifer Lopez attended college briefly in an attempt to please her parents.
Jennifer moved out of her family home when they failed to support her dreams of becoming famous.
In 1991 Jennifer Lopez was hired as a backup dancer for New Kids on the Block. She performed with them at the 18th Annual American Music Awards.
Jennifer Lopez moved to Los Angeles to film the series In Living Color, in which she was a Fly Girl dancer.
In 1993 Jennifer left In Living Color to pursue acting. She backed out of being a dancer on Janet Jackson's tour in 1993 to follow her own dreams instead.
In 1993 Jennifer Lopez landed an acting job on the film Lost in the Wild.
That year she signed a deal for a TV show Second Chances.
Jennifer Lopez' first big acting role was in the 1995 film My Family. She was nominated for an Independent Spirit Award for Best Supporting Female.
In 1995 Jennifer Lopez starred along with Wesley Snipes and Woody Harrelson in Money Train.
IN 1997 Jennifer Lopez landed the role of Selena in the biopic of the same name. She became the highest paid Hispanic actress in history for that role, earning $1 million.
Because of her role as a singer in Selena, Jennifer Lopez became interested in singing and her music career began to take off as well.
As her music career began to grow Jennifer Lopez changed her name to J.Lo.
In 2003 Jennifer Lopez starred in the film Gigli with Ben Affleck. It was considered to be one of the worst films ever made.
Jennifer Lopez met her first husband while shooting Blood and Wine. They were married for only 13 months.
In 2005 Jennifer Lopez was paid $15 million for her role in Monster-in-Law. This once again made her the highest paid Hispanic actress in Hollywood's history.
Jennifer Lopez married Cris Judd in 2001 and they divorced in 2003. In 2004 she married Marc Anthony. They were married until 2014.
Jennifer Lopez has two children. They are twins Maximilian David and Emme Maribel, born February 22, 2008.
Jennifer Lopez has been a judge on American Idol several seasons.
Jennifer Lopez abstains from drinking alcohol.
Jennifer Lopez has appeared in many movies and television shows and went on concert tours twice - both in 2007 and in 2012.

This is what happened in 31 December 2019. The night of #DLLM. I guess this is the first time I heard so many people singing GEEBAI song together in history of Bukit Jalil… 誰在場請舉手！我們一起 #DLLM 的那個晚上… 我相信Bukit Jalil從蓋好那一天到現在幾十年來，應該沒有一 位歌手可以站在舞台上帶動全場唱了那麼多好像粗話但是又不是粗話的歌…我 們的最新專輯發行了!!! 這是4896黃明志世界巡迴演唱會三年來在台北, 雲頂 ，香港，新加坡和吉隆坡的LIVE全紀錄，專輯裡紀錄了你們每個人和黃明志最 LIVE最真實的聲音。完全沒有修飾，只有破音，走音，噪音，忘詞和最真實的 反應…

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數位音樂下載 Online Music Download【擊敗人 Geebai People LIVE】：https://lnk.to/vQxvMl8t

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[黃明志4896 LIVE全紀錄] 數位音樂專輯下載看這裡!
[Namewee 4896 World Tour Live] Download digital music album here!

https://lnk.to/WorldTour4896

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欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/

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#Namewee #黃明志

KKTIX:
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欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/

Namewee 黃明志 Official Facebook Fan Page:
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Namewee YouTube Channel Link:
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#Namewee #黃明志