關於 world of color one ，我們在網路上蒐集到這些相關的討論、資訊與評價

🌷 <𝗚𝗜𝗩𝗘𝗔𝗪𝗔𝗬> TWINNING SET x @ecomamaforbubs! 🌷

Recently received these twinning #ootd set from @ecomamaforbubs who aim to bring eco friendly and sustainable baby & kids products for a better world 🌎 without compromising on quality! 👍🏻

The boys got the adorable pull overs which are made of super soft and airy organic material similar to Ellie’s buttery soft baby romper - made of 100% Organic Cotton and it’s Water-based dyes ensuring long-lasting color vibrancy and durability!

We wore them out under the hot weather but because it isn’t a thick material, it kept them cool and chic 😉

Really love the material and design! Just simple and never out of style. Always enjoying seeing the kids twin together, as it’s also easier to spot them out of the crowd #yesthatsmykids 😛😛😛😛

Our choice of design: Tulips
Noah: size 130 (7years)
Christian: size 110 (4 years)
Ellie: size 18m (14months)

🌷Swipe to last pic to see more designs! 🌷

🎁 𝐆𝐎𝐎𝐃 𝐍𝐄𝐖𝐒 🎁

Together with @ecomamaforbubs, ONE lucky FAMILY will also receive a set of (your choice of design) twinning pullovers/rompers (up to 3 siblings)

🎉🎉🎉🎉🎉

Here’s how TO WIN this:

➕ 𝙁𝙤𝙡𝙡𝙤𝙬 @ecomamaforbubs

➕ 𝙁𝙤𝙡𝙡𝙤𝙬 @familystaysg

➕ 𝙏𝙖𝙜 as many friends as possible
(No limits pls, per tag per comment!)

➕ 𝙍𝙚𝙨𝙝𝙖𝙧𝙚 this post onto your IGS, please tag us both so we can see! 🪄

The Giveaway ends on 7th Sept 2021, only limit to Singapore residents. Winner will be announced on my IG, so 𝙎𝙖𝙫𝙚 this post to stay tune!

😝 Good luck! 😍

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#familystaysg #sgcontest #sggiveaways #sgkids #sgfamily #sgig #singapore #sgmums #sgmoms #sgmummies #sgmumbloggers #sginfluencers #socialmom #kidsootd #ootdkids #babyootd #babyromper #babystyle #kidsfashiontrends #ecofriendlyfashion #ecobabyproducts #ecofashion #sgsupportlocal

#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!

The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!

Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.

Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.

Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?

Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.

Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.

Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.

Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.

Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.

THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.

THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…

The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!

https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0

#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab

英文簡報學習!

蘋果產品發表會的簡報一向超級厲害。但是這一次好像…

What happened, Apple?

我們來聽聽Presentality的募資簡報專家Andrew Yang的分析。快追蹤他們!

★★★★★★★★★★★★

蘋果產品發表會的簡報一向都做的超級厲害。

Well ok，正確來說，是 Steve Jobs 超級厲害。他的說故事能力不但迷惑了一整個世代的3C使用者，還成為一整個世代簡報老師的榜樣。

但不幸的是，比較近期的蘋果產品簡報，退步非常多。

這個跟製作的含金量 (production value) 無關：蘋果的投影片設計、視覺特效都還是一流的，但他們卻在一個關鍵環節掉漆：簡報的基本功。

下面，我們就深度解析蘋果近期的發表會簡報，違反了哪兩個簡報跟說故事的「基本功」。

不論你是大企業還是小新創，這都是非常重要的提醒：千萬，千萬別忘記簡報和說故事的基本法則！

But first，如果你沒有看他們近期的發表會，不妨自己體驗看看：

WWDC 2021 — June 7 | Apple: https://youtu.be/0TD96VTf0Xs

★★★★★★★★★★★★

📌 基本功#1： 一個動人的故事，勝過五十個不錯的功能

回想一下，很多 Steve Jobs 主導的蘋果發表會，是否都有一個讓人容易記得的故事？這些故事，有時候代表 3C 愛好者的生活邁向一個新的階段，其他時候，甚至代表世界走入一個不同的時代：

iPod 進入口袋裡就有一千首歌曲的生活 iPhone 全世界從 desktop 時代，進入 mobile 時代 MacBook Air (2013) 一整天都不用充電，充電器都不用帶
這些發表會簡報，都有一個動人的主軸，一個「核心故事」，而且是一個對我們生活富有意義的故事：

•以前我們的生活是這樣的，有這些挑戰

•今天我們有了新的工具

•有了它，明天我們的生活會更好

Steve Jobs 的這張投影片，真的預測了科技與生活的走向：所有我們生活所需要的東西，都在我們的口袋裡。

★★★★★★★★★★★★

📌 這樣的故事，有用嗎？我們看結果就知道。

其他品牌，如 Microsoft、Sony、Nokia 都推出功能強大的產品，甚至很多規格都超越蘋果的，但他們的產品有大賣嗎？沒有。他們的簡報有被全世界讚揚嗎？沒有。
為什麼？

因為他們一上台就不停的說他們有什麼功能。功能、功能、功能...

可是，在簡報的世界裡，一大堆不錯的功能，永遠鬥不過一個動人的故事。

如果簡報的世界有法則，這個肯定是其中之一。

★★★★★★★★★★★★

📌 近期的蘋果發表會簡報，卻違背了這個法則
近期的蘋果發表會，是怎麼做的？

沒錯：就是一個接一個接一個接一個的產品跟功能。

你只要回去看今年四月的發表會，就會知道我們在說什麼。

就是很多，很多，很多，很多，很厲害的功能跟規格。

★★★★★★★★★★★★

📌 蘋果的簡報風格，基本上已經淪於功能戰了，也就是當初被 Jobs 打的落花流水的那些競爭對手，使用的方式。

他們剛結束不久的 World Wide Developer Conference (WWDC) 也是一樣。我們的其中一位同事就說：

It's like 50 commercials, played back to back to back...

我們也問了另一位超級死忠果粉朋友，他覺得發表的如何。他回答：

滿鳥的，哈哈。我覺得只有少數幾個厲害的點，大部分都沒什麼特別。

這個告訴我們什麼呢？就是蘋果發表了一堆「還好」的產品跟功能，還有幾個「厲害」的。

可是敗筆就在這裡。

因為大家的 attention 都是有限的：如果你發表很多「還好」的東西，那些「還好」就會搶走你「厲害」的產品的時間，跟它們應該得到的關注。

★★★★★★★★★★★★

📌 這就是 Jobs 跟現在蘋果團隊的不同：

Jobs 知道，大家真正在意的，是一個有意義的改變，而不是很多的功能。所以他就說一個故事，告訴我們有了這個產品之後，我們的生活會如何改變。

改善，從核心故事開始

你可能會說：「不要只是說他們不好啊！有本事你提出不同的方向啊！」

沒錯，我們就是覺得，他們最近的 WWDC，可以有更好的方向。

2021年的 WWDC 基本上是完全沒有主題的。Tim Cook 站上虛擬舞台之後，只是短暫宣布一些給來自不同背景的 developers 的資源，然後就直接說：

Let's get started, by turning it over to Craig, to share with us what's new in iOS.

就這樣而已。

今年的大會，所有要發表的新產品，沒有任何的主題。沒有任何的故事。

但我們看完之後覺得，他們其實有故事，有主題。只是他們沒說出來。

★★★★★★★★★★★★

📌 這個核心故事：Privacy Meets Community

You see，蘋果最近的焦點，都放在「隱私」。在世界大眾認為科技巨頭都侵犯隱私的時候，蘋果嘗試把自己塑造成「個人隱私」的保護者。

但他們這次 WWDC 宣布的很多功能，像是 SharePlay，都環繞在另一個 idea 上面：Community (社群)。

在 COVID-19 的影響下，很多家人、同學、同事、跟好友，都被迫好幾個月甚至一年無法見面。他們在這個狀況下，要如何感覺「在一起」？如何維持緊密的 "Community"？

When we have to live apart, how can we feel together?

這是現在世界各地的人，面臨最嚴峻的挑戰之一。蘋果這次推出的許多產品跟功能，就是要幫我們跨越這個鴻溝，再度感受到 "togetherness" 及 "community"。

That's the story。

★★★★★★★★★★★★

📌 這也可以成為 Tim Cook 的開場：

The theme of our conference this year is Privacy Meets Community. It's no secret that we have an unmatched commitment to privacy. But the world today faces another challenge.

When a pandemic keeps families, friends and coworkers apart, what happens to our sense of community? How do we play, laugh, live, and feel like we're all together, when we must live apart?

As you will see, that's the focus behind many of the innovations we will unveil today. Today, privacy meets community.

他還是想要宣布一些給世界各地 developers 的資源對不對？沒問題，因為 developers 也是一個 community，而且這個 community 是非常多元的：

And one of the most important communities for us is all of you: the global developer community. This is a community for all - no matter where you're from, what you believe, and what color your skin.

I'm excited to announce a range of resources - with a focus on those who are under-represented...

這樣，一個半小時的簡報，就不是一堆冰冷冷的功能，或是不相干的產品。

他們變成一個故事的重要角色，被賦予重要的任務：Keeping all of us together。

★★★★★★★★★★★★

📌 基本功#2：Show. Don't Tell

… … …

需要完整分析的同學請追蹤Presentality!

圖片出處: https://bit.ly/3zY3wkC

🖤觀秀注意事項🖤
1. 強烈建議您配戴耳機觀賞，享受旅程
2. 若網路順暢，請將畫質調至2160p，以利最佳看秀畫質

🖤PLEASE NOTICE🖤
1. Strongly suggest! Enjoy the trip with your earphones.
2. Please watch the video with 2160p to get the best quality.

—

JENN LEE 22春夏- 家人
「大人不過是長大的小孩」- 華特迪士尼

以實驗性概念延續21秋冬系列耐人尋味的「宇宙恆變」、「活在當下」之理念，以觸動人心的創作帶領觀眾進入充滿『家人之愛』的虛擬世界，探索生命與成長的根源！

一同窺探歷經懷胎十月、初為人母的設計師Jenn在不同身份、心境與情緒轉變下，如何深刻演繹情感的波動與感觸，展示母愛光輝與溫柔無限的蛻變之作！

再次攜手全球最大華語電影獎項─金馬獎特效得主「再現影像」挑戰觀眾的視覺感官，延續JENN LEE 21秋冬的虛擬星球，以第一人稱視角的遊戲感帶領觀眾走進異次元的繽紛叢林，一窺星球上的人們與家人間關於「愛」與「情感」的故事。3D方式呈現2D充滿兒童插畫感的自然世界，再將視覺藝術家JUN YAO ZOIE LIAO設計出的童趣服裝印花3D化，成為虛擬視界裡各種獵奇可愛的生物，鮮豔細緻的畫面營造強烈的視覺效果。

音樂方面與享譽國際獲獎無數的台灣實驗電子音樂創作者Meuko! Meuko!合作，以充滿愛與希望的輕快節奏營造童趣氛圍，特別收錄Marz23狂野嘶吼、白癡公主對女兒阿甜的告白、黃宣神秘低喃以及設計師Jenn與老公Dennis對於愛的詮釋，更能聽見寶寶純真的笑聲，宛如徜徉於恆變宇宙中的呢喃奏樂。

JENN LEE 22 SS- Families
“Adults are only kids grown up”- Walt Disney

This collection is a deeply personal one as it reflects the changes in designer Jenn’s own life as she starts her new life as a mother and what this new journey means to her. This is shown not only through her collection, but also through the bold yet childlike visual motifs through the film.

Award winning production company Renovatio Pictures has returned this season to create a vibrant world filled with color and life as it explores the different forms of love. JENN LEE invited local celebrities, friends and family to take part in this fashion film as it transports the audiences to a world of its own. The unique first person gaming perspective further draws the viewer into this immersive experience as you dive into each unique storyline.
Jenn Lee has worked with talented Taiwanese illustrator JUN YAO ZOIE LIA to create key symbols that reflect the inspiration of this collection. One of the key images that stands out throughout this is the drawing of the umbilical cord, a direct reference to Jenn Lee’s new journey as a mother and a physical representation of the connection between loved ones.These illustrations are animated in the film to help tell the story of the impact that connections and memories have on our lives.

As the global pandemic continues to shape the way we interact with people and we embark on new journeys, Jenn Lee has expressed herself through this collection and hopes to encourage others to not be afraid to express themselves and appreciate the connections we have around us.

Meuko! Meuko! provides the soundtrack to this film and is mixed with different voices from the characters in the film.

--

🖤JENN LEE Team 🖤

李維錚 Wei Chen Lee
劉芸庭 Yun Ting Liu
林昕穎 Xin Ying Lin
吳霈萱 Pei Xuan Wu
毛紫函 Tzu Han Mao
周采丰 Tsai Feng Chou
盧蘊睿 Yun Rui Lu
楊詠茹 Yung Ju Yang
葉重佑 Chung Yu Yeh
何絜霓 Chieh Ni Ho
葉芮妤 Rui Yu Yeh
任宸漢 Chen Han Jen
李俐穎 Li Ying Lee

—

🖤視覺特效製作🖤

再現影像製作股份有限公司
Visual Effects By Renovatio Pictures

視覺特效總監 郭憲聰
Visual Effects Supervisor Tomi Kuo

特效製片 黃棨雋
VFX Producer Peter Huang

CG 數位視覺設計師 吳怡萱
CG Digital Artist Ella Wu

去背遮罩師 陳姵均
Roto Artist Hulk Chen

概念美術設計師 吳怡萱
Concept Design Ella Wu

行政企劃 呂旻穎
Administration Moira Lu

--

🖤Families🖤

黃宣 YELLOW
黃榮勇 Pawan
陳艾美 Amy Chen
阿夜 Marz23
阿娥姐 Monica
白癡公主 87 Princess
阿甜 A Tian
百勒絲 Fairy Pai
雷門 Raven
呀比 Yabi
張維宸 Way Mask
張䕒尹 Mini
李繼堯 Yolanda
王淑緞 Shu Duan Wang
程琪 Kare Chen
樂高 Lego
程舒唯 Edie 艾迪
費俊偉 Dennis Fei
李維錚 Wei Chen Lee
費維 Wei Baby
臭咪 Stinkymimimi

--

🖤Illustration Design and graphic design🖤
廖俊堯 JUN YAO ZOIE LIAO

--

🖤Photographer 🖤
費俊偉 Dennis Fei

--

🖤Sponsors 🖤
文化部
KCC 墾青集團
DENNIS FEI

--

🖤Music 🖤
Meuko! Meuko!

🖤Intro music🖤
庫巧兔 Cloudy Ku - Hermitage Bliss


© all rights reserved

--

JENN LEE Facebook：https://www.facebook.com/official.JENNLEE/

JENN LEE Instagram： https://www.instagram.com/jennlee_off...

JENN LEE Website：http://www.jennleestudio.com

PR Contact (Taiwan)： ellenliujennlee@gmail.com

PR Contact (UK) ：roxannechen@dyelog.co.uk

A Renault 4 for you! The third collaboration piece with @呉竹Kuretake painted using their Kuretake Transparent Watercolor Palette 12 Colors Set. I wanted to do something more straightforward for this one because it's also about the "Student-only Watercolor Art Competition," which Kuretake is holding during World Watercolors Month!

Be sure to check it out:
Kuretake Watercolor Art Competition page: https://www.special.kuretake.co.jp/wwm-competition

Tools:
- Kuretake Transparent Watercolor Palette 12 Colors Set
- Kuretake ZiG Mangaka pen 0.5mm
- Fabriano Venice Sketchbook

This is also my entry to the #worldwatercolormonth2021 ! I will not be doing all the prompts, but let' say that this piece is for the "faithful" prompt. This car certainly looks like it's faithful, alright.

When we were still living outside of Tokyo, near Enoshima, on our way to the supermarket, we would always walk by a shop that was fixing and restoring old (mostly European) cars! I took a lot of photos of very interesting vehicles there! When I want to paint something a bit different from my usual landscapes, I often go for the cars folder. ;)

Thanks to Kuretake for sending me these awesome tools to play with 👍

WWM official website: https://doodlewash.com/world-watercolor-month-july/
Kuretake + World Watercolor Month special page: https://www.kuretakezig.us/world-watercolor-month

#kuretakewwm2021
#kuretakewatercolors
#PR

Feel free to check out my other stuff:

Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz

Website: http://mateuszurbanowicz.com
Blog: http://mattjabbar.tumblr.com
Twitter: https://twitter.com/gommatt
Instagram: https://www.instagram.com/mateusz_urbanowicz

The first collaboration piece with @呉竹Kuretake painted using their ZiG Historic Art brush-pens set inspired by Claude Monet! This was an exciting challenge to try - painting something with only the six pens and the included brush pen. I drew the lines with Kuretake's Mangaka felt tip pens.

Tools:
- Kuretake "Historic Art" ZiG brush-pens set Claude Monet.
- Kuretake ZiG Mangaka 0.3 0.5 0.8 fet tip pens.
- Fabriano Venezia Drawing book.

This is also my entry to the #worldwatercolormonth2021 I will not be doing all the prompts, but let' say that this piece is for the first one, which is "reflection."

I had a lot of fun trying out the brush pens, but this time I used them more like I would do with regular watercolors - mixing them on ceramic plates. This experiment got me excited about using the more convenient 48 colors set without mixing or diluting the inks. That should be a nice challenge too! There will be a making video of this piece later on my YouTube channel!
Thanks to Kuretake for sending me these awesome tools to ply with 👍

- Kuretake x WWM site (Japanese): https://www.kuretakezig.us/world-watercolor-month
- Kuretake x WWM site (English): https://www.kuretakezig.us/world-watercolor-month-en
- WWM official website: https://doodlewash.com/world-watercolor-month-july/

Feel free to check out my other stuff:

Gumroad: https://gumroad.com/mateusz_urbanowicz
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Website: http://mateuszurbanowicz.com
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