#Cosplay #Cosplayer #CONNECTEDCosplay #ConnectedTVShow #Cosplay2020 #tokyocosplay CONNECTED COSPLAY STARS FOR 2020. Cosplayers to keep your eyes on this year. From VIETNAM...
Name: Luciel Frost
Location: Hanoi
Occupation: Student
Website/Social Media:
Facebook account : https://m.facebook.com/profile.php?id=100006487551843
Facebook page : https://m.facebook.com/lucielfrost/
Luciel Frost【冰光】
Instagram : _luluviix
Credits: Mouse Photography
When and how did you get started in Cosplay?
I’ve started cosplaying since 2016.I knew cosplay through social media and at first sight,I knew it would be my future passion
What was your first Cosplay?
My first cosplay was Alois Trancy from Black Butler
What was the most difficult character?
I guess it was Yamatonokami Yasusada from Touken Ranbu (kiwame version).His wig is painful to style and keep in the right shape during the photoshoot session.Moreover,his haori kept coming off from my shoulder even when I used a bunch of safety pins to attach it right
What characters are you planning and type of character are you drawn to?
I’m planning to try on many anti-hero and “ikemen” type of characters like Joseph,SilverAsh,Annie Leonhart,etc
What is your process when starting from the beginning with a new cosplay?
I order the costume,contact lens,style the wig when my order is returned to me,make the props that is missing,learn to makeup,pose and express myself through the character that I’m going to cosplay
Are there any helpful hints in sewing, costume design or any other aspects of your cosplay that you discovered in doing your creations?
I just realized that I can pretty much make my own props and style my wig but sometimes,I’m just too busy or I don’t feel motivated enough to finish it.So im this section,I just want to say that please make sure to be hardworking and all your efforts will be paid off.There’s no tips here since I’m still learning to do stuff by myself
Do you have a preferred brand of makeup in your cosplay? And if so why?
I mostly use drugstore or mid-end brands of makeup since my budget is limited but here’s some of my favorite brand that I’m using : Maybeline , MAC , NYX , NARS , ColourPop ,etc.
What are you listening to? Jazz music
Favorite Movies? Maleficent
Favorite Animes? Attack on Titan
Favorite TV Shows? Sherlock BBC
Is there a scene from a anime, cartoon, movie or tv show that left a big impression on you and what was it? It’s when Tanjirou beheaded the Mother Spider in Kimetsu no Yaiba.
Books? Harry Potter
Games? Identity V
Beverage? Fruit juice
Fast Food/ Junk Food of choice? Dried jackfruit
Candy bar? Sweet Almond Chocolate
Favorite Breakfast cereal? I don’t really have cereal for breakfast...
Is there something not going on in the cosplay world that you would want to see or is there something you would want to change?
I want cosplay to be more viral and everyone have a more accepting attitude toward cosplayer because cosplayers are not freaks,they just a normal person with an ordinary life like anyone and cosplay is just a hobby,a passion and even to some countries,it’s also a fulltime job
What was your favorite toy growing up? My e-dictionary
Who is your biggest character crush and why?
Tamamo no Mae,Joseph Desaulnier and Grell Sutcliff.Tamamo and Joseph are such a true gentleman and Grell is my favorite psycho of all times
You enter a warehouse. There is little light, but you are able to find your way around. The sound of music draws you to a corner of the warehouse. There are FIVE GHOUL CLOWNS, playing a dancing video game. They have razor sharp teeth and scary weapons. Magic can not affect them; they sense your presence and turn facing you. They run to you to attack. Time to fight! What character would you want to be to defeat them and how would you handle the situation?
I’d be SilverAsh at his E2 state with the Truesilver Slash then defeat them all with his mighty sword.
If you had to be chained with a character for one year, what would be the character and what would you do?
I’d be Kambe Daisuke and I’m going to spend his supremely enormous money on pursuing my dream and help my parents
You can have dinner with your favorite character. And at this dinner you may ask one question.
Who would be the character and what would be your one question?
It’s Verrmouth from Detective Conan and I want to learn some manipulation and acting skill from her.
What's number 1 on your bucket list? I really wish I could go shopping spree around the world and live in luxurious hotels and resorts anywhere I want...
What advice would you give to people getting started in Cosplay?
Just cosplay whoever you feel completely comfortable and fit your characteristics/appearance the best.
And also,focus on your wig,costume,makeup and expressions.As accurate as possible.That’s all it takes to bring the characters to life.
The cosplay community is really friendly and helpful so please feel free to ask them anything
同時也有81部Youtube影片,追蹤數超過19萬的網紅OmegaGamesWiki™,也在其Youtube影片中提到,PS5のFINAL FANTASY 7 REMAKE INTERGRADE(ファイナルファンタジー7リメイク)のHARD MODEボス攻略動画です、PART 25。 ラストのヴァイス戦も1分以内撃破とノーダメージ出来ました。 ヴァイスの解放条件: FF7RのメインストーリーとユフィDLC「インタ...
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character design tips 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳解答
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
character design tips 在 安娜夏威夷 Hawaii Life Facebook 的最佳解答
🎂小菱同學4yo生日趴踢@My Gym
上個月去參加了小菱preschool同學的生日趴,正好是在我們幫小菱慶祝一歲生日&小娜四歲生日的 @my gym honolulu , 之前想要寫分享文,但是被我一拖再拖就流產了🤣,現在我想我就借用這次的照片來分享一下在外租場地的生日趴踢籌備、流程、優缺點&一些tips
辦生日趴有很多種形式,如果你不是個很會social、很會安排流程、不是很懂的program design、懂得帶遊戲or很少辦趴踢的人,然後你又有充足預算的話,我會非常建議到這種提供場地、佈置、大姊姊帶活動、可攜帶外食的地方來辦趴,真的超級輕鬆很多。娜菱去preschool之前都在my gym上過兩年的課程,我可以算是他們的忠誠會員(有關my gym課程介紹請看文章 http://bit.ly/2JQLI44 ),所以我們在外辦趴踢兩次都獻給了my gym,以下我就以my gym為例跟大家做解說吧!
🎉趴踢籌備tips :
✅邀請卡:沒時間自己設計/寫邀請卡,my gym會提供免費邀請卡給你喔!小菱的一歲生日趴我就是用他們的邀請卡
✅選擇Party package:依照“參加人數(小孩)”、“時間長短”&“價錢”來決定哪種package,my gym提供兩種packages,我會建議大家到現場詳問細節比較好,例如各種add-on service的相關問題、utensil有包括哪些(大盤子、小盤子、杯子、刀叉匙、cake cutter、打火機...)、是否有提供垃圾袋、、
✅選擇時間:my gym Honolulu有四個時段,我會選擇最晚的時段,因為趴踢結束不用趕著收拾(下一場的家長會在外面等候),如果多弄個十分鐘記得多給老師一點小費,你越晚離開老師越晚下班啊!另一個tip是如果你是辦1-4歲小孩的趴踢,小小孩應該下午要睡午覺,4-6點的趴踢會非常適合(午覺起來去玩,玩完晚上也很好睡)
✅選擇add-on service:
--> 我會很建議“多加半小時”,因為90分鐘的趴踢只包括60分鐘玩樂時間&30分鐘的吃飯/蛋糕時間,絕對不夠玩!加了30分鐘,孩子們可以玩90分鐘,老師會給比較充裕的自由活動時間+帶遊戲,這樣真的很棒,不用覺得90分鐘還太短,絕對綽綽有餘👍
--> 如果小孩是公主控的話,可以多加“Storybook Hawaii Character Appearance”的服務,然後就會有灰姑娘、Belle or 睡美人來你的派對喔!實在是太太太太屌了啦!
✅食物方面:
--> my gym可以攜帶外食,這點我很喜歡,所以不一定要跟他們訂餐,跟他們訂的話就更省事,你完全不用準備東西,人出現就好,但是就是貴一點
--> 如果不想自己準備就跟my gym訂 pizza & water/juice(最簡單)
--> 想弄的簡單一點的話就自己買pizza、帶水/飲料
--> 如果你像我&我朋友的話想go all out,就可以像照片一樣準備的豐富一點,把大人小孩都餵得飽飽的,這樣準備工作會多一點,但是絕對賓主盡歡👍
✅蛋糕:這個部分要自己訂喔!
✅趴踢之前會有專人致電確認所有細節,主題顏色(桌巾、盤子、杯子顏色)、是否要添加add-on服務、音樂主題選擇.....等等
✅如果沒時間自己準備Party Favor的話,也可以直接跟my gym訂,像小菱的一歲趴我就忙得不可開交,直接跟my gym訂。但是如果你想準備特別一點的話,就可以自己準備。
🎉趴踢流程tips:
✅提早10分鐘到場準備
✅請賓客準時入場,因為my gym時間一到就開始算時間喔!
✅小孩要赤腳玩耍,但是大人一定要穿襪子,所以可以多準備幾雙襪子just in case有人忘記帶
✅節目開始後有老師帶活動,就可以輕鬆地開始準備食物擺設,然後再開始social with the parents &跟小孩一起玩
✅整個活動結束後才可以開始吃東西,他們不准玩一小時、吃東西、再回去玩半小時,因為之前發生過小孩吃完東西玩的太激烈然後嘔吐在地毯上,真的很傻眼,所以現在policy就是一定要活動結束後最後半小時才是吃東西
✅吃飯時老師會幫忙夾菜、簡單收拾整理環境、然後再把蛋糕拿出來唱生日快樂歌以及最後清潔(當然我們自己要把帶去的東西&垃圾全部帶走)
✅不用覺得吃飯半小時很短,其實我覺得差不多,因為玩完大人小孩都會很餓,大家都吃很快,哈哈哈!而且在上課的時候大人已經多多少少有聊天了,所以其實時間還算可以
So.... overall我很滿意my gym的生日趴踢服務,他們的老師都是經過訓練才能夠上課、帶趴踢,場地、師資、品質都很棒,目前我們已經去過五次生日趴了,可見他們在Honolulu的reputation很好喔!住在🇺🇸mainland的媽媽也可以考慮喔!
🌐 https://www.mygym.com/honolulu
🌐 https://www.mygym.com/kailua/?force=1
character design tips 在 OmegaGamesWiki™ Youtube 的最讚貼文
PS5のFINAL FANTASY 7 REMAKE INTERGRADE(ファイナルファンタジー7リメイク)のHARD MODEボス攻略動画です、PART 25。
ラストのヴァイス戦も1分以内撃破とノーダメージ出来ました。
ヴァイスの解放条件:
FF7RのメインストーリーとユフィDLC「インターミッション」の2つをクリアすると神羅バトルシミュレーターで戦う事が可能となります。
クリア報酬:
撃破すると最強のアクセサリー「神々の黄昏」を2個貰えます。
PART 25
・NEW GAME+
・HARD DIFFICULTY
・神羅バトルシミュレーター
・選抜3人組 vs 純白の帝王・ヴァイス★7(HARD限定)
・NO DAMAGE NO LIMIT
・CLEAR TIME - 0:41
装備&マテリア:
クラウド - ミスリルセイバーLv6, チェインバングル, 怒りの指輪
れいき=いかずち、じかん=はんいか、ATBバースト=せんせいこうげき
MPアップ=MPアップ、ガードきょうか=わざたつじん
ティファ - メタルナックルLv6, ジオメトリブレス, 怒りの指輪
れいき=いかずち、ATBれんけい=ATBバースト、わざたつじん=うけながし
ラッキー=ラッキー、MPアップ、HPアップ
エアリス - ミスリルロッドLv6, フォースブレス, 怒りの指輪
ATBブースト=れいき、いかずち=せんせいこうげき、マジカル=マジカル
わざたつじん=ATBバースト、MPアップ=MPアップ
サムネイル製作:K.K
著作権者:
PlayStation®5版ファイナルファンタジーVII REMAKE INTERGRADE
© 1997, 2020 SQUARE ENIX CO., LTD. All Rights Reserved.
CHARACTER DESIGN : TETSUYA NOMURA/ROBERTO FERRARI
LOGO & IMAGE ILLUSTRATION:©1997 YOSHITAKA AMANO
======================
FINAL FANTASY 7 REMAKE - NORMAL DIFFICULTY WALKTHROUGH PLAYLIST:
⇒https://www.youtube.com/playlist?list=PL4fd59i0eA3ULnlwzSMhc0DSVd9l9cWUA
======================
- ゲームタイトル: FINAL FANTASY 7 REMAKE INTERGRADE
- 発売日: 2021年6月10日
- 価格: 7,800円+税+100円(PS5 アップグレード版)
- ジャンル: アクションRPG
- CERO: C
- 開発: スクウェア・エニックス
- 発売: スクウェア・エニックス
=======================
#FF7R #ヴァイス #NODAMAGE
=======================
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allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship, and research.
Fair use is a use permitted by copyright statute that might otherwise
be infringing. Non-profit, educational or personal use tips the balance
in favor of fair use."
=======================
character design tips 在 OmegaGamesWiki™ Youtube 的精選貼文
PS5のFINAL FANTASY 7 REMAKE INTERGRADE(ファイナルファンタジー7リメイク)のHARD MODEボス攻略動画です、番外編④。
次がいよいよラストのヴァイス戦になります。ノーダメージ頑張ります。
アルティメット・シークレットの解放条件:
2周目、チャプター2の直後に神羅バトルシミュレータへ行ける道が解放されます。バトルシミュレータの2つのバトルをクリアするとアルティメットシークレッツが解放されます。
クリア報酬:
クリアすると最強のアクセサリーの「神々の黄昏」が貰えます。
番外編 その4
・NEW GAME+
・HARD DIFFICULTY
・神羅バトルシミュレーター
・ユフィ&ソノン vs アルティメット・シークレット ★7(HARD限定)
・NO DAMAGE NO LIMIT
・CLEAR TIME - 2:06
BATTLE1 - バハムート(+イフリート)
BATTLE2 - ラムウ
BATTLE3 - プラウド・クラッド零号機改
装備&マテリア:
ユフィ - ブーラメンLv6, 鬼神の腕輪, 赤鬼メモリ
ぞくせい=かぜ、いかずち=わざたつじん、ATBれんけい=せんせいこうげき
ATBブースト=ATBバースト、マジカル、MPアップ
ソノン - 五輪棒Lv6, フォースブレス, 絆のくみひも
はんいか=じかん、うけながし=ガードきょうか、せんせいこうげき、シノビシュート
いかずち=ガードきょうか、MPアップ=ラッキー
サムネイル製作:K.K
著作権者:
PlayStation®5版ファイナルファンタジーVII REMAKE INTERGRADE
© 1997, 2020 SQUARE ENIX CO., LTD. All Rights Reserved.
CHARACTER DESIGN : TETSUYA NOMURA/ROBERTO FERRARI
LOGO & IMAGE ILLUSTRATION:©1997 YOSHITAKA AMANO
======================
FINAL FANTASY 7 REMAKE - NORMAL DIFFICULTY WALKTHROUGH PLAYLIST:
⇒https://www.youtube.com/playlist?list=PL4fd59i0eA3ULnlwzSMhc0DSVd9l9cWUA
======================
- ゲームタイトル: FINAL FANTASY 7 REMAKE INTERGRADE
- 発売日: 2021年6月10日
- 価格: 7,800円+税+100円(PS5 アップグレード版)
- ジャンル: アクションRPG
- CERO: C
- 開発: スクウェア・エニックス
- 発売: スクウェア・エニックス
=======================
#FF7R #FF7リメイク #HARD
=======================
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship, and research.
Fair use is a use permitted by copyright statute that might otherwise
be infringing. Non-profit, educational or personal use tips the balance
in favor of fair use."
=======================
character design tips 在 OmegaGamesWiki™ Youtube 的精選貼文
PS5のFINAL FANTASY 7 REMAKE INTERGRADE(ファイナルファンタジー7リメイク)のHARD MODEボス攻略動画です、PART 24。
著作権者:
PlayStation®5版ファイナルファンタジーVII REMAKE INTERGRADE
© 1997, 2020 SQUARE ENIX CO., LTD. All Rights Reserved.
CHARACTER DESIGN : TETSUYA NOMURA/ROBERTO FERRARI
LOGO & IMAGE ILLUSTRATION:©1997 YOSHITAKA AMANO
BOSS PART 24
・NEW GAME+
・HARD DIFFICULTY
・DLC CHAPTER 2 - 究極マテリア奪取
・BOSS - ネロ/Nero
装備&マテリア:
ユフィ - 十字手裏剣Lv6, 鬼神の腕輪, 神々の黄昏
ぞくせい=いかずち、ATBれんけい=わざたつじん、みやぶる、せんせいこうげき
ATBブースト=ATBバースト、HPアップ、MPアップ
ソノン - 五輪棒Lv6, フォースブレス, 神々の黄昏
はんいか=じかん、うけながし=ガードきょうか、マジカル、せんせいこうげき
HPきゅうしゅう=ほのお、MPアップ=HPアップ
======================
サムネイル製作:K.K
FINAL FANTASY 7 REMAKE - NORMAL DIFFICULTY WALKTHROUGH PLAYLIST:
⇒https://www.youtube.com/playlist?list=PL4fd59i0eA3ULnlwzSMhc0DSVd9l9cWUA
======================
- ゲームタイトル: FINAL FANTASY 7 REMAKE INTERGRADE
- 発売日: 2021年6月10日
- 価格: 7,800円+税+100円(PS5 アップグレード版)
- ジャンル: アクションRPG
- CERO: C
- 開発: スクウェア・エニックス
- 発売: スクウェア・エニックス
=======================
#FF7R #FF7リメイク #HARD
=======================
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship, and research.
Fair use is a use permitted by copyright statute that might otherwise
be infringing. Non-profit, educational or personal use tips the balance
in favor of fair use."
=======================
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