關於 it's been a while since our last email ，我們在網路上蒐集到這些相關的討論、資訊與評價

【キンコン西野、HYDE愛を語る】

今日は大切なお知らせが二つございます。

まず一つ目ですが、映画『えんとつ町のプペル』のオンラインムビチケの発売が開始しました。

コチラ→https://mvtk.jp/Film/070395

前売価格なので、若干お買い得になっていて、一般が１５００円。子供が８００円です。
でもって、オンラインムビチケ（前売券）の購入特典として、「特製スマホ壁紙」がプレゼントされます。

こちらは、初公開となる映画『えんとつ町のプペル』のメインビジュアルです。



個人的にメチャクチャお気に入りの一枚で、今日は、この絵のことを少しだけ説明させていただきます。

主人公のプペルとルビッチが煙突の上に座って、上を向いているのですが、「上を向く」というのが今作のテーマでもあるんですね。

劇中、高いところが苦手な煙突掃除屋の少年のルビッチ君が、ハシゴを登る時に下を見ちゃうシーンがあります。
下を見ると、体重が後ろにかかるもんですから、立てかけてあるハシゴが揺れるんですね。

それに対して、下で見守っていたルビッチ君のお父さんの「ブルーノ」さんが、「下を見るから揺れるんだ。上を見ろ」とアドバイスするわけですが、これはハシゴに引っ掛けた世の理で、僕らは上を向いている時は体力的に少々大変でも頑張れる。

それこそコロナなんて「来月終わります」と言ってもらえたら、その希望をオカズに１ヶ月ぐらいの貧乏は我慢できる。

だけど、コロナの場合は「いつ終わるか分からない」という、「希望が取り除かれた状態」だから、精神的にかなりグラついてしまう。ともすれば鬱っぽくなる。

そう考えると、「希望」というのは、僕らが生きていく上で必要なもので、「上を見る理由」を提供することは僕ら表現者の仕事の一つでもあるなぁと思いました。

　
映画『えんとつ町のプペル』は来年公開に延期する話も上がったのですが、「いやいや、今年公開しよう！」とワガママを言いました。
大変なのは百も承知で、だけど、だからこそ、皆と同じように大変な中で頑張って、頑張って頑張って結果を出す。

その姿を見せることができたら、「ああ、こんな中でも死ぬ気で努力すれば活路が見いだせるんだな」と思ってもらえて、誰かの規模になることができるなぁと思って、今年公開に踏み切りました。

　
メインビジュアルは、そういう気持ちを全部込めて、「煙に覆われて、なかなか星が見つからない町の中で、それでも上を見続ける主人公達の横顔」にして見ました。
この絵が頑張る人のお守りになると嬉しいです。
オンラインムビチケをご購入いただけると、特典で付いてきますので、是非！



https://mvtk.jp/Film/070395

んでもって、大切なお知らせの二つ目です。

昨夜、YouTubeの生配信で喋ったのですが、HYDEさん愛が爆発してしまって１時間近く喋っちゃったので、あたらめて短くまとめます。

映画『えんとつ町のプペル』のオープニング主題歌「ハロウィンパーティ プペルver.」の配信が開始されました。

コチラ→https://hyde.lnk.to/hppoupelleTP

HYDEさんが子供達と歌っているのですが、これ、本当にビックリするぐらいカッコイイので、一度聴いてください。
僕は昨夜から、かれこれ２０回ぐらい聴いています。



こちらの楽曲は、もともと２０１２年頃に発表されていたんです。

それが、もう、とっても素敵で……まもなく、日本にもハロウィンが一つの文化として根付いて、その後、様々なハロウィンソングが世に出てきたのですが、僕個人的には、この楽曲を超える「ハロウィンソング」には出会わなかったんですね。

やっぱりブッちぎりだったんです。



映画『えんとつ町のプペル』のオープニングシーンの脚本を書くときも、後ろにずっとこの曲を流していて、この曲に引っ張られるようにオープニングを書いたんですね。

で、いよいよ「オープニング曲の制作をしよう」という段階に差し掛かった時に、「いや、ちょっと待てよ」と。

２０１２年から、HYDEさんの「ハロウィンパーティ」を超える曲が出てこなくて、んでもって、そもそも「ハロウィンパーティー」を流しながら、この曲に合うように本を書いてしまっている。
この条件で、「ハロウィンパーティーを超える曲なんて作れるんだっけ？」と思ったんですね。

というわけで、「一旦、ダメ元で、HYDEさんに、この曲を使わせていただけるか、お願いしてみよう」と。で、「ダメだったら、頑張って作ろう」ということで、話がまとまったんです。



やっぱり、「イイものはイイ」ので。

変にエゴをこじらせて、何でもかんでも「自分でやる」とするのではなくて、素晴らしいものにあやかれるのなら、あやかった方がイイ。
それが製作総指揮の仕事だなぁと思ったんです。

で、ダメ元で、HYDEさんにお願いしたところ、これが本当に本当にありがたいことに、なんとHYDEさんが、そもそも『えんとつ町のプペル』のファンでいてくださって、快く「オッケー」をくださったんです。

こんなにありがたいことはありません。

そして、もっとありがたいのはここからです。
ここから僕のHYDE愛が爆発するのですが……映画館で流すとなると規格も変わりますし、さらには前後の音楽とのバランスもあって、今回、「ハロウィンパーティー」を映画用にアレンジする必要があったんですね。


そこからのHYDEさんが本当に最高すぎたのですが、HYDEさんったら、楽曲を提供して終わりじゃないんです。

「えんとつ町」には、こういう音は鳴らない」とか「煙の中から聴こえてくる音は、こっちだ」といった感じで、映画用のアレンジを本当にトコトン付き合ってくださったんです。

テレビのインタビューだと「オッケー、オッケー」といった軽い感じで受けて、サクッとやりました感が出ていますが、どっこい、皆さんが思われている「トコトン付き合う」の５倍ぐらいトコトン付き合ってくださった。

歌詞も若干変わってるんです。

もともと歌詞の中に、「月明かり」というワードがあったのですが、「えんとつ町」は煙に覆われて空を知らない町なので、月も知らないので、「月明かり」が「薄明かり」になっていたり、その他にも、えんとつ町にあるハズがないものは歌詞から省いて、えんとつ町仕様に変えてくださったんです。

んで、また、子供の声との相性が抜群！
ロックミュージシャンと子供が、メチャクチャイイ感じに融合している。

　
一言でいうと、「HYDEさんが好きだ」ということです。



学生時代、僕はアルバイトで、ラルク・アン・シエルさんのコンサートスタッフをさせていただいたんです。

スタッフはステージに背を向けて、お客さんの方を見なきゃいけないのですが、両耳は全部ステージの方を向いていて、実は、その時のライブに、まだ出会う前の梶原君も来ていて、僕はスタッフとして、梶原君はお客さんとして、ラルクさんのライブに参加させていただいたんです。

ときどき梶原君と、その話になるのですが、あの日、あのライブを観て、ステージ上のラルクさんを観て感じたことは、僕も梶原君も全く同じで、僕らが目指したのは「お笑い」だったのですが、もうちょっと大きな枠として捉えた時に、「いつか、あっち側に行ってみたいな」と思ったんです。

なんか、本当にキラキラしていた。

コンサートの撤収でパイプ椅子とかを片付けながら、「あっち側に行きたい」と、ずっと思っていました。



なので、今回、こういった形でご一緒させていただくことになったのは、あの日の自分の希望でしかなくて、もしタイムマシン的なものがあれば、あの日に戻って「お前、メチャクチャ頑張ったら、いけるぞ」と彼に言ってやりたいです。



まぁ、とにかく、HYDEさんが映画『えんとつ町のプペル』用に作り直してくださった「ハロウィンパーティー」が本当に、本当に最高なので、是非、聴いてみてください。

　
あと、とはいえ「いただきっぱなし」は気持ちが悪いので、今回、お力を貸してくださったHYDEさんに対して、また、HYDEさんをずっと支えてくださったファンの皆様、スタッフの皆様に対して、僕なりの恩返しはさせていただきます。

そちらは１１月上旬に発表します。

そのアクションでもって、「あの日の僕の胸を熱くさせてくれたHYDEさんって、こんなにカッコイイだぜ」ということを、あらためて、世の中にお伝えします。

お楽しみに。



西野亮廣(キングコング)
　

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[Xin Nishino, Hyde talks about love]

We have two important news today.

It's the first one, but the movie ′′ a no-′′ online bangabandhu is now on sale.

Here → https://mvtk.jp/Film/070395

It's an early bird price, so it's a bit of a bargain, and the general is 1500 yen. The child is 800 yen.
′′ Special Smartphone Wallpaper ′′ will be present as a special gift for the purchase of online bangabandhu (early bird tickets).

This is the main visual of the first movie ′′ a in town ′′ (in Japanese)



One of my personal favorites, and today, I'm going to explain a little bit about this painting.

The protagonist," and Ruby are sitting on the chimney, and they are on their way up, but it is also the theme of the creation of the creation.

In the play, there is a scene where the chimney cleaner boy, who is not good at high, is looking down when climbing the ladder.
When you look down, the weight is behind, so the propped ladders are swaying.

On the other hand, Levitch's father, Bruno, who was watching downstairs," is swaying because he looks down. Look up I advise you, but this is the understanding of the world that hook up to the ladders, and when we are on the way, we can do our best to be a bit hard.

If you say corona is ′′ it will end next month you can resist the poor for about 1 months in the wank.

But in the case of Corona, ′′ I don't know when it's going to end," it's a state of hope removed," so it's mentally quite a bit of a I feel depressed.

If you think so, ′′ hope ′′ is what we need to live, so I thought that providing ′′ the reason to see above ′′ is also one of the work of our expressions. I'm sorry.

　
The movie ′′ a town ′′ has risen to the public next year, but," no, no, let's publish this year!" I was selfish.
I know it's hard, but that's why I'm going to do my best in the middle of the day, and I'm going to do my best, and I'm going to do my

If you can show the appearance," oh, if you try to die in this way, you'll find a find," and you'll be able to become someone's scale, and you'll be able to publish this year. I went to the crossing.

　
The main visual is all about that feeling," I saw it in a town where I can't find a star, and I still keep looking up,"
I would be happy if this painting would be the amulet of the person who works hard.
If you can buy online bangabandhu, you'll be able to follow it with special benefits, so come on!



https://mvtk.jp/Film/070395

And it's the second one of the important announcement.

Last night, I talked about a live broadcast on Youtube, but Hyde's love exploded, and I talked about it for almost 1 hours, so I'm going to have a short summary of it.

The opening theme song ′′ Halloween party persie ver." for the movie ′′ a ′′ has started.

Here → https://hyde.lnk.to/hppoupelleTP

Hyde is singing with the kids, but this is really cool to be surprised, so please listen to it once.
I've been listening to it about 20 times since last night.



This song was originally announced around 2012

It's already very nice...... soon, Halloween will be rooted as one culture in Japan, and after that, various Halloween songs came out in the world, but I personally, over this song ′′ You didn't meet the Halloween song.

I knew it was a prude.



Even when I wrote the script of the opening scene of the movie ′′ a in town ′′ I've been playing this song for a long time, and I wrote the opening to be pulled by this song.

So, when I finally got to the stage of ′′ Let's make an opening song," no, wait a minute,"

Since 2012, I didn't have a song over Hyde's ′′ Halloween party ′′ and I wrote a book to fit this song while playing ′′ Halloween party ′′ in the first place.
In this condition," I thought I could make a song over Halloween party?"

So," I'm going to ask Hyde to use this song once," So," if you don't do it, let's make it hard," the story was organised.



As expected," good things are good,"

It's better to be able to take a look at the ego, not to ′′ do it yourself ′′ but if you're going to be aya by something wonderful.
I thought it was the work of the production general command.

So, I asked Hyde for a bad time, and this is really a blessing, and Hyde was a fan of ′′ a town ′′ in the first place, and I was delighted to give you ′′ okay ′′

There's never been such a blessing.

And more thankful is from here.
My Hyde love is exploding from here, but...... when it comes to the movie theater, the standard changes, and even more, there is also a balance with the music before and after, and this time, I'm going to have a ′′ Halloween party ′′ for the movie You needed to arrange it.


Hyde from there was really the best, but Hyde-San, it's not the end of offering songs.

′′ a town ′′ doesn't sound like this or ′′ the sound of listening from the smoke is this way it's really a ton of place for the movie.

In a TV interview, I received a light feeling like ′′ okay, okay I feel like I'm going to have a quick time, but I'm going to have a good time, but I'm going to have a good time with the ′′ place dating ′′ that everyone is thinking about. Thank you for dating me.

The lyrics are slightly different.

There was originally a word ′′ Moonlight ′′ in the lyrics, but ′′ a town ′′ is a town that is covered in smoke and does not know the sky, so I don't even know the moon, so the ′′ Moonlight ′′ is ′′ thin ′′ It's been a light, and other things that are not in a town, I left it from the lyrics and changed it to a town specification.

And also great compatibility with children's voice!
Rock musician and kids are fused with a mess.

　
In One Word, it means ′′ I like Hyde,"



In my school days, I was a part-time job, and I was able to do a concert staff of ral ann.

The staff has to turn back on the stage and see the customer, but both ears are all looking for the stage, and actually, the live of the time, and the sugawara-kun before he still met. And I was a staff, and sugawara-kun was a customer, and I was able to participate in the live of Mr. Ral.

Sometimes it's going to be a story with sugawara-kun, but that day, I saw that live, and I saw Mr. Ral on stage, and I was also the same as sugawara-kun, and we aim for it ′′ It was a comedy, but when I captured it as a little bigger frame, I thought, ′′ someday, I'd like to go to the other side,"

It was really sparkling.

I've always thought that I want to go to the other side while cleaning up the pipe chair at the evacuation of the concert.



So, this time, I'm going to be with you in this form, and I'm going to have a good time with my hope that day, and if there's a time machine, I'll go back to that day ′′ you're so messed up I want to tell him that if you do your best, you'll be able to do it



Well, anyway, the ′′ Halloween party ′′ that Hyde recreated for the movie ′′ a no-in-town ′′ is really the best, so please listen to it.

　
Later, ′′ I'm left ′′ is disgusting, so I'm going to have a good time with Hyde, and I'm going to have a good time with Hyde, and I'm going to have a good time with all the fans who have been able to support Hyde for a long time, and I'm going to I will give back.

We will announce it in early November.

With the action, I will tell the world that Hyde, who made my chest hot that day, is so cool,"

Look forward to it.



Ryo Nishino (King Kong)
　

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https://nishino73.thebase.in/items/25497065Translated

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The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris

Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.

According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.

According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.

When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.

Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.

Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.

‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.

This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article

Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.

During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”

Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.

In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.

In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.

"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."

The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.

At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.

The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.

Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.

The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened

From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.

It's been a while since I last uploaded! Missed you guys xx This video is more in a vlog-style while I met up with my two Michelles! 2 Michelles and 1 Tit wkwkwk. Comment down below what your fave part of the video is :)

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☆ S O C I A L M E D I A
Instagram:
https://instagram.com/titantyra

Snapchat:
@Titantyra

Facebook:
https://www.facebook.com/Titan-Tyra-1205663879465025/

Blog:
https://Titantyra.blogspot.com

Ask.fm:
https://ask.fm/titantyra

☆ F A Q
What ARE you?
I’m Chinese-Indonesian from Jakarta, living in both Indonesia and Singapore. I make beauty and lifestyle videos and I upload every weekend. Make sure to subscribe so you never miss any of my silly videos. You don’t have to, though. But just do it because it’s free anyway :D

How old are you?
I’m 23 years young.

What camera, lens, and software do you use?
Vlog camera: Sony A5100 with 16-50mm f3.5-5.6
Tutorial camera: Sony 6500 with Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens
Mic: Rode VideoMic GO
Edited with Final Cut Pro X.

☆ S P O N S O R S H I P
This video was not sponsored and all opinions are my own honest thoughts.
For Business & PR opportunities, please email: titantyra@gmail.com