關於 i know him so well lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

【天青色等煙雨，而我在等你】(English writing below)

我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了

她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出

一個被愛情辜負的女子
看了真是心疼

我不由自覺的
想到了自己

你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢

童年
過得心驚膽顫
家裡常吵得
雞犬不寧

爸爸沒想要
把我生下
媽媽常說
要把我趕出去

我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大

多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來

我很恨
為何我命運不如人

第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了

我終於
值得有人愛了

初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡

他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好

有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期

心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒

後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
（你以為老娘在賤賣嗎？）
不久一位朋友告訴我
他約會的對象
不只我一個

我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我

但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷

我又輸給
活在記憶中的人了

我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來

第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他

在家裡的毒打
並沒有隨著我成人
而停止

後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹

那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子

方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨，而我在等你』

他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。

慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線

學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足

愛情
是一個填不滿的慾望
所以愛情劇長紅

在2015年2月21日年初三，根本上師蓮生活佛在台灣中天綜合電視台的訪談中說：https://youtu.be/EPDxwSt6a5I （時間12:08）

「師尊本身的愛是這樣的。我既然愛她，就是要她幸福，不是要佔有她，這種愛不是佔有，其實愛不是佔有。如果愛是佔有的話，那就是屬於慾望。如果愛不是佔有，我是祝福她，雖然我愛她，她不愛我，她愛別人，我就祝福她。如果愛別人會比較幸福，我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛，一定會產生痛苦。」

原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算

我輕輕的拿起桌上的紙巾，遞給女客人。她一把鼻涕，一把眼淚的向我道謝。

借了師父慣用的笑話，我柔聲細語的說：「別哭，新加坡缺水，要哭要到蓄水池哭，這樣我們可以少看馬來西亞的臉色做人。」

她破涕而笑。

我再說：「我看了妳的八字，現在又看到妳真人，勸你跟我講話老實一點，要不然我幫不到妳。妳明明一直做人家的小三，還敢跟我哭沒有男人要和妳結婚？妳不也偷偷拿了他不少錢嗎？我看妳明明就是一張愛錢的臉。」

奉勸各位大俠，在我面前，若要用眼淚爲武器，請三思，因爲虛偽的，我必定拆你面具。

..........................

I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.

All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.

To see a lady being let down by love was indeed heart-breaking.

I couldn't help but thought of myself.

You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.

My childhood was filled with a lot of fear. There were often quarrels at home.

My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.

I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.

So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.

I hated so much. Why wasn't my destiny comparable to other people?

When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.

The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.

He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.

Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.

My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.

I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.

I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.

But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.

Again, I lost to someone who lived in the memory of the guy I liked.

This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.

In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.

The abusive beating at home did not stop even after I grew up.

Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."

That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.

800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨，而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).

Vincent Fang said, the most powerless kind of helplessness in love was waiting.

The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.

Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.

After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.

Secular love is a black hole of desires. That is why romantic shows are evergreen.

On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I （timestamp 12:08）

"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."

Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...

My destiny is in my hands. How it pans out is up to me to say.

I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.

Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."

She broke into a smile among her tears.

I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."

My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.

【キンコン西野、HYDE愛を語る】

今日は大切なお知らせが二つございます。

まず一つ目ですが、映画『えんとつ町のプペル』のオンラインムビチケの発売が開始しました。

コチラ→https://mvtk.jp/Film/070395

前売価格なので、若干お買い得になっていて、一般が１５００円。子供が８００円です。
でもって、オンラインムビチケ（前売券）の購入特典として、「特製スマホ壁紙」がプレゼントされます。

こちらは、初公開となる映画『えんとつ町のプペル』のメインビジュアルです。



個人的にメチャクチャお気に入りの一枚で、今日は、この絵のことを少しだけ説明させていただきます。

主人公のプペルとルビッチが煙突の上に座って、上を向いているのですが、「上を向く」というのが今作のテーマでもあるんですね。

劇中、高いところが苦手な煙突掃除屋の少年のルビッチ君が、ハシゴを登る時に下を見ちゃうシーンがあります。
下を見ると、体重が後ろにかかるもんですから、立てかけてあるハシゴが揺れるんですね。

それに対して、下で見守っていたルビッチ君のお父さんの「ブルーノ」さんが、「下を見るから揺れるんだ。上を見ろ」とアドバイスするわけですが、これはハシゴに引っ掛けた世の理で、僕らは上を向いている時は体力的に少々大変でも頑張れる。

それこそコロナなんて「来月終わります」と言ってもらえたら、その希望をオカズに１ヶ月ぐらいの貧乏は我慢できる。

だけど、コロナの場合は「いつ終わるか分からない」という、「希望が取り除かれた状態」だから、精神的にかなりグラついてしまう。ともすれば鬱っぽくなる。

そう考えると、「希望」というのは、僕らが生きていく上で必要なもので、「上を見る理由」を提供することは僕ら表現者の仕事の一つでもあるなぁと思いました。

　
映画『えんとつ町のプペル』は来年公開に延期する話も上がったのですが、「いやいや、今年公開しよう！」とワガママを言いました。
大変なのは百も承知で、だけど、だからこそ、皆と同じように大変な中で頑張って、頑張って頑張って結果を出す。

その姿を見せることができたら、「ああ、こんな中でも死ぬ気で努力すれば活路が見いだせるんだな」と思ってもらえて、誰かの規模になることができるなぁと思って、今年公開に踏み切りました。

　
メインビジュアルは、そういう気持ちを全部込めて、「煙に覆われて、なかなか星が見つからない町の中で、それでも上を見続ける主人公達の横顔」にして見ました。
この絵が頑張る人のお守りになると嬉しいです。
オンラインムビチケをご購入いただけると、特典で付いてきますので、是非！



https://mvtk.jp/Film/070395

んでもって、大切なお知らせの二つ目です。

昨夜、YouTubeの生配信で喋ったのですが、HYDEさん愛が爆発してしまって１時間近く喋っちゃったので、あたらめて短くまとめます。

映画『えんとつ町のプペル』のオープニング主題歌「ハロウィンパーティ プペルver.」の配信が開始されました。

コチラ→https://hyde.lnk.to/hppoupelleTP

HYDEさんが子供達と歌っているのですが、これ、本当にビックリするぐらいカッコイイので、一度聴いてください。
僕は昨夜から、かれこれ２０回ぐらい聴いています。



こちらの楽曲は、もともと２０１２年頃に発表されていたんです。

それが、もう、とっても素敵で……まもなく、日本にもハロウィンが一つの文化として根付いて、その後、様々なハロウィンソングが世に出てきたのですが、僕個人的には、この楽曲を超える「ハロウィンソング」には出会わなかったんですね。

やっぱりブッちぎりだったんです。



映画『えんとつ町のプペル』のオープニングシーンの脚本を書くときも、後ろにずっとこの曲を流していて、この曲に引っ張られるようにオープニングを書いたんですね。

で、いよいよ「オープニング曲の制作をしよう」という段階に差し掛かった時に、「いや、ちょっと待てよ」と。

２０１２年から、HYDEさんの「ハロウィンパーティ」を超える曲が出てこなくて、んでもって、そもそも「ハロウィンパーティー」を流しながら、この曲に合うように本を書いてしまっている。
この条件で、「ハロウィンパーティーを超える曲なんて作れるんだっけ？」と思ったんですね。

というわけで、「一旦、ダメ元で、HYDEさんに、この曲を使わせていただけるか、お願いしてみよう」と。で、「ダメだったら、頑張って作ろう」ということで、話がまとまったんです。



やっぱり、「イイものはイイ」ので。

変にエゴをこじらせて、何でもかんでも「自分でやる」とするのではなくて、素晴らしいものにあやかれるのなら、あやかった方がイイ。
それが製作総指揮の仕事だなぁと思ったんです。

で、ダメ元で、HYDEさんにお願いしたところ、これが本当に本当にありがたいことに、なんとHYDEさんが、そもそも『えんとつ町のプペル』のファンでいてくださって、快く「オッケー」をくださったんです。

こんなにありがたいことはありません。

そして、もっとありがたいのはここからです。
ここから僕のHYDE愛が爆発するのですが……映画館で流すとなると規格も変わりますし、さらには前後の音楽とのバランスもあって、今回、「ハロウィンパーティー」を映画用にアレンジする必要があったんですね。


そこからのHYDEさんが本当に最高すぎたのですが、HYDEさんったら、楽曲を提供して終わりじゃないんです。

「えんとつ町」には、こういう音は鳴らない」とか「煙の中から聴こえてくる音は、こっちだ」といった感じで、映画用のアレンジを本当にトコトン付き合ってくださったんです。

テレビのインタビューだと「オッケー、オッケー」といった軽い感じで受けて、サクッとやりました感が出ていますが、どっこい、皆さんが思われている「トコトン付き合う」の５倍ぐらいトコトン付き合ってくださった。

歌詞も若干変わってるんです。

もともと歌詞の中に、「月明かり」というワードがあったのですが、「えんとつ町」は煙に覆われて空を知らない町なので、月も知らないので、「月明かり」が「薄明かり」になっていたり、その他にも、えんとつ町にあるハズがないものは歌詞から省いて、えんとつ町仕様に変えてくださったんです。

んで、また、子供の声との相性が抜群！
ロックミュージシャンと子供が、メチャクチャイイ感じに融合している。

　
一言でいうと、「HYDEさんが好きだ」ということです。



学生時代、僕はアルバイトで、ラルク・アン・シエルさんのコンサートスタッフをさせていただいたんです。

スタッフはステージに背を向けて、お客さんの方を見なきゃいけないのですが、両耳は全部ステージの方を向いていて、実は、その時のライブに、まだ出会う前の梶原君も来ていて、僕はスタッフとして、梶原君はお客さんとして、ラルクさんのライブに参加させていただいたんです。

ときどき梶原君と、その話になるのですが、あの日、あのライブを観て、ステージ上のラルクさんを観て感じたことは、僕も梶原君も全く同じで、僕らが目指したのは「お笑い」だったのですが、もうちょっと大きな枠として捉えた時に、「いつか、あっち側に行ってみたいな」と思ったんです。

なんか、本当にキラキラしていた。

コンサートの撤収でパイプ椅子とかを片付けながら、「あっち側に行きたい」と、ずっと思っていました。



なので、今回、こういった形でご一緒させていただくことになったのは、あの日の自分の希望でしかなくて、もしタイムマシン的なものがあれば、あの日に戻って「お前、メチャクチャ頑張ったら、いけるぞ」と彼に言ってやりたいです。



まぁ、とにかく、HYDEさんが映画『えんとつ町のプペル』用に作り直してくださった「ハロウィンパーティー」が本当に、本当に最高なので、是非、聴いてみてください。

　
あと、とはいえ「いただきっぱなし」は気持ちが悪いので、今回、お力を貸してくださったHYDEさんに対して、また、HYDEさんをずっと支えてくださったファンの皆様、スタッフの皆様に対して、僕なりの恩返しはさせていただきます。

そちらは１１月上旬に発表します。

そのアクションでもって、「あの日の僕の胸を熱くさせてくれたHYDEさんって、こんなにカッコイイだぜ」ということを、あらためて、世の中にお伝えします。

お楽しみに。



西野亮廣(キングコング)
　

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https://nishino73.thebase.in/items/25497065
[Xin Nishino, Hyde talks about love]

We have two important news today.

It's the first one, but the movie ′′ a no-′′ online bangabandhu is now on sale.

Here → https://mvtk.jp/Film/070395

It's an early bird price, so it's a bit of a bargain, and the general is 1500 yen. The child is 800 yen.
′′ Special Smartphone Wallpaper ′′ will be present as a special gift for the purchase of online bangabandhu (early bird tickets).

This is the main visual of the first movie ′′ a in town ′′ (in Japanese)



One of my personal favorites, and today, I'm going to explain a little bit about this painting.

The protagonist," and Ruby are sitting on the chimney, and they are on their way up, but it is also the theme of the creation of the creation.

In the play, there is a scene where the chimney cleaner boy, who is not good at high, is looking down when climbing the ladder.
When you look down, the weight is behind, so the propped ladders are swaying.

On the other hand, Levitch's father, Bruno, who was watching downstairs," is swaying because he looks down. Look up I advise you, but this is the understanding of the world that hook up to the ladders, and when we are on the way, we can do our best to be a bit hard.

If you say corona is ′′ it will end next month you can resist the poor for about 1 months in the wank.

But in the case of Corona, ′′ I don't know when it's going to end," it's a state of hope removed," so it's mentally quite a bit of a I feel depressed.

If you think so, ′′ hope ′′ is what we need to live, so I thought that providing ′′ the reason to see above ′′ is also one of the work of our expressions. I'm sorry.

　
The movie ′′ a town ′′ has risen to the public next year, but," no, no, let's publish this year!" I was selfish.
I know it's hard, but that's why I'm going to do my best in the middle of the day, and I'm going to do my best, and I'm going to do my

If you can show the appearance," oh, if you try to die in this way, you'll find a find," and you'll be able to become someone's scale, and you'll be able to publish this year. I went to the crossing.

　
The main visual is all about that feeling," I saw it in a town where I can't find a star, and I still keep looking up,"
I would be happy if this painting would be the amulet of the person who works hard.
If you can buy online bangabandhu, you'll be able to follow it with special benefits, so come on!



https://mvtk.jp/Film/070395

And it's the second one of the important announcement.

Last night, I talked about a live broadcast on Youtube, but Hyde's love exploded, and I talked about it for almost 1 hours, so I'm going to have a short summary of it.

The opening theme song ′′ Halloween party persie ver." for the movie ′′ a ′′ has started.

Here → https://hyde.lnk.to/hppoupelleTP

Hyde is singing with the kids, but this is really cool to be surprised, so please listen to it once.
I've been listening to it about 20 times since last night.



This song was originally announced around 2012

It's already very nice...... soon, Halloween will be rooted as one culture in Japan, and after that, various Halloween songs came out in the world, but I personally, over this song ′′ You didn't meet the Halloween song.

I knew it was a prude.



Even when I wrote the script of the opening scene of the movie ′′ a in town ′′ I've been playing this song for a long time, and I wrote the opening to be pulled by this song.

So, when I finally got to the stage of ′′ Let's make an opening song," no, wait a minute,"

Since 2012, I didn't have a song over Hyde's ′′ Halloween party ′′ and I wrote a book to fit this song while playing ′′ Halloween party ′′ in the first place.
In this condition," I thought I could make a song over Halloween party?"

So," I'm going to ask Hyde to use this song once," So," if you don't do it, let's make it hard," the story was organised.



As expected," good things are good,"

It's better to be able to take a look at the ego, not to ′′ do it yourself ′′ but if you're going to be aya by something wonderful.
I thought it was the work of the production general command.

So, I asked Hyde for a bad time, and this is really a blessing, and Hyde was a fan of ′′ a town ′′ in the first place, and I was delighted to give you ′′ okay ′′

There's never been such a blessing.

And more thankful is from here.
My Hyde love is exploding from here, but...... when it comes to the movie theater, the standard changes, and even more, there is also a balance with the music before and after, and this time, I'm going to have a ′′ Halloween party ′′ for the movie You needed to arrange it.


Hyde from there was really the best, but Hyde-San, it's not the end of offering songs.

′′ a town ′′ doesn't sound like this or ′′ the sound of listening from the smoke is this way it's really a ton of place for the movie.

In a TV interview, I received a light feeling like ′′ okay, okay I feel like I'm going to have a quick time, but I'm going to have a good time, but I'm going to have a good time with the ′′ place dating ′′ that everyone is thinking about. Thank you for dating me.

The lyrics are slightly different.

There was originally a word ′′ Moonlight ′′ in the lyrics, but ′′ a town ′′ is a town that is covered in smoke and does not know the sky, so I don't even know the moon, so the ′′ Moonlight ′′ is ′′ thin ′′ It's been a light, and other things that are not in a town, I left it from the lyrics and changed it to a town specification.

And also great compatibility with children's voice!
Rock musician and kids are fused with a mess.

　
In One Word, it means ′′ I like Hyde,"



In my school days, I was a part-time job, and I was able to do a concert staff of ral ann.

The staff has to turn back on the stage and see the customer, but both ears are all looking for the stage, and actually, the live of the time, and the sugawara-kun before he still met. And I was a staff, and sugawara-kun was a customer, and I was able to participate in the live of Mr. Ral.

Sometimes it's going to be a story with sugawara-kun, but that day, I saw that live, and I saw Mr. Ral on stage, and I was also the same as sugawara-kun, and we aim for it ′′ It was a comedy, but when I captured it as a little bigger frame, I thought, ′′ someday, I'd like to go to the other side,"

It was really sparkling.

I've always thought that I want to go to the other side while cleaning up the pipe chair at the evacuation of the concert.



So, this time, I'm going to be with you in this form, and I'm going to have a good time with my hope that day, and if there's a time machine, I'll go back to that day ′′ you're so messed up I want to tell him that if you do your best, you'll be able to do it



Well, anyway, the ′′ Halloween party ′′ that Hyde recreated for the movie ′′ a no-in-town ′′ is really the best, so please listen to it.

　
Later, ′′ I'm left ′′ is disgusting, so I'm going to have a good time with Hyde, and I'm going to have a good time with Hyde, and I'm going to have a good time with all the fans who have been able to support Hyde for a long time, and I'm going to I will give back.

We will announce it in early November.

With the action, I will tell the world that Hyde, who made my chest hot that day, is so cool,"

Look forward to it.



Ryo Nishino (King Kong)
　

▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino

▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065Translated

//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.

By AUGUST BROWN

The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.

The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.

The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.

“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.

Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.

“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”

Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.

Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.

These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.

Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.

Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.

The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.

“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”

Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.

“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”

So Wong and other artists like Ho have been pushing back where they can.

Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.

Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.

“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”

The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)

“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.

Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.

“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”

Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.

No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.

“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”

Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”

Anthony Wong Yiu-ming

Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //

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Lyrics:
I found a love for me
Darling, just dive right in
and follow my lead
Well, I found a boy,
so handsome and sweet
I never knew you were
the someone waiting for me
'Cause we were just kids
when we fell in love
Not knowing what it was
I will not give you up this time
But darling, just kiss me slow
your heart is all I own
And in your eyes you're holding mine

Baby, I'm dancing in the dark
with I between your arms
Barefoot on the grass,
listening to our favorite song
When you said you looked a mess,
I whispered underneath my breath
But you heard it, darling,
you look perfect tonight

Well I found a man,
stronger than anyone I know
He shares my dreams
I hope that someday I'll share him home
I found a love
to carry more than just my secrets
To carry love
to carry children of our own
We are still kids, but we're so in love
Fighting against all odds
I know we'll be alright this time
Darling, just hold my hand
Be my boy, I'll be your girl
I see my future in your eyes

Baby, I'm dancing in the dark,
with I between your arms
Barefoot on the grass,
listening to our favorite song
When I saw you in that clothes,
looking so beautiful
I don't deserve this, darling,
you look perfect tonight

Baby, I'm dancing in the dark,
with I between your arms
Barefoot on the grass,
listening to our favorite song
I have faith in what I see
Now I know I have met an angel in person
And he looks perfect,
I don't deserve this
You look perfect tonight

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Kawaii Miya: https://www.youtube.com/channel/UCmHqFg69z8UqXDWcLt7eOzw

My Instagram: @seya_thongchua : https://www.instagram.com/seya_thongchua/

Also follow my families: @pete_thongchua : https://www.instagram.com/pete_thongchua/
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Facebook: Pete Thongchua(Official)
Vilailak Thongchua
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Piano by Sing2Piano www.youtube.com/sing2piano

Hey guys! Here's a Coldplay - Viva La Vida cover I arranged and played on the ukulele. Hope you enjoy it! Please let me know how you like it in the comments below, and what other songs you'd like me to cover. Thanks so much for your support!!! ~ Eden Kai (Thank you Adam, Nick, and Brandon from the BentPixels team helping me out!)
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CONTACT（連絡）: imagine@edenkai.com

MERCH(グッズはこちらから) : http://edenkai.store

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Let's Connect!（SNSやってますー！）:

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INSTAGRAM（インスタ）: https://instagram.com/edenkai_official

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TIKTOK（ティックトック）@edenkai_official

Viva La Vida (lyrics) by Coldplay:

I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field

For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People couldn't believe what I'd become
Revolutionaries wait
For my head on a silver plate
Just a puppet on a lonely string
Oh who would ever want to be king?
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field

For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
I hear Jerusalem bells a ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world

ABOUT EDEN KAI:
Very few young talents offer the wide array of diverse skills as those possessed by Eden Kai (aka Yusuke Aizawa). An actor appearing on one of Japan’s most popular reality television shows, Terrace House - Aloha State, Yusuke was beloved by the millions of viewers watching the show as it was broadcast on Fuji Television in Japan, as well as via online service, Netflix streaming the show in nearly 200 countries. Eden’s time on the show allowed him to display his skills as a ukulele and guitar virtuoso, composer, singer-songwriter, and vocalist. His musical talents and role on Terrace House helped him to secure a spot performing at the upcoming Fuji Rock Festival, which is the largest outdoor music event in Japan. Eden also made history at the age of 16 when he became the first instrumentalist to ever win Grand Champion at the popular Brown Bags to Stardom talent competition in Hawaii.

Signed to one of Japan’s most prominent media conglomerates, JVC Kenwood Victor Entertainment, Eden is preparing for the widespread release of his first major album, Music for You. The album is scheduled to be released on June 21st. It follows two previous CDs released independently; Touch the Sky in 2015 and Feel the Earth in 2016. Touch the Sky received a finalist nomination for Instrumental Album of the Year at the Nā Hōkū Hanohano Awards and the 2016 Hawaii Music Awards. Both Touch the Sky and Feel the Earth, as well as the singles featured on them, are available for purchase through his website, www.EdenKai.com, as well as on iTunes, Amazon, CD Baby, and Bandcamp.

Eden is steadfast in his belief that music can have a healing effect on the world. He has used his music and status as one of Japan’s biggest rising stars to help many organizations and causes. Proceeds from past songs and performances have been donated to benefit children from disaster-stricken countries, to purchase educational materials for a school in Bangladesh, and to support a health center in Haiti. He has also been active in supporting causes benefitting the victims of the 2011 Tohoku Earthquake and Tsunami, the recent Kumamoto earthquake, Easter Seals, and the Make-A-Wish Foundation.

---------

Official BILLbilly01 cover of Robbers by The 1975 featuring Alyn.
For more BILLbilly01 covers, click here! http://bit.ly/1WdURD6
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YouTube: http://www.youtube.com/alynwee
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Lyrics:

She had a face straight outta magazine
God only knows but you'll never leave her
Her balaclava is starting to chafe
And when she gets his gun he's begging, "Babe, stay, stay, stay, stay, stay."

I'll give you one more time
We'll give you one more fight
Said one more lie
Will I know you

Now if you never shoot, you'll never know
And if you never eat, you'll never grow
You've got a pretty kind of dirty face
And when she's leaving your home she's begging you, "Stay, stay, stay, stay, stay."

I'll give you one more time
We'll give you one more fight
Said one more line
Be a riot, cause I know you

Well, now that you've got your gun
It's much harder now the police have come
Now I'll shoot him if it's what you ask
But if you just take off your mask
You'd find out everything's gone wrong.

Now everybody's dead
And they're driving past my old school
He's got his gun, he's got his suit on
She says, "Babe, you look so cool, you look so cool, you look so coo-o-o-oo-oo-ool.
You look so cool, you look so cool, you look so coo-o-o-oo-oo-ool."