Giveaway!「小城之魅」|第十七集|映釀酒吧
“Edible City” EP17|Cinebrew Bar
用電影和酒精醞釀人生故事
Brewing lifestories with Movies and Alcohol
La La Land是主理人Alan 最喜愛的電影之一,也造就了我們小城之魅系列影片中,一次比較特別的嘗試:我們把電影情節 La La Land 在映釀酒吧重現,並從而帶出酒吧內不少的隱藏電影元素,包括不少經典電影對白和彩蛋在店內,待大家發現。
Alan更是致力於推廣本地藝術事業,映釀酒吧就是一個專為本地舞台劇、戲劇、音樂表演而生的平台。
酒吧的飲食也一直為人所津津樂道。從出名已久口味眾多的雞翼,到罐頭雞尾酒、火鍋調酒等,都可以看得出主理人天馬行空的創造力。
正如門口的「一場釀造」霓虹燈所示,人生與酒,大致類似,無非是一個醞釀的過程。經過「映釀酒吧」的話,不如以酒為伴,一飲人生。
事不延遲,一起來參加我們為你準備好的Giveaway,很簡單,就做兩件事!
我們會在IG和FB 合共送出:
1. 10杯 MacauEat Cocktail
2. 10份 火鍋Cocktail
玩法十分簡單:
1. Follow Macaueat 澳門美食 & Cinebrew_bar
2. 在留言區@一位好友(次數不限但不可重複@同一個人多次,留言越多,勝出機會越大)
3. Share此帖文
活動由即日起開始,2021年6月18日截止,將與2021年6月19日公布20位得獎者。
MacauEat 與映釀酒吧保留活動最終解釋權。
🎥:動力創作及策劃
💃: Rachel
🕺: Raymond
💄: Three Looks Makeup
#MacauEat #澳門美食
#EdibleCity #小城之魅
#CinebrewBar #映釀酒吧
#Macau #澳門
One particular theme of the Cinebrew Bar is “cinema”, and it is featured in the decorations around the bar. The the bar owner Alan prepared classic dialogues and Easter eggs from famous movies for you to discover. What is more, Alan is dedicated to promote local art by providing platforms to local stage shows, dramas and live music shows.
The food and beverages of the bar are famous in town. From chicken wings with various and special flavors, canned cocktails, hot pot cocktail, we can tell how creative the owner is.
Just like the neon sign in the front door says “a brewing”. Life just likes a brewing process. So when you pass by, why don’t you just step in, and drink your life away?
同時也有1945部Youtube影片,追蹤數超過202萬的網紅Marioverehrer,也在其Youtube影片中提到,► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 * ► Submit Your Music: https://marioverehrer.aidaform.com/contact-form ►...
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how to promote music 在 美國在台協會 AIT Facebook 的最佳貼文
五月:AIT@40「移民與交流月」:AIT@40最終篇章倒數計時!為慶祝AIT 40歲生日,我們為2019年每個月訂定一個主題,凸顯美台在各個領域的成就。五月是AIT@40「移民與交流月」,在這整個月中,我們舉辦了一系列的活動,凸顯雙邊人民之間強健的連結。5月5日至5月23日,20位來自新竹中學、高雄中學、台中二中與武陵高中的音樂班學生與老師們,赴美參加首屆「青年領導交流計畫」。另外,我們也舉辦了「交流機會日」,邀請台灣高中和大學生,以及Facebook線上觀眾,與台灣的「職涯導師」交流對話,並討論赴美留學或交換的經驗如何促成他們在台職涯的成就。
如果您想更加了解美台人民之間的關係,歡迎您於1月17日來參加第四次「AIT@40數位對話公共論壇」,這也是AIT@40的壓軸活動,我們將討論如何讓美台人民之間關係更為緊密。即刻報名!報名網址:https://www.accupass.com/event/1912120147227001275140
#AITat40 #AITat40Celebration #TaiwanRelationsAct #StrongFoundationBrightFuture #ImmigrationAndExchangeMonth
May: AIT@40 Immigration & Exchange Month: We’re counting down our AIT@40 highlights month by month as we approach our AIT@40 finale! To celebrate AIT’s 40th birthday, we selected a special theme for each month in 2019 to highlight our joint accomplishments in that area. MAY was AIT@40 Immigration & Exchange Month. We organized a series of events that underscore the strong people-to-people ties that bind the United States and Taiwan. The first-ever AIT-sponsored high school exchange program took place from May 5-23, including 20 music students and teachers from Hsin Chu Senior High School, Kaohsiung Senior High School, Taichung Second Senior High School, and Wuling Senior High School. Exchange Opportunities Day brought together local high school and university students, as well as our Facebook audience via livestream, to hear from a panel of Taiwan “mentors” who had either worked or studied in the United States, before returning to Taiwan to apply their skills and knowledge.
If you want to learn more about U.S.-Taiwan People-to People ties, join the Digital Dialogue 4th Public Forum on January 17, when we’ll discuss how the United States and Taiwan could promote even closer ties between our people. Register now! https://www.accupass.com/event/1912120147227001275140
how to promote music 在 人山人海 PMPS Music Facebook 的最佳貼文
剛剛的北美之行,在演出之餘,當然也勾結了不少的當地的媒體。
#lgbtqInHongKong #CensorshipInChina #FreedomOfSpeech #LiberateHongKong #StandWithHongKong #CantoPop
//Anthony Wong’s Forbidden Colors
Out Hong Kong Canto-pop star brings his activism to US during his home’s protest crisis
BY MICHAEL LUONGO
From 1988’s “Forbidden Colors,” named for a 1953 novel by gay Japanese writer Yukio Mishima to this year’s “Is It A Crime?,” commemorating the 30th anniversary of the Tiananmen Square Massacre, Hong Kong Canto-pop star Anthony Wong Yiu-ming has combined music and activism over his long career. As Hong Kong explodes in revolt against Beijing’s tightening grip with the One Country, Two Systems policy ticking to its halfway point, Wong arrived stateside for a tour that included ’s Gramercy Theatre.
Gay City News caught up with 57-year-old Wong in the Upper West Side apartment of Hong Kong film director Evans Chan, a collaborator on several films. The director was hosting a gathering for Hong Kong diaspora fans, many from the New York For Hong Kong (NY4HK) solidarity movement.
The conversation covered Wong’s friendship with out actress, model, and singer Denise Ho Wan-see who co-founded the LGBTQ group Big Love Alliance with Wong and recently spoke to the US Congress; the late Leslie Cheung, perhaps Asia’s most famous LGBTQ celebrity; the threat of China’s rise in the global order; and the ongoing relationship among Canto-pop, the Cantonese language, and Hong Kong identity.
Wong felt it was important to point out that Hong Kong’s current struggle is one of many related to preserving democracy in the former British colony that was handed back to China in 1997. While not his own lyrics, Wong is known for singing “Raise the Umbrella” at public events and in Chan’s 2016 documentary “Raise the Umbrellas,” which examined the 2014 Occupy Central or Umbrella Movement, when Hong Kong citizens took over the central business district for nearly three months, paralyzing the city.
Wong told Gay City News, “I wanted to sing it on this tour because it was the fifth anniversary of the Umbrella Movement last week.”
He added, “For a long time after, nobody wanted to sing that song, because we all thought the Umbrella Movement was a failure. We all thought we were defeated.”
Still, he said, without previous movements “we wouldn’t have reached today,” adding, “Even more so than the Umbrella Movement, I still feel we feel more empowered than before.”
Hong Kong’s current protests came days after the 30th anniversary commemorations of the Tiananmen Square Massacre, known in China as the June 4th Incident. Hong Kong is the only place on Chinese soil where the Massacre can be publicly discussed and commemorated. Working with Tats Lau of his band Tat Ming Pair, Wong wrote the song “Is It A Crime?” to perform at Hong Kong’s annual Tiananmen commemoration. The song emphasizes how the right to remember the Massacre is increasingly fraught.
“I wanted our group to put out that song to commemorate that because to me Tiananmen Square was a big enlightenment,” a warning of what the Beijing government will do to those who challenge it, he said, adding that during the June 4 Victoria Park vigil, “I really felt the energy and the power was coming back to the people. I really felt it, so when I was onstage to sing that song I really felt the energy. I knew that people would go onto the street in the following days.”
As the genre Canto-pop suggests, most of Wong’s work is in Cantonese, also known as Guangdonghua, the language of Guangdong province and Hong Kong. Mandarin, or Putonghua, is China’s national language. Wong feels Beijing’s goal is to eliminate Cantonese, even in Hong Kong.
“When you want to destroy a people, you destroy the language first, and the culture will disappear,” he said, adding that despite Cantonese being spoken by tens of millions of people, “we are being marginalized.”
Canto-pop and the Cantonese language are integral to Hong Kong’s identity; losing it is among the fears driving the protests.
“Our culture is being marginalized, more than five years ago I think I could feel it coming, I could see it coming,” Wong said. “That’s why in my music and in my concerts, I kept addressing this issue of Hong Kong being marginalized.”
This fight against the marginalization of identity has pervaded Wong’s work since his earliest days.
“People would find our music and our words, our lyrical content very apocalyptic,” he explained. “Most of our songs were about the last days of Hong Kong, because in 1984, they signed over the Sino-British declaration and that was the first time I realized I was going to lose Hong Kong.”
Clarifying identity is why Wong officially came out in 2012, after years of hints. He said his fans always knew but journalists hounded him to be direct.
“I sang a lot of songs about free love, about ambiguity and sexuality — even in the ‘80s,” he said, referring to 1988’s “Forbidden Colors.” “When we released that song as a single, people kept asking me questions.”
In 1989, he released the gender-fluid ballad “Forget He is She,” but with homosexuality still criminalized until 1991, he did not state his sexuality directly.
That changed in 2012, a politically active year that brought Hong Kongers out against a now-defunct plan to give Beijing tighter control over grade school curriculum. Raymond Chan Chi-chuen was elected to the Legislative Council, becoming the city’s first out gay legislator. In a concert, Wong used a play on the Chinese word “tongzhi,” which has an official meaning of comrade in the communist sense, but also homosexual in modern slang. By flashing the word about himself and simultaneously about an unpopular Hong Kong leader considered loyal to the Chinese Communist Party, he came out.
“The [2012] show is about identity about Hong Kong, because the whole city is losing its identity,” he said. “So I think I should be honest about it. It is not that I had been very dishonest about it, I thought I was honest enough.”
That same year he founded Big Love Alliance with Denise Ho, who also came out that year. The LGBTQ rights group organizes Hong Kong’s queer festival Pink Dot, which has its roots in Singapore’s LGBTQ movement. Given the current unrest, however, Pink Dot will not be held this year in Hong Kong.
As out celebrities using their star power to promote LGBTQ issues, Wong and Ho follow in the footsteps of fellow Hong Konger Leslie Cheung, the late actor and singer known for “Farewell My Concubine” (1993), “Happy Together” (1997), and other movies where he played gay or sexually ambiguous characters.
“He is like the biggest star in Hong Kong culture,” said Wong, adding he was not a close friend though the two collaborated on an album shortly before Cheung’s 2003 suicide.
Wong said that some might think he came to North America at an odd time, while his native city is literally burning. However, he wanted to help others connect to Hong Kong.
“My tool is still primarily my music, I still use my music to express myself, and part of my concern is about Hong Kong, about the world, and I didn’t want to cancel this tour in the midst of all this unrest,” he said. “In this trip I learned that I could encourage more people to keep an eye on what is going on in Hong Kong.”
Wong worries about the future of LGBTQ rights in Hong Kong, explaining, “We are trying to fight for the freedom for all Hong Kongers. If Hong Kongers don’t have freedom, the minorities won’t.”
That’s why he appreciates Taiwan’s marriage equality law and its leadership in Asia on LGBTQ rights.
“I am so happy that Taiwan has done that and they set a very good example in every way and not just in LGBT rights, but in democracy,” he said.
Wong was clear about his message to the US, warning “what is happening to Hong Kong won’t just happen to Hong Kongers, it will happen to the free world, the West, all those crackdowns, all those censorships, all those crackdowns on freedom of the press, all this crackdown will spread to the West.”
Wong’s music is banned in Mainland China because of his outspokenness against Beijing.
Like other recent notable Hong Kong visitors including activist Joshua Wong who testified before Congress with Ho, Wong is looking for the US to come to his city’s aid.
Wong tightened his body and his arms against himself, his most physically expressive moment throughout the hour and a half interview, and said, “Whoever wants to have a relationship with China, no matter what kind of relationship, a business relationship, an artistic relationship, or even in the academic world, they feel the pressure, they feel that they have to be quiet sometimes. So we all, we are all facing this situation, because China is so big they really want the free world to compromise.”
(These remarks came just weeks before China’s angry response to support for Hong Kong protesters voiced by the Houston Rockets’ general manager that could threaten significant investment in the National Basketball Association by that nation.)
Wong added, “America is the biggest democracy in the world, and they really have to use their influence to help Hong Kong. I hope they know this is not only a Hong Kong issue. This will become a global issue because China really wants to rule the world.”
Of that prospect, he said, “That’s very scary.”//
how to promote music 在 Marioverehrer Youtube 的最佳解答
► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 *
► Submit Your Music: https://marioverehrer.aidaform.com/contact-form
► iTunes: https://apple.co/2HdMswA
► Spotify: https://spoti.fi/2JqvMVq
► Sheet Music: https://www.musicnotes.com/l/Marioverehrer
► Classical Sheet Music: https://gumroad.com/marioverehrer
► Support me on Patreon: http://www.patreon.com/Marioverehrer
► Facebook: http://www.facebook.com/Marioverehrer2
► Twitter: https://twitter.com/Marioverehrer
* Affiliate Link
This traditional sea shanty was made popular this year because of amazing covers by The Longest Johns and Nathan Evans and went viral on TikTok. Enjoy my arrangement for it!
#Wellerman #SeaShanty
♫ Promote Your Music ♫
To submit your music on my channel:
➝ Send me a message with my contact form: https://marioverehrer.aidaform.com/contact-form
➝ Write me a PM on Facebook: https://www.facebook.com/Marioverehrer2
➝ Always send a link or music file of your work.
➝ If I'm interested, I will message you back.
Composer(s): Unknown
Arrangement © Marioverehrer (2021)
Original Music © Unknown
how to promote music 在 Kelsi May凱西莓 Youtube 的精選貼文
我已經住在台灣6年了,因為在家裡我都是跟我老公說中文,或是討論有關台灣的事情,所以我覺得自己算是一個蠻了解台灣的外國人。但是我一直都沒有機會去跟其他國家的人交流,了解他們是不是也都知道台灣。所以這一次剛好有機會利用一個線上英文教學平台,去找到一些當地的英文老師,問問他們是不是真的認識台灣?
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IG: kaiximay
FB: https://www.facebook.com/kaiximay/
工作邀約: kaiximay@gmail.com
Music:
Far Away by Declan DP https://soundcloud.com/declandp
Licensing Agreement 2.0 (READ)
http://www.declandp.info/music-licensing
Music promoted by Audio Library https://youtu.be/iTSpmnHMVS4
how to promote music 在 Marioverehrer Youtube 的最佳解答
► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 *
► Submit Your Music: https://marioverehrer.aidaform.com/contact-form
► iTunes: https://apple.co/2HdMswA
► Spotify: https://spoti.fi/2JqvMVq
► Sheet Music: https://www.musicnotes.com/l/Marioverehrer
► Classical Sheet Music: https://gumroad.com/marioverehrer
► Support me on Patreon: http://www.patreon.com/Marioverehrer
► Facebook: http://www.facebook.com/Marioverehrer2
► Twitter: https://twitter.com/Marioverehrer
* Affiliate Link
Enjoy the Moment Musicaux No. 4 in E Minor by Sergei Rachmaninoff.
♫ Promote Your Music ♫
To submit your music on my channel:
➝ Send me a message with my contact form: https://marioverehrer.aidaform.com/contact-form
➝ Write me a PM on Facebook: https://www.facebook.com/Marioverehrer2
➝ Always send a link or music file of your work.
➝ If I'm interested, I will message you back.
Composer(s): Sergei Rachmaninoff
Original Music © Sergei Rachmaninoff (1896)
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