關於 in a sense meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

This painting is one of my oil pastel series that i did before 2010. Will try to post some of my older stuff for those who never seen any of my old works. Till then.. Stay safe people..

Title : Journey to Happy Land
Medium : Oil Pastel on paper
Size: A2
2009
Current owner : @richard simon

Everyone have their own version of happy land. This thought or emotion happens randomly. It could be because of time, certain situation, surrounding environment or “just because”. So they do a journey to a certain goal that they set.

The green character depicted without arms is a representation of people that feels, think that they are missing something in their life. (It can be anything, nothing in specific). Most of the time they looking for that feeling of joy, happiness, achievement or a sense of fulfillment. During this time is where the doubt, excitement, paranoid kicks in and that's why he’s walk with a slouch with eyes open.

The smiling creatures or monsters on the sides is a representation of people around. Some will give encouragement or support, some will say good things in front and bad things at the back. But most of the time they will just look and thats about it. Your journey is their entertainment.

The road or path is colored in yellow is an adaptation of “the yellow brick road from the wizard of oz” that brings a meaning the road to success or happiness..

The jack in a box “Swindler, cheater” is a representation of the challenges that usually happen along the way, when a person is in search of their happy land.

This whole painting are basically everyone’s journey in life. You can’t see the goal here because (its a personal “something” to everyone, not all of us have the same happyland” but the “journey” that’s the most important part of life.

-
Bahasa pasar/ sembarang sabah.

Semua orang ada angan-angan/ mimpi/ impian pasal dorang punya tempat/ keadaan hidup yang best. Ni fikiran pandai datang tiba-tiba. Mungkin pasal ada barang yang jadi dalam hidup dorang, mungkin pasal keadaan keliling dorang atau sengaja mau cuba. Jadi mulalah diorang mencari jawapan.

Tu orang hijau tiada tangan macam perumpamaan orang-orang yang rasa, fikir yang dorang ada kekurangan dalam hidup. (Ni boleh jadi apa saja, tiada 1 jenis jawapan). Biasa dia, yang kana cari tu perasaan gembira, semangat, pencapaian atau kepuasan. Ni masa lah datang tu perasaan/ fikiran tidak yakin, telebih semangat, fikir yang bukan-bukan (Ni kali maksud paranoid yang simple). Pasal tu dia jalan bongkok trus mata dia tingu-tingu. (ni yg part paranoid. Takut salah, takut orang cakap bukan-bukan.. macam-macam lah)..

Yang monster senyum-senyum di siring tu umpama orang sekeliling. (yang dekat kah yang jauh kah). Ada yang tolong, support. Ada yang cakap bagus-bagus di depan tapi kasi buruk-buruk di belakang. Biasa dia ada saja yang tingu tu biarpun ko tidak tau (macam drama tv).

Tu jalan warna kuning kana guna reference “the yellow brick road “jalan batu warna kuning” dalam wayang wizzard of oz). Maksud ni ayat jalan kejayaan atau kegembiraan.

Di depan tu jalan ada clown dalam kotak “Jack in a box”. Maksud jack in a box ni orang yang menipu. Dia jual kotak kosong sama orang yang beli barang. Jadi dalam ni perjalanan mau sampai tu “happy land” ada saja cabaran.

Jadi ni lukisan cerita dia pasal semua orang punya perjalanan hidup dalam mencari erti. Dia punya hujung tiada dalam ni lukisan sebab lain orang lain yand dia cari. Tapi perjalanan, pengalaman mo kasi sampai, itu yang paling mahal.

《 #籠罩下的巨大哀愁 》
正式開展啦～
歡迎各位到台北當代藝術館

/
詳細資訊｜https://reurl.cc/bXy09v

________________________________________________

A Dark Cloud of Sorrow Looms Over

by Yu-Jun LIN

Late mornings and sleepless nights. Frustration. Anxiety.

They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

Chung Chih Ting｜I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00

特別感謝｜ 贊助單位
厭世會社 @mis.society

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社

《＃籠罩下的巨大哀愁 》A Dark Cloud of Sorrow Looms Over

A place where millions of people live alone together— the city.

During the busy and constant labor all day and night, we have fewer opportunities to talk to ourselves. The sudden epidemic has opened a door to calm our hearts and let us rethink our relationship with the world.

In the 1970s, urbanism rises in Taiwan, bidding farewell to the landscape of an agricultural society. In addition to skyscrapers, the meaning of the city also produces a certain kind of violent acceleration on our bodies. Before we could face all kinds of unpleasant questions, we quickly escape with the acceleration.

The city seems to be bustling and lively, but in fact it’s a series of stranger encounters unexpectedly. Trying to accompany each other is reduced to their
own mumbling with obscure social distance. They trying to escape from restlessness and distress for a short time; rising the conflict between governance practice and the sense of freedom. The closed, lonely cycle of labor faintly affects the changes of modern cities, and so on.

The people who live here are trying to learn how to coexist with it.

In A Dark Cloud of Sorrow Looms Over, we invite eight artists. The age difference between them is about 20 years old. We are trying to figure out in this big era,how people among different age groups to re-understand and break through the urban conditions of survival and change.



幾百萬人一起孤獨生活的地方-------都市。


沒日沒夜的繁忙，不斷勞動的過程中我們少了與自己對話的機會，突如其來的疫情，像開啟了一扇靜心的大門，反思我們與世界之間的關係。


1970年代台灣興起都市主義，揮別過往的農業景觀，其意義除了建築摩天高樓外，不外乎產生某種劇烈加速度於我們的身體，各種不適的提問還未面對，就隨著加速度快步的逃逸。


城市貌似繁華熱鬧卻只是意外地與一切陌異、他者的肉身遭逢；試圖相伴卻淪為各自的喃喃自語、不成文的特殊社交距離；嘗試短暫逃離不安及困頓的慾望；興起的治理實踐與自由意識的衝突；在封閉與寂寥的循環勞動，隱隱牽動著現代化城市的變遷等......


生存於此的人們，正試圖學習如何與它共存。

「籠罩下的巨大哀愁」一展邀請八位藝術家，之間年紀落差20來歲，我們試圖整出一個大時代下不同年齡層中，面對生存與變動的都市景況是如何重新理解及突破。


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《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00
嘖嘖募資｜https://reurl.cc/bXy09v



#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_OverThe
＃Misanthrope_Society_厭世會社

Short Film 「CHOICE」

Are we blessed to be born?
What is blessing?
realistic element?
Or the sense of blessing a blessing itself?

我々は祝福され生まれてきたのであろうか
現実的な要素が祝福か？
祝福と思える考えがそれそのものか？

There’s no fairness in this world.
Time, Race, Age, Circumstances...
Every factor can change the way it works.

平等というものはこの世にはない
等しく皆に訪れる事柄でも、時代、人種、年齢、環境…
様々な要因が、作用を変化させる

Relativistic words swirl around, and distort our concepts.
The words that seem to provide hope have prerequisites that are taken for granted.
They don't even care about those who fell off from the frame.

相対評価的な言葉が渦巻き、概念を歪めていく
一見前向きな希望を謳った言葉も当たり前かのような前提条件があり
その枠に漏れたものの存在など考えてもいない

Hope turned into justice,
and the meaning of empathy changed to consumers.

いつしか希望が正論に変わり
共感の意味は消費者に変わった

So, are we all alone
No one is the same, we never understand each other.
but no one can live alone.

では我々は孤独なのであろうか
同じ人間は1人としておらず、理解し合うことはできない
だが、人は1人では生きていけない

Definitions are made from standards, and standards are different for each one of us.
Therefore, it may seem relative, but it is absolute.

定義は基準によって為され、基準は人それぞれだ
よってそれは相対的に見えて絶対的なのだ

“Love” is always tough. Painful. Frightful.
It's up to us to choose whether we want to be loved.

辛く、苦しく、恐ろしい愛の方が多く
それを愛されるとするかは選択次第なのだ

Life is painful.
Life is beautiful.

生きることは、苦しく
生きることは、美しい



Director : Koshun Mamiya
Director of Photography : Kotaro Yamada
Assistant Camera : Masato Tanaka
Lighting Director : Sora Okubo
Original/Styling/Edit : Koshun Mamiya
Translation : Nao Asada
Narrator : Anocam
Music : 329
Acoustic guitar : Tomoki Iwasaki

Cast : emma



Koshun Mamiya
https://www.instagram.com/koshunn/
emma
https://www.instagram.com/emma_chijoke/
Kotaro Yamada
https://www.instagram.com/kotaroyamada_jp/
Masato Tanaka
https://www.instagram.com/holyhuman__1231/
Sora Okubo
https://www.instagram.com/sora075_/
329
https://www.instagram.com/bpm329/
Anocam
https://www.instagram.com/anocam_/
Nao Asada
https://twitter.com/yokutabenemuru

Hello, I am umino.Thank you for watching this video.This description uses Google Translate.

People who don't understand Japanese can't understand what I'm talking about in this video. So I will explain it in the summary column.
日本語が分からない人はこの動画で私が喋っていることが全く理解できないと思う。なので概要欄の方で説明をします。

This time, I used my nails to clean my ears. To tell the truth, it's no good, but it's not so different from the sound of cleaning your ears with your fingers. Everyone will have noticed. But there are some things you shouldn't say.
今回の動画は爪で耳かき。これを言ったらおしまいなんだけど、指で耳かきするのとあまり変わらない。みんな薄々気付いているだろう。でも言わない方がいいこともある。

It's also useless to say this, but it's boring because this video only cleans my ears. You can lie down on your screen and sleep right now. I can only say this. Most people don't want ASMR videos to be interesting, so don't worry about that.
あとこれも言ったらおしまいなんだけど、この動画は淡々と耳かきしてるだけだからつまらないよ。今すぐ画面を伏せて寝ていい。これだけは言える。大体の人はASMR動画に面白さを求めてる人は誰もいないだろうからそんなことはどうでもいいや。

Overseas viewers reading this subtitle, why not sleep early? Can you sleep soundly after reading the subtitles? The contradiction of listening to a sound that makes me sleepy while reading a lot of text while bathing in the light of a smartphone. I don't understand the meaning anymore.
この字幕を読んでいる海外の視聴者さん、「暇ですね」。字幕を読んだ後にぐっすり眠れますか？スマートフォンのライトを浴びながら、たくさんの文字を読んでるのに、眠くなる音を聴くという矛盾。もう意味が分からないですよ、私は。

How long does it take for everyone to go to bed after going to bed? I'm sure many people have messed with their smartphones and watched Twitter or Instagram for about 30 minutes. Sleep soon.
みんなはベッドに入ってから寝るまでに何分くらいかかる？スマホをいじって、ついついTwitterかInstagramを見て、30分くらい経ってるなんて人もたくさんいるだろう。早く寝ろ。

It seems that some people spend too much time searching for ASMR videos to sleep and can't sleep. It doesn't make sense. It is more likely that the quality of sleep will improve if we stop cultivating new things and repeat the favorites we have heard so far.
寝るためのASMR動画を探すことに時間をかけすぎて、眠れなくなる人もいるらしい。本末転倒ではないか。もういっそのこと新規開拓をやめて、今まで聴いてきたお気に入りをリピートしていた方が睡眠の質が上がりそうだ。

By the way, there was something I wanted to talk about fingers. Does everyone overseas pick up booger? I used to talk about the telop in the video a long time ago, but I didn't hear it from people overseas, so I asked.
そういえば指について話したいことがあったんだ。海外のみんなは鼻くそをほじりますか？昔、動画内のテロップで話したことなんだけど、海外の人には聞いてなかったので聞いてみた。

You who want to say, "It's not your finger, it's your nose." I know what I mean, but premature ejaculation is a problem. "How do you pick a booger? Yes, a finger." It seems that people can't talk to people who use cotton swabs or gloves only to pick a booger. I don't think he'll watch a video that uses his fingers to clean his ears.
「指じゃなくて鼻の話じゃねえか」と言いたいそこのあなた。言いたいことは分かるが早漏は困るよ。「鼻くそはどうやってほじる？そうだ、指だ。」鼻くそをほじるためだけに綿棒を使ったり、手袋をはめる人とは話が合わなそうだ。そんなやつが指を使って耳かきする動画を見るんじゃねえ。

People overseas have a higher image of nose than Japanese people. I got interested. Isn't there a lot of dust on the nose if the nose is tall? When.
海外の人は日本人に比べたら鼻が高いイメージがある。私は気になってしまった。鼻が高いと溜まる鼻くその量も多いのではないのか？と。

Please tell me if you enjoy picking booger at the end of the day, or if you just pick up your booger on the go.
一日の終わりに鼻くそをほじるのが趣味のあなたや、人目を忘れてほじっちゃうホジラーのあなたも教えてください。

Actually, there was a very important question overseas as to whether or not to clean the ears, but it was too late to remember, so I will ask another time.
本当は海外では耳かきするのかという非常に重要な疑問があったのだが、今思い出してしまったので別の機会に聞くことにする。

Good night.
おやすみの。


イヤホンまたはヘッドホンをつけてお楽しみください。もし動画が良かったら高評価を押していただけると励みになります。

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Copyright © 2017 UMINO ASMR All Rights Reserved.

【曲名 : メンヘラって神じゃね？】
↓音楽アプリで鬼リピしてね♡↓
ダウンロード : https://linkco.re/nUTrun5v

Music/Lyrics/Track/Mix/Mastered : たかやん (Takayan)
Twitter : https://twitter.com/takayan_gorizal
Instagram : https://www.instagram.com/takayan_gorizal
Soundcloud : https://soundcloud.com/takayan_gorizal

Illust : mano
Twitter : https://twitter.com/mano__aaa

【Lyrics】
ヘラる 生まれたくも無いのに生まれて 裏切られまくって
ヘラる おともだち欲しいから目元だけ写して自撮って

切る 自分に厳しい メンヘラは神
だけどそれ以上傷つけないで
生まれただけで素晴らしいんだって
理不尽な奴らには中指立てる

ヘラる 脳にしがみ付く元カレ
ヘラる つまらないのに愛想笑い
ヘラる 生きる意味が分からない
ぱおんだよ！ダルすぎてずっと自粛！

エナドリ 薬 OD スト缶でハイになって永遠に無理して体壊す
大丈夫だよ、かあちい目指すだけでかあちい
誰もが憧れる 「あのギャル」

皆、同じような目 だが天国
かまちょでも加減分かるなら良いよ
リスカは鍵垢でして欲しいよ
まぁどう生きようが君のふりーすたいる！
イラついたら君のサンドバックになりてぇな
常識無い害悪の退治 お疲れ様
一人じゃない！ 音り乗って 憂鬱さえも教えてな
「好き」を追う君は一番輝いてる！

元彼なんて後悔させようぜ。
愛想笑いでいいよ つまんないもんね
おっけい 生きる意味 誰も分かんねえ
都合良いだけの人じゃなくていいから
自分責めるくらいなら その原因に疑問を持って
また憂鬱が始まるよ 自分許して自由に歩こう

切る 自分に厳しい メンヘラは神
だけどそれ以上泣きすぎないで
生まれただけで素晴らしいんだって
嫌いな奴らには中指立てる

切る 自分に厳しい メンヘラは神
だけどそれ以上泣きすぎないで
生まれただけで素晴らしいんだって
嫌いな奴らには中指立てる

ほら、まだ生きれてる。
結局、自分の道進んでるから
さあ ごーいんおん いざぴえん
まだまだ ごーいんおん いざぴえん
足りない ごーいんおん いざぴえん
自分に勝つその日まで。


【English Lyrics】
("Menhera" mean is "ill girls" Japanese people called this.)

Ill, was born but not in your own purpose. Betrayed, always.
Ill, want to make friends and take selfies, only for half of the face.

Wrist cut, harsh to yourself, ill girls are god.
But please don't hurt yourself anymore.
"It's amazing to be born by".
Show your middle finger to those nonsense guy.

Ill, ex-boyfriend which clings in your brain.
Ill, bored but still give a fake smile.
Ill, don't even understand the meaning of living.
OMG, too dull that don't want to go out anymore.

Energy drink, drugs, overdose, alchahol, high as f*cked. Repeating forever, breaks the body.
Its fine, just want to be cute.
Become 'the girl' that everyone admires.

Everyone looks the same, but I like it.
Want to be loved, but not too much.
Want to upload wrist cuts to private accounts.
You have your freedom to decide how you live!
Wants to be your sandbag when you're irritated.
Kill harm who have no common sense, good job.
Not alone! Follow the rhythm and tell me about your depression.
Shines while you chase for your love!

Let's make your ex regret.
Give your fake smile, cuz live is boring.
OK, no one know about the meaning of living.
Don't have to be a yes-man.
Blame the cause rather than blame yourself.
Depression repeats, forgive yourself and live freely.

Wrist cut, harsh to yourself, ill girls are god.
But please don't cry too much.
"It's amazing to be born by".
Show your middle finger to those you hate.

Wrist cut, harsh to yourself, ill girls are god.
But please don't cry too much.
"It's amazing to be born by".
Show your middle finger to those you hate.

See? You're still alive.
After all, you are living with your own way.
Keep on, sob sob.
Still goes on, sob sob.
Not enough, sob sob.
Until the day you beat yourself.