【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
同時也有1部Youtube影片,追蹤數超過20萬的網紅FON KIRURU,也在其Youtube影片中提到,Hello friends from all over the world! I have Many experiments. Whether it is painting practice skills and animation training. I tried to test the sc...
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city scene drawing 在 DJ Mykal a.k.a.林哲儀 Facebook 的最佳貼文
情報正式解禁!!!! 2017.04.22 James Lavelle presents UNKLE Sounds x DJ Mykal 20周年 at Neo Studio
James Lavelle對我生涯影響的重要性早已無庸置疑,很榮幸可以在我20周年系列Project裡再次邀請他訪台,而且是首次以UNKLE SOUNDS名義來台演出~~
限量早鳥票明天(周三)中午KKTIX正式開賣!!!
【James Lavelle presents UNKLE Sounds x DJ Mykal 20周年】
★ 2017.03.29(三)中午12:00 限量早鳥票NT800元搶先開賣! ★
購票連結☞http://rokon2future.kktix.cc/events/422unklesoundsxdjmykal
2017.04.22 Neo Studio
傳奇廠牌Mo'Wax主腦James Lavelle
台灣潮流音樂指標 DJ Mykal a.k.a.林哲儀
聯手出擊,再創傳奇經典夜!
James Lavelle,你永遠不知道他的下一步又將如何超越世界!
身為英國著名樂團UNKLE的首腦 、Mo’Wax音樂廠牌創始人,多年來James Lavelle與DJ Shadow、Radiohead主唱Thom Yorke、DJ Krush、Mike D等世界頂尖音樂人合作發行了無數音樂作品,並建立起「Trip Hop」的不敗地位。此外,擔任知名品牌如:Nike、Converse以及日本潮流教主Nigo長期合作夥伴、邀請Futura 創作經典的Point Man圖像,James Lavelle的一舉一動永遠是全球潮流時尚的領導指標。
距前次James Lavelle訪台已有10年時間,這一次James Lavelle將首度以「UNKLE SOUNDS」派對系列登台演出,同時今年也是DJ Mykal a.k.a.林哲儀DJ生涯20周年,作為系列Project以及ROKON滾石電音首發派對,台灣英國兩地潮流音樂指標領袖,聯手轟炸、精彩可期!
限量早鳥票:NT800 (不含酒水)
預售票:NT1200 with 1 Drink
現場票:NT1500 with 1 Drink
*一人一票,請攜帶證件憑票入場,票券遺失恕不補發,18歲以下不得入場
Support by
DJ Mykal a.k.a.林哲儀
OVDS(special club set)
Slamer
林貓王
-----------------------------------------
Everything James Lavelle has created and initiated has been driven by the same irrepressible sense of curiosity and an incorruptible willingness to take risks. The music released today under the banner of UNKLE is very different from early UNKLE records. The spirit is the same.
2014 was a landmark year for independent music svengali James Lavelle. Coinciding with his 40th birthday he launched Mo’ Wax21: Urban Archaeology - a mind blowing Kickstarter resourced exhibition and a lavish Rizzoli published book to celebrate the 21st birthday of Mo’ Wax records, the label he launched as a teenager. He was also the curator for Meltdown on London’ s South Bank. Joining a long list musical luminaries such as Yoko Ono, Ornette Coleman, Massive Attack, Nick Cave, John Peel, Lee ‘ Scratch’ Perry, Patti Smith, amongst others, is according to James, “one of the proudest moments of my life in music so far.”
Since the early Nineties James Lavelle has been on a global roller coaster ride. It’ s taken him from being an obsessive 18 year old indie record label boss to the heart of corporate record company darkness and back to the light with an array of dynamic visual adventures based around the collective musical experience of his UNKLE project. A child of the sampling generation, he has honed his curatorial skills while riding the tidal wave of information technology. The Nineties were hectic - an endless cycle of clubbing and unfettered creativity and his Mo’ Wax label was bold, irreverent and “Kicking More Phunk Than A Shaolin Monk”. He released a flood of hip, deftly packaged 12”singles and ventured far and wide in search of like-minded souls. He forged links with Japan’ s hip hop originals Major Force and DJ Krush but it was in Oakland California that he found the future - Josh Davis aka DJ Shadow.
In ‘ 96 Rolling Stone magazine declared Mo’ Wax as the true source of ‘ Trip Hop’ - a decision underpinned by the aural impact of DJ Shadow’ s ‘ In/Flux’ 12” single – but In reality, it was the ‘ Headz’ compilation, released in ‘ 94, complete with cover art by Massive Attack’ s 3D that took ‘ trip hop’ worldwide. What followed was DJ Shadow’ s skillfully crafted ‘ Endtroducing’ LP – a homage to his trusty Akai MPC60 and a seminal slab of vinyl that has since notch up sales in excess of a million. A label deal with A&M appeared to give James the freedom to pursue the Mo’ Wax grail and UNKLE was chosen to deliver the vision. DJ Shadow took on the producer role of ‘ Psyence Fiction’ . Meanwhile James commissioned Futura2000 to provide the artwork and succeeded in enlisting Radiohead’ s Thom Yorke and ex-Verve frontman Richard Ashcroft to the project. It was a radical venture that predictably met with the glint of sharpened critical knives. A combination of youth and boundary breaking ambition has never endeared James Lavelle to the critics. Ironically, the deal-breaker when signing to A&M records was a Jean-Michel Basquiat drawing that declared “Cowards with get rid of you, the sky is the limit”. It proved an apt warning. At the dawn of the new millennium A&M imploded andtook Mo’ Wax with it. Financial uncertainty ensued. He sold the Basquiat, reverted to his DJ career and pressed on with UNKLE.
James Lavelle loves DJing. It’ s back to basics. He describes his five year long residency at Fabric as “insane” and is happy to point out that he’ s had residencies in all of the Top 10 clubs in the world including Zouk and Womb.
Obsessed with the collision of music, fashion and art James forged links with Nigo at A Bathing Ape and launched Mo' Wax Arts to translate Futura 2000’ s concepts and images into merchandise, toys and fashion. He was mates with iconoclastic London fashion genius Lee Alexander McQueen and continues to work with McQueen collaborators Warren Du Preez and Nick Thornton Jones. Daydreaming with.... James Lavelle was launched at London’ s Museum Of Mankind and has produced collaborations with celebrated artists like Jonathan Glazer, 3D, Jonas Burget, Doug Foster and Turner Prize nominee Nathan Coley.
In 2005, he set up Surrender - a clothing line and boutique record label dedicated to all things UNKLE. Over a five period they produced three UNKLE albums - ‘ War Stories’ , ‘ End Titles- Stories For Films’ , ‘ Where Did Night Fall’ and around 150 tracks. UNKLE's progression in the studio from a classic hip hop aesthetic to breakbeats-meet-house to electronica to rock has also been instrumental in UNKLE manifesting as a live band that’ s successfully toured the world.
The UNKLE crew has been populated by a bunch of serious players who have made a massive impact on the UK music scene and beyond. Tim Goldsworthy set up DFA records, Nick Huggett signed Adele, M.I.A and Dizzee Rascal, Damian Taylor is Bjork’ s right hand person, Cameron Craig is a Grammy winning engineer and Jim Abiss and Paul Epworth are both producers at the top the game – think: Adele, Kasabian, Plan B, Florence & The Machine. Another UNKLE veteran Toby Feltwell went on to run Bathing Ape and Billionaire Boys Club with Nigo and Pharrell.
Here in lies the journey of a hip hop, subway art, Massive Attack obsessed kid from Oxford. It’ s been a wild and mind expanding journey. His focus is always on the future. Watch this space.
LIMITED EARLY BIRD : NT800 with NO Drink
PRE-SALE : NT1200 with 1 Drink
AT DOOR : NT1500 with 1 Drink
VENUE: NEO STUDIO
5F., No.22, Songshou Rd., Xinyi Dist., Taipei City
city scene drawing 在 施幸余 Facebook 的最讚貼文
謝謝Hong Kong Stories(香港故事) 的更新,希望我的小小故事能帶給你正能量: 堅持,相信自己,不輕易放棄。
我是幸余,是香港游泳運動員,今年八月將會是我代表香港參加的第三次奧林匹克運動會。我出生於一個小康家庭,小時候學習很多課外活動,溜冰、練琴、畫畫。家人希望我除讀書外,也有其他的興趣和可以作更多嘗試。父母是不懂游泳的,他們也想不到我會學習游泳。小學時我參加學校的游泳班,這樣便開始學習游泳。我已經忘記小時候,我的志願是甚麽,但當時一定不會寫上我希望當運動員。小學六年級的時候加入校隊,代表學校參加比賽,後來被香港隊教練賞識,小學六年級便加入香港游泳隊訓練。
二零零三年我已達到參加奧運的資格,但當時也不清楚奧運是甚麼一回事。我於二零零四年第一次參加奧運,當時十六歲年紀尚小,之後便好像着了迷。二零零八年北京舉辦奧運,因為是中國的地方,所以很希望能夠參加和獲得名次。為了要爭取參加零八年北京奧運,因此我更加發奮,在零五年停了一年學,當時是專心準備亞運會,其實是朝着零八年的北京奧運進發。
二零零五年我獲選為香港傑出運動員,已經是十一年前的事,亦沒有想過自己會游這麼多年。零八年奧運,很多人包括自己是覺得可以參加的,但最後因差一點點,錯失京奧參賽資格。當時我已經二十歲,在香港泳壇來說,我已經算是「高齡運動員」。
之後過了四年,又一個奧運來臨了,二零一二年我再次達到參賽資格。在香港泳壇的歷史上是沒有人能夠參加到一屆、錯失下一屆、但可以再一次參加另一屆奧運。有其他人是可以連續參加三屆的,但到第三屆已經是完結了。而我即將到巴西參加的這個第三屆,前後已經是十二年的事。
我覺得這是一個堅持,有不同看法的人,可能認為我是執拗。當初我是相信自己,而且身邊也有人支持我。
零九年蔡曉慧退役時是二十六歲,我今天已經二十八歲,香港游泳從來都沒有一個女泳員游到這年紀還在以游泳訓練為主的,我是第一人。我亦要證明一個事實,只要不放棄自己,不是沒有機會的。
小時候我的志願,沒有想過是當一名游泳運動員,最初只是為興趣,但過了那麼多年,現在已經成為了職業,而且有一定的成就,希望我的故事能夠啟發更多人。我相信這個社會是需要很多正能量,特別是運動員的體育精神,是值得學習的,大家要不屈不撓,遇到挫折也不應該放棄。
雖然為了游泳與家人相聚的時間減少了,社交生活也很少,但這是我自己的選擇,我願意全心全意投入游泳這項運動。我亦想借這裡感謝每一個支持我,幫助過我的人。謝謝!
I am Szeyu. I am a Hong Kong swimmer. This summer I will be representing Hong Kong for the third time at the Olympic Games. I was raised in a middle class family. When I was young, I took part in many out of school extracurricular activities such as, ice-skating, piano playing and drawing. My parents hoped that I could have other hobbies and ventures besides studying. My parents did not really know how to swim. They also could not imagine that I would learn swimming. As a child, I attended school swimming classes and began to learn how to swim. At that time, I have forgotten what I wanted to be when I grew up. But I definitely did not write down that I wished to become an athlete. I joined the school swimming team when I was in Primary six. I represented my school at competitions. Eventually, a Hong Kong coach discovered me. I joined the Hong Kong Swimming team to train when I was in Primary six.
In 2003, I qualified to participate in the Olympic Games. At that time, I really did not quite know what the Olympic Games were. I first took part in the Olympic Games in 2004. I was only 16 and still young. After that, I became obsessed with the Olympic Games. In 2008, I really wanted to attend the Beijing Olympic Games and have a place because it was a Chinese city. In order to qualify for the 2008 Beijing Olympic Games, I worked even harder. In 2005, I stopped my studies for a year to concentrate for the Asian Games. In turn, it helped to pave way for the Beijing Olympic Games.
In 2005, I received the Hong Kong Outstanding Athlete Award. It was already 11 years ago. I never thought I could swim for so many years. In 2008, many people, including myself, thought I could take part in the Olympic Games. But in the end, I lacked a little bit of something and lost the trials. I was already 20 years old that year. In the Hong Kong swimming scene, I was already considered an ‘old athlete’.
After 4 years, the Olympic Games arrived. I qualified to participate again in 2012. Something like this has never happened in Hong Kong history before: taking part in the Olympic Games, losing in the next one but then participating in the coming Olympic Games again. Others can take part in three consecutive Olympic Games but by the third Olympic Games, it is the end for them. I will be going to Brazil for the thir Olympic Games. It has been 12 years between the beginning till the end of my taking part in the Olympic Games.
I think it is a sense of persistence. Some people have a different perspective. Some think I am stubborn. I believed in myself at first and those around me supported me.
In 2009, Choi Hiu Wai stepped down from swimming at 26 years of age. I am now 28 years old today. There has never been a female swimmer in the Hong Kong swimming team who is still swimming and training at this age. I am the first. I also need to prove a truth. If you do not give up on yourself, you will always have a chance.
When I was young I did not aspire to become a swimmer. It was just an interest. But over so many years, it is now my career and I feel I have gained some level of success. I hope my story can inspire many other people. I believe this society needs a lot of positive energy. The spirit of an athlete is worth learning from. We should be strong and should not easily give up when facing adversity.
I have not been able to spend as much time with my family and out socializing but it is my choice. I am fully and whole-heartedly dedicated to swimming. I am also grateful to those who support me and have helped me. Thank you!
city scene drawing 在 FON KIRURU Youtube 的最佳貼文
Hello friends from all over the world! I have Many experiments. Whether it is painting practice skills and animation training. I tried to test the scene drawn from photoshop cs6 Put in animations in Flash.
So I made a short animation to test some of the images.
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สวัสดีเพื่อนๆจากทั่วโลก! ก็ตั้งแต่เครียดก็ยังฝึกอะไรหลายๆอย่างฝึกวาดภาพฝึกทำเมะเทคด้วยเทคนนิคอื่นๆ โดยการนำภาพที่เราวาดจาก photoshop cs6 มาใส่ลงใน Flash แต่จะแลคมากมายเพราะภาพมันละเอียดสูง แต่วันนี้มาลงสั้นๆเพื่อทดสอบบางอย่างของภาพเท่านั้นเอง..
"Welcome to the vast world."
"ยินดีต้อนรับสู่โลกที่กว้างใหญ่"
Thank Music from YouTube: TFB9
https://www.youtube.com/watch?v=T99nFpf5mTs
Painting: https://kiruru2592.deviantart.com/art/City-the-warm-light-726551252
Thank you very very very very much for the follow.
If you are interested in ordering a drawing, please read the description here.
https://kiruru2592.deviantart.com/journal/Commission-Info-725139074
To order my drawing, contact me by Email : yukaini@hotmail.com
Can keep track of other tasks here.
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city scene drawing 在 How to draw city scene step by step - YouTube 的推薦與評價
How to draw city scene step by step ... I used STAEDTLER ( Noris Club)...water color pencil in this drawing. Click "subscribe" to watching more ... ... <看更多>
city scene drawing 在 How to draw city scene step by step (very easy) - Pinterest 的推薦與評價
Jan 5, 2018 - How to draw city scene step by step (very easy): https://youtu.be/JVb4Q22try8Hello and welcome. Today I will draw a scenery of a city. ... <看更多>
city scene drawing 在 How to draw city scene.Step by step(easy draw) - YouTube 的推薦與評價
Very easy drawing of city scene step by step.It is a clear-cut,easily understood detailed method to help you. ... <看更多>