Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
同時也有2部Youtube影片,追蹤數超過3萬的網紅Al Rocco,也在其Youtube影片中提到,Shanghai's duo Dirty Class remixes Al Rocco's newest single All On Me, featuring Blow Fever, turning the new hit from Trap into Future Bass House. 100...
pass the paper meaning 在 Roundfinger Facebook 的最佳解答
ประภาส ชลศรานนท์ ที่ผมแอบมอง
---
1
จำไม่ได้ว่าผมหยิบหนังสือ "เพลงเขียนคน ดนตรีเขียนโลก" มาจากหิ้งหนังสือของห้องสมุดแห่งไหนในจุฬาฯ แต่จำได้แม่นว่า นี่คือหนังสือเล่มหนึ่งที่เติมสารประกอบสำคัญเข้ามาในสมอง และหล่อหลอมให้เกิดความคิดแบบหนึ่งขึ้นในหัว กระทั่งวันนี้ความคิดนั้นยังคงอวลอยู่ไม่ไปไหน
...Continue ReadingPrapha sachon saranon that I sneak peek at
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1
I don't remember which library I picked up "music writing" from which library in chula, but I remember this is a book that added an important compound into my brain and forged. One thought in my head until today, that thought is still going anywhere.
The idea that is " many more
Along with the feeling that our little hands can write the world.
I have been listening to "Chaliang" since elementary school. Milk hasn't set (now). I still). I understand. When I was in University, the band disband disband has left just a story on the wood sheet for me. A lot of music never old. Those are written from the end of brother chik's pen - prapha chon Sara non
Reading this book makes you see the idea behind each song, and even more you see the author.
For me, whether brother chik wrote a song, wrote a book or made a movie, all he tried to do is ask people to try to look at the corner with more than just the corner.
See the world and your heart will be expansive.
Many more (many more that we don't know. We see it. Just in case we haven't seen it yet), Hibiscus Tree and blind (blind, but the mind is still bonded beauty), if there are only two of us in this world (time I'm hungry. Two of us will eat sticky rice with chicken noodles. Who to buy), it's up to who (it's up to who sees it, who can hear it, who decides), calm down bro (where are you going to fight with? I don't have time. Search for mind) etc.
Many songs of the lyrics are annoying. Such as when a lot of love songs say, " there are only us in this world brother chik asked me. Who will you want to eat noodles, who do you buy from? During a loud song If you don't love me, tell me. Tell me a word. " brother chik also wrote a song. Calm down. Where are you going? Let's see.
Khun Prapha Somchai cuddle will see the world in the drone corner. It's flying up to see the wide picture and spread out that there may be a corner that we forget to look at. The world could be something else.
...
2
"many more" in the meaning of brother chik doesn't eat just one thing. There are hundreds of thousands of possible sources, but it also means looking at everyone. Everything is equally important. Equally beautiful. Not comparing to take it to take the beams, but look beautiful. Of that person then pull out that potential to create value
" Classic, don't insult jazz
Jazz don't watch clan pop
Pop, don't mind the country.
Don't be sulking with doctor lam.
Doctor Lam, don't think more than classic. It's high "
This is a message on the screen in the concert. The song makes me think of what brother chik told me in this book. "people are like fingers. It's not equal but fingers too and have different duties" is a teacher's speech. Teaching kids in the young movie of piak posters.
To this day, the " finger is not equal " has been interpreted and wittalion. But in the meaning that I understand that brother chik wants to press, the " difference " rather than " inequality " is thumb is different from Index Finger and pinky and brother chik says " you could be a pinky finger which is more important than the index finger in some things read and think that our round fingers are valuable in our way.
"Tao" which sees the value of the nature of things like this. Often seen in the work of brother chik.
...
3
Mr. Prapha is not a big person. If there are two sides, brother chik will not stand on one side. Maybe because of the eyes that sees the beauty of each thing, each mind and an open view. I don't believe that anyone is all right. Or all wrong. Everything is good or bad.
Most importantly, this kind of thought resilience is believed that the people or the extreme thoughts we see are not eternal, but it can always change. The Extreme can also be adjusted, divided, exchange. New ingredients in themselves.
Once I had an opportunity to sit and talk with brother chik. Then we went to consult about making tv show. Our team is interested in a program that focuses on content. Easy, I want to pass knowledge to the audience. When I tell you the pattern and content to you. Listen to the brother ask, " is knowledge necessary that it must not be fun stop thinking and continue asking " is entertainment necessary to be ridiculous "
Just these two questions expand our view. We can see a new area that there is still space in the middle that combines what we thought were irrelevant. Different Worlds. and if we could, we could, we wouldn't cut off any kind of value.
...
4
That's another feature of brother chik that I secretly look at. This guy doesn't teach straight away, doesn't comment, but he likes to ask questions. Let the partner to consider it himself. This technique is used in writing as well.
The question that brother chik throws at can make us think " can it be something else " or " can it really see one way
This kind of conversation is like a kind adult who doesn't block. It doesn't draw the line what it should be. But let us choose by ourselves. This is how to tease you think with the question that khun prapha can use this kind of weapon. Praew praew praw praw praw praw The more and more.
If anyone has worked with brother chik, maybe it feels why I came up with this idea! I'm really good! But in fact, we can think because we are triggered by his brother's questions, but we will feel good because no one has ordered us to do that. We make our own decisions.
So it's not just creative work, but the way of working is also creative.
...
5
The Picture of brother chik that I remember when I was looking at the idol in the conference room is a picture of a playful executive like a little boy who had the big one who had the power to make any decision.
I saw his brother spinning pen, drawing a picture, and poke him out while everyone was meeting seriously thinking about it.
Good ideas often come up during our relaxing time -- I've heard many good thinking people say that. Many people say that if we don't lose our children, we will always keep the potential to imagine and creative.
Photo of Mr. Prapha in the conference room for me like a playful kid.
Another picture that I remember is in the conference room and dining table of the group who often meet each other. Brother Chik will tease the scared by putting a glass of water. The Edge of the table. It seems to fall to test if that person can endure enough. That person keeps moving deep. Mr. Prapha will laugh and says, " can't you stand it? Can't you stand this kind of thing
A Writer, a creative thinker that we have been following for a long time. Admired and thought that he would be quiet. But when he met the real one, he became a playful little boy, fast talking, Pear, praw and questioning. A very fun conversation.
...
6
If I would write about "the" from the eyes that I would have written many pages of paper because I have been looking at brother chik since the work behind my thoughts to read every interview that I saw until I had a chance to meet on the occasion. I'm always looking at verbs, symptoms and thoughts of brother chik. Teacher's Melody.
Finally, brother chik is not crazy. People may see the work, but they don't have to see his own. We know the song. Scream and laugh with brothers and musicians. We love the program of work. Point or many other creative works caused by this brother's mind, but often we don't even know or don't even think there is him behind it.
This is another thing that brother chik taught me. We can make a change or create something without letting people see us. in some cases, it's more powerful than having better cuddle results.
We have seen Mr. Prapha through some work, but I believe there are many pieces of this sharp and round anchor that we didn't know was his work.
The fit of being seen is something that brother chik manages to learn and nan cuddle baht.
Prapha Chon Saranon is a teacher with many lessons to sneak peek and learn.
Thank you brother chik for being an inspiration, an open thought perspective. He ignites the dream of writing books and giving "many more" tips in my heart since I was in teenagers through your work.
Congratulations to brother chik for the National Artist Award in performing arts as the creator of International Thai entertainment and music event this year.
I really want to tell brother chik that "music writing music"
At least one of me is the productivity from your song.
With love and thanks
Ehhh (round finger)Translated
pass the paper meaning 在 林柏妤 Facebook 的最讚貼文
埔里有好天氣、好水與美女😏😏
過往興盛的紙業,即使沒落,如今卻用不同方式呈現在大家面前👍🏻
#timefortaiwan
台灣是亞洲之心,台灣之心在哪裡呢?
Taiwan is the Heart of Asia. Where is the Heart of Taiwan?
埔里!
Puli!
2016-2017 Episode 22 Sun Moon Lake Route(2) 埔里走透透(南投)
Transcript 影片文字稿:
歡迎來到台灣,我是林柏妤,我熱愛旅行,也喜歡在台灣趴趴走
Welcome to TAIWAN, I am Poyu Lin ,I love to travel,love wandering around Taiwan
現在,我要搭乘台灣好行,去這個美麗的小鎮-埔里!
NOW we are taking the Taiwan Tourist Shuttles to a lovely little town called Puli!
這個地方可以用三個W來介紹,氣候、美女、以及水質,這裡的氣候宜人,女生漂亮,還有優質的天然泉水
You can use the three W’s describe; Weather, Women, and Water. It has wonderful weather, beautiful women, and crystal clear waters.
埔里盆地匯集了中央山脈純淨的水源,尤其愛蘭這個地方,其泉水更清澈甘甜,埔里酒廠用它來釀造紹興酒,沒想到一炮而紅,從此,紹興成了埔里的代名詞。
Puli is where the waters from many springs in the Central Mountains converge. Ailan, outside of Puli, has especially clear and sweet mineral water, which Puli Winery uses to brew Shao-Hsing Wine. The wine was such a hit that the beverage has become a byword for Puli.
紹興是一種琥珀色的釀造酒,其實我沒有喝過
Shao-Hsing is a amber colour rice wine,actually I never tasted it before,
很獨特的味道
It has a very uniquee.
我覺得年紀大一點的人應該會喜歡
I think people who are more elderly would like this.
紹興酒是由糯米、蓬萊米和小麥所釀造而成,不習慣喝酒的人,可以嚐嚐這裡開發的紹興酒食品,或者逛逛,全台灣第一間酒文化館,都是不錯的選擇。
Shao-Hsing Wine is made with sticky rice, Calrose rice, and wheat. Those that don’t drink can still try it as an ingredient in various foods, or visit Taiwan’s first venue dedicated to drinking culture.
除了拿來釀酒,埔里的好水還能用來做另外一種物品,沒錯,就是紙!
Besides wine Another interesting thing you can use the water to make is this! That’s right, paper!
埔里的手工造紙業,從清末時期就開始有了,當時主要的原料是竹子和稻草,製造的是一種品質粗糙的紙。
Puli’s handmade paper industry goes back to the end of the Qing Dynasty, when bamboo and straw were used to make a very coarse type of paper.
在日據時代因為發現埔里有乾淨的水,所以在當時這裡造紙業很興盛。因為特有的水質,使得紙張不會容易變黃與碎裂,對於藝術家來說,畫作有了更好的保存性
In Japanese occupation,they found Puli have pure water.So they be set here many factories to make paper.Because the clean water,it make the paper won't become yellow, hard, and broken.So the artests can put their works a long time.
1980年,是埔里手工造紙的全盛時期,但是隨著環境的變遷,現在只剩下少數業者,仍堅持著這項文化的傳承與保存。
In 1980’s was the peak of the handmade paper industry in Puli, but because of advances in technology, there’s only a few firms left to preserve and pass on this cultural legacy.
這裡有各種的DIY課程,我現在體驗的是拓印
There are all types of DIY course. I am making a Stone rubbing.
遊客在這裡,可以透過造紙、玩紙,進而重新認識紙,但為了顛覆人們對於紙的基本認知,這家紙廠還有一個更創新的點子,讓遊客感受紙的全新用法。
Here, tourists can make and play with paper, rediscovering meaning in a product that everyone gets to know at an early age. this paper factory has come up with a unique way to give visitors a whole new take on paper.
我準備要來享受我的下午茶,我的餐點快要來了
I am getting ready to enjoy my teatime, what I order, Is comeing?
請享用
Excuse me
開動囉!你看這是紙,沒錯 我準備要吃的就是紙
Here we go, paper, I am going to eatpaper,that’s right
這口味是薑耶
It has ginger flavors
脆脆的!
Crunch
是筊白筍!好特別
Wow~it’s Water bamboo shoots,so special
埔里還有一個相當有名的景點,那就是紙教堂,這座教堂原建於日本1995年阪神大地震後,為撫慰災民所興建的,設計者是日本建築師坂茂,在使用十年後經拆解、搬遷,來到了埔里。
Another popular attraction in Puli is the Paper Dome. Built in Japan after the Great Hanshin Earthquake in 1995, the paper structure designed as a church by Japanese architect Shigeru Ban was disassembled after 10 years and moved to Puli.
紙教堂不但搭起了台灣和日本的友誼之橋,也成了埔里的地標之一,有機會的話,一定要來看看,我是林柏妤,我們下次見
The Paper Dome didn’t just built the friendship between Taiwan and Japan, it also became a landmark in Puli. You must come see,if you have chance.I am Poyu Lin, enjoy your time in Taiwan! Chow~see you next time.
pass the paper meaning 在 Al Rocco Youtube 的最佳解答
Shanghai's duo Dirty Class remixes Al Rocco's newest single All On Me, featuring Blow Fever, turning the new hit from Trap into Future Bass House. 100 free DLs here http://soundcloud.com/alrocco
Official single available everywhere now on iTunes, Spotify, Apple Music, Tidal, Bandcamp, Soundcloud, Xiami, Tudou and more. http://alrocco.com
All On Me Music Video out now https://youtu.be/JiHl35l3c_w
Official All On Me Single https://youtu.be/gQWI2ZsnujM
Buy now on iTunes: http://itun.es/hk/ksJpbb
Listen now on Spotify: http://spoti.fi/1Th1Fhm
Play now on Soundcloud: http://bit.ly/1VgvzCt
Play on Grooves Planet (App Store): http://apple.co/1QIlwmL
In every decision we make, with every move we take, the weight is all on us. #AllOnMe portraits those who hustles smart for their dreams to become a reality. No matter how big or small the goals are, everyone has the opportunity when focus, consistency and a strong belief is taken religiously to the heart. Success is an uphill battle with many obstacles to overcome but that’s because nothing great comes easy. The only way is to just do it. Nobody else is going to do it for you, but you, so what you gonna do?
With 9 mixtapes in catalog since 2012, Al Rocco releases his first original single #AllOnMe exclusively on iTunes this March 25th. Bilingual in English and Chinese, featuring Blow Fever and produced by Chace, the official music video will premier this April 23rd on #TheNextUnicorn. (An international TV show about start up companies competing with each other to be "the next Unicorn” meaning reaching the hundred million dollar status.) #AllOnMe will also be available on the popular mobile game #GroovesPlanet this May 2016 at the App store and Google play.
@ALROCCO
http://alrocco.com
http://instagram.com/alrocco
@BLOWFEVER
http://weibo.com/blowfever
http://instagram.com/feverwonderful
PROD BY @DIRTYCLASSOFFICIAL
http://weibo.com/dirtyclass
http://instagram.com/dirtyclass
First Verse: Al Rocco
I started from the bottom
And I’m climbing to the top
Red money yeh I got them
And they telling me to stop
But i cant stop and i won’t stop i won't
On that jack ma getting paper but you know
And we working and we working and we working now
And we murking and we murking and we get it down
Cause everything i do i do for family
And I ain't got the time to waste my energy
And I gotta do it for my legacy
Ain't nobody gonna do it now its all on me
It's all on me it's all on me
Hundred million dollars like this melody
To be the only legendary UNI-C
Ain't no body gonna do it next it's all on me
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Second Verse: Blow Fever
Fever Fever
我一直相信努力相信自己
做事高调做人lowkey
爱慕虚荣全都抛弃
再一步就能到目的
几乎每天工作直到late night
从来没有忘记追求best life
迷了路 回头看你pass life
要经历风雨的成功才叫class right?
有时候漫天雾霾不见flashing light
生活陷入灰色很难分清黑与白
是否付出的努力都能得到回报?
STOP!只有坚持信念才能get it right
走自己选的路让他们说命运有安排
更多压力能量就更多苦尽会甘来
一百分的拼 unicorn是目标
时间就是money remember what ur dream is
Let's do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Bridge: Al Rocco
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Written by Al Rocco & Blow Fever
Produced & Composed by Dirty Class
pass the paper meaning 在 Al Rocco Youtube 的最佳解答
Available everywhere now on iTunes, Spotify, Apple Music, Tidal, Bandcamp, Soundcloud, Xiami, Tudou and more. http://alrocco.com
Official "All On Me" Music Video out now! https://youtu.be/JiHl35l3c_w
From $elfmade EP availabe now eveywhere
Buy now on iTunes: http://itun.es/hk/ksJpbb
Listen now on Spotify: http://spoti.fi/1Th1Fhm
Play now on Soundcloud: http://bit.ly/1VgvzCt
Play on Grooves Planet (App Store): http://apple.co/1QIlwmL
Premiering official music video on National China TV ICS @TheNextUnicorn (04/23) April 25th on Youtube (04/25)
In every decision we make, with every move we take, the weight is all on us. #AllOnMe portraits those who hustles smart for their dreams to become a reality. No matter how big or small the goals are, everyone has the opportunity when focus, consistency and a strong belief is taken religiously to the heart. Success is an uphill battle with many obstacles to overcome but that’s because nothing great comes easy. The only way is to just do it. Nobody else is going to do it for you, but you, so what you gonna do?
With 9 mixtapes in catalog since 2012, Al Rocco releases his first original single #AllOnMe exclusively on iTunes this March 25th. Bilingual in English and Chinese, featuring Blow Fever and produced by Chace, the official music video will premier this April 23rd on #TheNextUnicorn. (An international TV show about start up companies competing with each other to be "the next Unicorn” meaning reaching the hundred million dollar status.) #AllOnMe will also be available on the popular mobile game #GroovesPlanet this May 2016 at the App store and Google play.
@ALROCCO
http://alrocco.com
http://instagram.com/alrocco
@BLOWFEVER
http://weibo.com/blowfever
http://instagram.com/feverwonderful
PROD BY @CHACEMUSICOFFICIAL
http://weibo.com/chace1998
http://instagram.com/chacemusicofficial
First Verse: Al Rocco
I started from the bottom
And I’m climbing to the top
Red money yeh I got them
And they telling me to stop
But i cant stop and i won’t stop i won't
On that jack ma getting paper but you know
And we working and we working and we working now
And we murking and we murking and we get it down
Cause everything i do i do for family
And I ain't got the time to waste my energy
And I gotta do it for my legacy
Ain't nobody gonna do it now its all on me
It's all on me it's all on me
Hundred million dollars like this melody
To be the only legendary UNI-C
Ain't no body gonna do it next it's all on me
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Second Verse: Blow Fever
Fever Fever
我一直相信努力相信自己
做事高调做人lowkey
爱慕虚荣全都抛弃
再一步就能到目的
几乎每天工作直到late night
从来没有忘记追求best life
迷了路 回头看你pass life
要经历风雨的成功才叫class right?
有时候漫天雾霾不见flashing light
生活陷入灰色很难分清黑与白
是否付出的努力都能得到回报?
STOP!只有坚持信念才能get it right
走自己选的路让他们说命运有安排
更多压力能量就更多苦尽会甘来
一百分的拼 unicorn是目标
时间就是money remember what ur dream is
Let's do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Bridge: Al Rocco
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it
Chorus: Al Rocco
It's all on me
It's all on me
It's all on me
To be the only legendary uni-c
It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me
Written by Al Rocco & Blow Fever
Produced by Chace
Copyright 2016 alrocco.com