🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
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【香港經濟幻象師與它們的產地】#研究閱讀
“The preferred formula used to be “a policy of laissez-faire”; now it is “one country, two systems”’, not that either came close to accounting for the ‘historical specificity of the place. (Abbas,1997, pp. 296–297)”
伴隨著傳統基金會將香港剔出年度經濟自由度指數評級,華爾街日報近月亦刊登文章描述現任財政司司長陳茂波為《香港的幻術師》(Hong Kong’s Illusionist),試圖證明香港不受北京的控制及干預。恰好加拿大英屬哥倫比亞大學地理學系教授Jamie Peck,最新發佈一篇學術期刊文章《Hong Kong - a model on the rocks》,合時地講述一路以來香港經濟自由神話如何被建構,同時帶出現時香港面對的最新政治挑戰,香港的經濟應該何去何從的問題。
作者從歷史考據方法揭穿一套香港經濟的神話學(Mythology):由一條無人的小漁村到現時國際金融大都會,全憑香港政府採取經濟放任自由主義 / 積極不干預政策。文章精辟之處,在於解剖這個神話論的前世今生。
神話的「起源」,主要透過塑造香港經濟自由放任政策(laissez faire)之父,講述60年代香港財政司郭伯偉(Sir John Cowperthwaite)的生平,並以香港故事成為新自由主義的發展模型(model)推廣至全球;其次由傳統基金會這類國際組織每年公佈的經濟自由指數「吹奏」,比起陳茂波它才是真正的「幻象師」。
作者在文中點出,這種經濟自由指數 (the index of economic freedom) 更多是推動發展的引擎推手,多於反映經濟自由現況的相機寫照 (an engine rather than a camera)。事實上,過往香港經濟如何「不自由」,例如各式各樣的牌照制度、地產霸權土地壟斷、政府在經濟政策的積極干預、殖民惡法下各種對社會經濟文化事業的潛在規管等,都一直幻覺師的論述當中彷彿不曾存在。
文中全面地引述香港歷年財政司的施政方針重點,如何50年不變地盲目吹奏「自由放任」香港方程,扮演了新自由主義的宣傳道具(props),同時亦帶出香港這種虛擬的「經濟自由」,一直為中國紅色資本的走資門階(red China’s Doorstep)。可見,財政(幻覺)師到今日仍希望高呼香港一國兩制健全,試圖繼續扮演「全世界最自由的經濟體」如昔,但當傳統基金會已經不再吹奏,這種論調已經成為孤芳自賞的獨腳戲。
Jamie Peck引述香港理論大師Ackbar Abbas 的認識「香港學」,認為香港是一直都在尋找一種「方程式」(Formula) 之地,由以往一直以來唱頌「積極不干預」的屬意方程,到後國安法時代即將進場的大灣區建構工程 (作者眼中認為就是深圳模式),未來傳統基金會這種國際組織會否願意像過往未民主化的郭伯偉時代香港「照舊背書」(recycled folk),還是從此各自表述分道揚鑣,仍是一個極具變數的命題。
作者最後引用歐威爾在《1984》中一段(竟然)曾提及香港的部分,讓大家記得無論是今昔的威權香港,還是1984中形容香港猶如邊陲無止境的爭奪場域 (the edges of a contested geography),這種管治多年或企圖延續下去的香港神話學,都是今日強調「活在真實中」的個人哲學必須認識的課題。
#研究閱讀
#誰是香港幻象師
#香港作為方程式
#1984眼中的香港
#有意參閱文章可inbox我們
#郭伯偉研究
Reference
Peck, J., Bok, R., & Zhang, J. (2020). Hong Kong–a model on the rocks?. Territory, Politics, Governance, 1-20.
立場新聞(2021年3月11日):華爾街日報社評稱陳茂波為「香港的幻術師」 替習近平服務 https://bit.ly/3heHHq9
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governance model 在 交通大學校友會 NCTU Alumni Association Facebook 的最讚貼文
【轉錄】林奇宏校長的公開信
各位親愛的陽明交大人,
近一個多月以來,我在行政團隊協助安排之下,走訪了各學院與老師們座談,同時也率團前往全台北中南東舉辦招生座談會,親自與高中生及家長面對面會談。除了師生以及家長之外,我也和許多熱心的校友們有過多次的會面討論。從這些會談與討論中,我可以深切感受到師生、家長,以及校友們對於陽明交大的關心以及熱切期待。我更加堅信,在師生同仁校友同舟一心的努力下,陽明交大的未來充滿了光明。
合校之後,行政團隊已經啟動「一樹百穫計畫」,針對各項議題擴大邀集師生與海內外校友共同參與討論,一起發想,以資訊科來匯聚、分析及整合意見。計畫中很重要的一環,是由師生同仁以及校友,透過民主參與的方式,每個人都能夠對於學校的願景(vision)、使命(mission),以及核心價值(core values),提出自己的想法。計畫團隊將以人工智慧(AI)技術融合眾人的意見,產出學校的願景、使命,以及核心價值。這個作法提供了師生同仁與校友,每一個人都能夠表達意見的權力,而每一個人的意見,也都將由AI科技所採納,成為最終結果的一部分。陽明交大的未來,將由關心學校的人所塑造。而陽明交大也將成為台灣第一個大學,由「民主參與」以及「AI科技」,結合眾人智慧,來創造學校的願景、使命,以及核心價值。我們相信,這樣的作法,將為大學民主治校寫下一個典範。
透過這個email,我們誠摯邀請您,花幾分鐘的時間,到以下網址填寫問卷,寫下您心目中理想的願景、使命,以及核心價值。請千萬不要放棄您的權力,因為您的意見,將會影響最終的結果。
問卷網址:https://docs.google.com/forms/d/e/1FAIpQLScTsL3QhVa45IpftoJUK9TuhOm66qc5unmgFmCG0fo0e-WMGQ/viewform
讓我們用行動一起寫下陽明交大的歷史!
校長 林奇宏敬上
Dear NYCU students, faculty, staff, and alumni,
I hope this email finds you well. Over the past month, I visited all colleges of NYCU to talk to faculty members, led a delegation to hold admissions seminars across Taiwan to meet with prospective students and parents, and discussed with a number of enthusiastic alumni. From these talks and discussions, I clearly sensed passion and aspiration. I am convinced again that, with the collective efforts of faculty, staff, students and alumni, our school will have a bright future.
Soon after the founding of NYCU, our administrative team has launched the "One Plating, Hundred Gains” Project, a strategic plan with a long-term vision to make NYCU a globally renowned university. An important part of this project is to invite faculty, staff, students and alumni to contribute their ideas through participative democracy, and use artificial intelligence (AI) technologies to consolidate and generate the vision, mission, and core values of NYCU. This approach provides students, faculty, staff, and alumni the right to fully express their opinions, and everyone's opinions will be adopted by AI technology and influence the final result. The most important, the future of NYCU will be shaped by those who care. This approach of creating vision, mission, and core values with participative democracy and AI technologies has never been used by any universities in Taiwan (and perhaps in the world). We believe NYCU’s unique approach will set an exemplary model for democratic governance of university.
With this email, we sincerely invite you to take a few minutes to fill out the questionnaire at the following website and write down your ideal vision, mission, and core values. Please do exercise your right. Your input will affect the final result for sure.
Questionnaire site: https://docs.google.com/forms/d/e/1FAIpQLSfliBWX6Nm7Jdf3Zgo-Muct6TikFm9N4P33veFGUWv9I6lk-Q/viewform
Let’s make history together.
Sincerely yours,
Chi-Hung, Lin
The President of NYCU
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