同學辦的演出,
有在台南的朋友;
別錯過囉。
《臺南公園的身體地圖一百日行走》
Body Map in the Tainan Park -100 Days Strolling
周書毅 x 稻草人現代舞蹈團
Chou Shu-Yi x Scarecrow Contemporary Dance Company
台南公園, 彩虹舞台
Tainan Park, Rainbow Stage
5/13-5/31 (Wed.-Sun.) 10:00-18:00
◇尋◇公園散步身影展《臺南公園的身體地圖一百日行走》Searching - Dance video Exhibition
一起散步,帶著手機,尋找十個散落在公園裡的記憶密碼(QRcode),等待你去發現~
5/23-24 (Sat.-Sun.) 15:30-18:00 (*預計16:00開演)
◆見◆百日行走的記憶終曲《臺南公園的身體地圖一百日行走》Seeing - Live Performance
昔日公園裡的實驗林場、運動場與升旗台,如今閒置的彩虹舞台與草地,我們將在此分享屬於你的故事。
Instagram : https://www.instagram.com/dancinginthepark/
Info: 06-2253218
製作人:古羅文君
藝術總監:羅文瑾
編舞/影像演出:周書毅
演出:羅文瑾、李佩珊、楊雅鈞、林修瑜、何佳禹、蘇微淳、孟凱倫
音樂設計/演出:王榆鈞
服裝設計:邱娉勻
影像創作:周延賢
裝置設計:詹家豪-守宮設計
排練助理:孟凱倫
舞台監督:郭姝伶
平面設計:陳文德
攝影:Yinyun Lu、周延賢、劉人豪、許斌
Producer/ Company Director: Kulo Wen-Chun
Artistic Director: Luo Wen-Jinn
Choreographer/Dancer In the Film: Chou Shu-Yi
Performers: Luo Wen-Jinn, Li Pei-Shan, Yang Ya-Chun, Lin Hsiu-Yu, Ho Chia-Yu, Su Wei-Chun, and Wang Yu-Jun, Meng Kai-Lun
Music Composer: Wang Yu-Jun
Costume Designer: Juby Chiu
Film Director: Bogi Jou
Installation Designer: Chan Chia-Hao - GeckoDesign
Rehearsal Assistant: Meng Kai-Lun
Stage Manager: Kuo Shu-Ling
Photographers: Yinyun Lu, Bogi Jou, Liu Ren-Haur, Hsu Ping
Graphic Designer: Winder Chen
「在有限的人數下相聚,來公園戶外散步看表演,找到一個屬於你與我們之間的美好距離,尋見與自己生命相處最好的選擇,希望這次重逢,能帶來生命力量!
2019年秋天,周書毅x稻草人現代舞團 x 臺南藝術節《臺南公園的身體地圖一百日行走》於百年台南公園裡創造了人們與現代舞邂逅相遇的緣分,大家共處一個自然的空間,隨興的或坐或走,在某個午後,微風吹拂、落日暖照下,每個人分享著屬於自己的公園故事,和我們的舞者們交會彼此對當下匯集歷史與人文的感動。
今年春末夏初我們將再次重返原地,邀請舊雨新知好朋友們重聚相約在公園散步,「尋」「見」彼此人生故事的共鳴交會,讓觀賞舞蹈演出成為日常的一部分,在樹影、身形、舞蹤的輪廓交疊之間,聆聽心底深處的記憶聲響,從公園的百年歷史探望自身微敘事的生命關聯。
In the autumn of 2019, Chou Shu-Yi x Scarecrow Contemporary Dance Company x Tainan Arts Festival "Body Map in the Tainan Park -100 Days Strolling" created the opportunity for people to encounter modern dance in the century-old Tainan Park. Everyone was comfortably and casually sitting, standing, and strolling in a natural environment together. In those afternoons breezing under the setting sun, people shared their own stories about Tainan Park with our dancers, and both were touched by the vivid collection of history and humanities at those beautiful performing moments.
This year, at the end of the spring and early summer, we will return to the same site again. We sincerely invite old friends and new friends to reunite and walk in the park again. Let us "search" and "see" each other's life story and let watching the dance performance become parts of our daily life activity. Together, let us listen to the sound of memories deep inside our hearts through the silhouettes and traces of dancers in the trees, and let us visit and connect our own life stories with the history of the century-old Tainan Park.
同時也有2部Youtube影片,追蹤數超過485的網紅三東瑠璃,也在其Youtube影片中提到,fragment Dance:Ruri Mito Instagram https://www.instagram.com/ruri310/ Matou / Session Online Theater / Saturday 23 May 2020 / Title: Matou Chore...
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- 關於contemporary dance history 在 History of Modern Dance - YouTube 的評價
contemporary dance history 在 Meuko Meuko Facebook 的最佳解答
December 9, Monday on NTS Radio
Guest-mix by YES NO WAVE MUSIC on first 30 mins from Yogyakarta , Indonesia - https://www.nts.live/…/episod…/meuko-meuko-9th-december-2019
Yes No Wave Music為日惹,印尼的網路音樂廠牌,從2007年開始,該唱片公司已經發行了100多種曲風專輯,包括Senyawa的首張EP和Gabber Modus Operandi。
此次的客座Mix在前30分鐘釋出了五首以傳統形式的當前音樂實踐及其當代發展。來自蘇拉威西島的傳統儀式 - Raego,包括繞圈跳舞和用古老的語言唱歌,而來自同一地區的Taluart是一群鐵匠工人發起的一項新的表演藝術倡議。以及來自東爪哇的Patrol music是由各種傳統打擊樂結合流行音樂混合而成的新興曲風。日惹當代音樂受這些以超脫前衛的能量影響、即興藝術和歷史所啟發,包含實驗樂團ZOO和Raja Kirik 將傳統的限制,推向當代聲音藝術環境。
This mix on first 30mins shows the current musical practices of traditional forms and their contemporary development in various ways and approaches including responses to injustice conditions. Raego ritual from Central Sulawesi consist of dance in a circle and sang in an ancient language while the Taluart -from the same region is a new performance art initiative played by a group of blacksmith workers. East Javanese Patrol music evolved from a mixture of various traditional percussions and pop music. Inspired by these energy, transcendental expression, improvisational folk art and history, experimental bands ZOO and Raja Kirik pushes the traditional limits into contemporary approaches and contexts.
Yes No Wave Music is a netlabel based in Yogyakarta, Indonesia. Started in 2007 the label has been releasing 100 genre-bending albums including debut EP of Senyawa and Gabber Modus Operandi.
Tracks taken from Gugus Gema, Aural Archipelago and Yes No Wave Music websites. : http://yesnowave.com/
After 30mins , I playing some Taiwan`s Aboriginal song , experimental , noise music from 1992 etc .
此外,後30分鐘部分的mix由我來擔當播放了台灣原住民歌手Anu阿努 , 台灣新成立的實驗樂團 汐 祇 , 儀式性即興樂團 天語樂軒 Thian-gí Lo̍k-ian, 台灣地下樂團 人/HUMAN BEINGS,以及成立於1992台灣的前衛實驗噪音組織「零與聲音解放組織」作為這次mix台灣與日惹之間的文化交流。
UK (GMT) 11-12am
TAIWAN 7-8 pm
Yogyakarta , Indonesia 6-7 pm
.
.
.
Photo by Volcanic Winds
contemporary dance history 在 Meuko Meuko Facebook 的最佳解答
December 9, Monday on NTS Radio
Guest-mix by YES NO WAVE MUSIC on first 30 mins from Yogyakarta , Indonesia - https://www.nts.live/shows/meuko-meuko/episodes/meuko-meuko-9th-december-2019
Yes No Wave Music為日惹,印尼的網路音樂廠牌,從2007年開始,該唱片公司已經發行了100多種曲風專輯,包括Senyawa的首張EP和Gabber Modus Operandi。
此次的客座Mix在前30分鐘釋出了五首以傳統形式的當前音樂實踐及其當代發展。來自蘇拉威西島的傳統儀式 - Raego,包括繞圈跳舞和用古老的語言唱歌,而來自同一地區的Taluart是一群鐵匠工人發起的一項新的表演藝術倡議。以及來自東爪哇的Patrol music是由各種傳統打擊樂結合流行音樂混合而成的新興曲風。日惹當代音樂受這些以超脫前衛的能量影響、即興藝術和歷史所啟發,包含實驗樂團ZOO和Raja Kirik 將傳統的限制,推向當代聲音藝術環境。
This mix on first 30mins shows the current musical practices of traditional forms and their contemporary development in various ways and approaches including responses to injustice conditions. Raego ritual from Central Sulawesi consist of dance in a circle and sang in an ancient language while the Taluart -from the same region is a new performance art initiative played by a group of blacksmith workers. East Javanese Patrol music evolved from a mixture of various traditional percussions and pop music. Inspired by these energy, transcendental expression, improvisational folk art and history, experimental bands ZOO and Raja Kirik pushes the traditional limits into contemporary approaches and contexts.
Yes No Wave Music is a netlabel based in Yogyakarta, Indonesia. Started in 2007 the label has been releasing 100 genre-bending albums including debut EP of Senyawa and Gabber Modus Operandi.
Tracks taken from Gugus Gema, Aural Archipelago and Yes No Wave Music websites. : http://yesnowave.com/
After 30mins , I playing some Taiwan`s Aboriginal song , experimental , noise music from 1992 etc .
此外,後30分鐘部分的mix由我來擔當播放了台灣原住民歌手Anu阿努 , 台灣新成立的實驗樂團 汐 祇 , 儀式性即興樂團 天語樂軒 Thian-gí Lo̍k-ian, 台灣地下樂團 人/HUMAN BEINGS,以及成立於1992台灣的前衛實驗噪音組織「零與聲音解放組織」作為這次mix台灣與日惹之間的文化交流。
UK (GMT) 11-12am
TAIWAN 7-8 pm
Yogyakarta , Indonesia 6-7 pm
.
.
.
Photo by Volcanic Winds
contemporary dance history 在 三東瑠璃 Youtube 的最佳貼文
fragment
Dance:Ruri Mito
Instagram https://www.instagram.com/ruri310/
Matou / Session Online Theater / Saturday 23 May 2020 /
Title: Matou
Choreography / Dance : Ruri Mito
Music: Yuta Kumachi
Lighting: Akiyo Kushida
Costume: Tomoko Inamura
Premiere: October, 2015 (Session House, Tokyo, Japan)
Supported by EU-Japan Fest Japan Committee,
The Saison Foundation, Session House
🔒https://youtu.be/Xqge8S3y6aQ
-Matou’s Review-
▶︎Review(Dance House / AsiaTOPA 2019)
https://www.smh.com.au/culture/dance/dancer-shows-the-flexibility-to-astonish-20200216-p5418q.html
▶︎Review(Taiwan Dance Platform 2018)
https://taiwandanceplatform.tw/en/writings/ruri-mito-matou/
▶︎Review(Gdansk Solo Dance Contest 2017)
https://www.gdansk.pl/wiadomosci/japonka-ruri-mito-wygrala-konkurs-solo-dance-contest-konczy-sie-gft-w-zaku,a,80459
-History-
2019/02 Asia TOPA in Melbourne, Australia
2018/11 Taiwan Dance Platform in Kaohsiung, Taiwan
2018/10 Kuandu Arts Festival in Taipei, Taiwan
2018/09 d-souko, Tokyo, Japan
2018/07 M1 CONTACT Contemporary Dance Festival in Singapore. Won the MASDANZA prize.
2018/05 HOKURIKU DANCE FESTIVAL III in 21st Century Museum of Contemporary Art, Kanazawa
2017/11 Odoru.Akita International Dance Festival 2017, Akita, Japan. Won the first Tatsumi Hijikata Memorial Award.
2017/10 ONE DANCE WEEK in Plovdiv, Bulgaria
2017/10 AURA international dance festival in Kaunas, Lithuania
2017/06 SOLO DANCE CONTEST in Gdansk Dance Festival 2017 held in Gdansk, Poland. Won the first prize.
2017/05 Rencontres Choreographiques International de Seine Saint - Denis in Paris, France
2017/05 Gaala performances in Pori, Finland.
2016/10 L1 danceFest 2016 in Budapest, Hungary
2016/05 CÁDIZ EN DANZA in Cadiz, Spain
2015/10 Premiere at Session House, Tokyo, Japan
#セッションオンライン劇場 #keepgoingTOGETHER #Contemporarydance
MATOU
It has direct meanings like “to wear, put on, tangle, roll up,” and it is often used figuratively.
I put on my body.
I can not see all of my body for a lifetime.
Tissues make up my body are kept being renewed, and they will vanish someday.
The body without contents will not remain, and where the contents without the body go?
Will they keep remaining?
Like Snakes and cicadas, most parts of their outer layer of the skin slough off at once and become new.
Although what is left is not a dead body, it still has a perfect shape of the animal and it has no life. Is it an evidence of its life? Is there an evidence of my life?
‘Matou’ also sounds like “willing to wait” in Japanese.
I’m waiting for my death.
‘Tsukimatou’ means “to haunt.”
It always haunt me and don’t go. My body haunt me until the day I die.
‘Soumatou’ revolving lantern
An expression describes an occurrence that many visions appear in one’s mind as shadow cast by a revolving lantern. It happens when people have a brush with death and past memories come and go randomly and quickly.
‘Mattou’ means “to complete.”
I completed my life.
contemporary dance history 在 三東瑠璃 Youtube 的最佳解答
Title: Matou
🔒 https://youtu.be/Xqge8S3y6aQ
Choreography / Dance : Ruri Mito
Music: Yuta Kumachi
Lighting: Akiyo Kushida
Costume: Tomoko Inamura
Premiere: October, 2015 (Session House, Tokyo, Japan)
Supported by EU-Japan Fest Japan Committee,
The Saison Foundation, Session House
-Matou’s Review-
▶︎Review(Dance House / AsiaTOPA 2019)
https://www.smh.com.au/culture/dance/dancer-shows-the-flexibility-to-astonish-20200216-p5418q.html
▶︎Review(Taiwan Dance Platform 2018)
https://taiwandanceplatform.tw/en/writings/ruri-mito-matou/
▶︎Review(Gdansk Solo Dance Contest 2017)
https://www.gdansk.pl/wiadomosci/japonka-ruri-mito-wygrala-konkurs-solo-dance-contest-konczy-sie-gft-w-zaku,a,80459
-History-
2019/02 Asia TOPA in Melbourne, Australia
2018/11 Taiwan Dance Platform in Kaohsiung, Taiwan
2018/10 Kuandu Arts Festival in Taipei, Taiwan
2018/09 d-souko, Tokyo, Japan
2018/07 M1 CONTACT Contemporary Dance Festival in Singapore. Won the MASDANZA prize.
2018/05 HOKURIKU DANCE FESTIVAL III in 21st Century Museum of Contemporary Art, Kanazawa
2017/11 Odoru.Akita International Dance Festival 2017, Akita, Japan. Won the first Tatsumi Hijikata Memorial Award.
2017/10 ONE DANCE WEEK in Plovdiv, Bulgaria
2017/10 AURA international dance festival in Kaunas, Lithuania
2017/06 SOLO DANCE CONTEST in Gdansk Dance Festival 2017 held in Gdansk, Poland. Won the first prize.
2017/05 Rencontres Choreographiques International de Seine Saint - Denis in Paris, France
2017/05 Gaala performances in Pori, Finland.
2016/10 L1 danceFest 2016 in Budapest, Hungary
2016/05 CÁDIZ EN DANZA in Cadiz, Spain
2015/10 Premiere at Session House, Tokyo, Japan
#Contemporarydance
MATOU
It has direct meanings like “to wear, put on, tangle, roll up,” and it is often used figuratively.
I put on my body.
I can not see all of my body for a lifetime.
Tissues make up my body are kept being renewed, and they will vanish someday.
The body without contents will not remain, and where the contents without the body go?
Will they keep remaining?
Like Snakes and cicadas, most parts of their outer layer of the skin slough off at once and become new.
Although what is left is not a dead body, it still has a perfect shape of the animal and it has no life. Is it an evidence of its life? Is there an evidence of my life?
‘Matou’ also sounds like “willing to wait” in Japanese.
I’m waiting for my death.
‘Tsukimatou’ means “to haunt.”
It always haunt me and don’t go. My body haunt me until the day I die.
‘Soumatou’ revolving lantern
An expression describes an occurrence that many visions appear in one’s mind as shadow cast by a revolving lantern. It happens when people have a brush with death and past memories come and go randomly and quickly.
‘Mattou’ means “to complete.”
I completed my life.
contemporary dance history 在 History of Modern Dance - YouTube 的推薦與評價
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