關於 fantasy creature ，我們在網路上蒐集到這些相關的討論、資訊與評價

อีลอน มัสก์ จะปฏิวัติโลกอีกครั้ง “ด้วยการเชื่อมสมองคน”
คราวนี้อาจฝังชิปลงในสมองคนอัมพาต เพื่อเชื่อมกับสมาร์ตโฟน ถ้าเรื่องนี้สำเร็จ สุดท้ายเราอาจเป็นไซบอร์ก เชื่อมต่อกับคอมพิวเตอร์ได้ (และถ้าเราสามารถเก็บความนึกคิดนั้นได้ หากเราตายไป เราก็แค่อัปโหลดข้อมูลไปยังร่างใหม่.. ที่อาจเป็นหุ่นยนต์ หรือร่างสังเคราะห์ได้)

เราอยู่กับสมาร์ตโฟน มา 10 กว่าปี
หลายคนคาดว่า ยุคต่อไปจะเป็น VR/AR มาสวมหัว
โดยเฉพาะมาร์ก ซักเคอร์เบิร์ก เศรษฐีอันดับ 4 ของโลกคนปัจจุบัน ที่เน้นการสวมใส่แว่น และยังป้อนข้อมูลทางนิ้ว

แต่เขาคนนี้ บุคคลที่รวยอันดับ 5 ของโลก กำลังเข้ามาปฏิวัติวงการ เหมือนที่เขาทำกับรถยนต์ไฟฟ้า Tesla

อีลอน มัสก์ กำลังบอกว่า Device ในอนาคต คือการไม่มี Device เพราะเขาต้องการจะเชื่อม คอมพิวเตอร์ เข้าสู่ สมองคนโดยตรง..

ขอต้อนรับสู่.. “Neuralink”

เมื่อครั้งก่อน บริษัท Neuralink เปิดเผยการสาธิตเทคโนโลยีเชื่อมต่อ สมอง กับ คอมพิวเตอร์ ซึ่งเกิดขึ้นกับ หนู ต่อสาธารณะชนเป็นครั้งแรก..

ตัวกลางที่ใช้เชื่อมต่อระหว่าง สมอง และ คอมพิวเตอร์
เรียกว่า “Threads” หรือ สายใยสื่อประสาท ทำมาจากโพลิเมอร์ มีคุณสมบัติหลักๆ คือ
1. มีความยืดหยุ่นสูง
2. มีขนาดเล็กกว่าเส้นผม 10 เท่า
3. ประกอบด้วยขั้วไฟฟ้ามากถึง 3,072 ขั้ว ซึ่งต่อสายใยประสาท 96 สาย

ซึ่งขั้นตอนต่อไปคือ การฝังอุปกรณ์ในผู้ป่วยที่เป็นอัมพาตจะทำให้พวกเขาสามารถควบคุมโทรศัพท์ หรือคอมพิวเตอร์ด้วยสมองได้

ที่สำคัญคือในตอนนั้น Elon Musk หวังว่าเรื่องนี้จะเกิดขึ้นภายในปลายปี 2020 ซึ่งก็คือเร็วๆนี้

และล่าสุดก็มีความคืบหน้าของ Neuralink ที่อีลอน มัสก์ จะเปิดเผยในวันเสาร์นี้

ติดตาม เกาะติดเรื่องนี้ ได้ที่เพจลงทุนแมน
ใครยังไม่กด See First หรือติดดาว สามารถกดไว้ได้ เพื่อจะได้ไม่พลาด..

แล้วพบกับโลกใหม่ ที่เราในเมื่อวาน อาจบอกว่าเป็นแค่เรื่องจินตนาการ

ในอนาคต..
เราอาจไม่ต้องพิมพ์ตัวอักษรบนคีย์บอร์ด
เราอาจไม่ต้องคุยโทรศัพท์เพื่อสื่อสาร
เพราะ สิ่งที่เราทำก็แค่คิด..

คิดว่าจะกินอะไร ก็มีคนมาส่ง
คิดว่าจะหาของที่หายไป ก็แค่ย้อนความทรงจำกลับไปดู

ทั้งหมดนี้ดูเหมือนว่า มนุษย์ในอนาคตกำลังจะกลายเป็นสิ่งมีชีวิตอีกประเภทหนึ่ง ที่แม้แต่ตัวมนุษย์เอง ก็จินตนาการไม่ถึง..

“การรวมร่างกับ AI น่าจะเป็นทางเลือกที่ดีที่สุด
หากเราเอาชนะมันไม่ได้ เราก็แค่รวมเข้ากับมัน..”
-Elon Musk
Elon Musk will revolutionize the world again ′′ by connecting human brains ′′
This time, I could implant a chip in a brain paralyzed to connect with a smartphone. If this succeeds, we could be a cyborg connected to a computer (and if we can collect that thought, if we die, we can. Just uploading data to a new body.. that could be a robot or synthetic draft)

We have been with a smartphone for over 10 years.
Many people expect the next generation to be VR / AR to wear heads.
Specifically, Mark Senseirburg, the current number 4 millionaire in the world who focuses on wearing glasses and fingers input.

But this guy, the 5th richer person in the world is coming to revolutionize the industry like he did with Tesla electric cars.

ELON MUSK is saying future Device is without Device because he wants to connect a computer directly into a human brain..

Welcome to.. Neuralink ′′

Last time, Neuralink company revealed a brain-connected technology demonstration to computer that first happened to public mice..

Intermediaries that connect between brain and computer
Called ′′ Threads ′′ or neurotransmitters are made from polymer. It's mainly qualified.
1. High flexibility
2. 10 times smaller than hair
3. Contains electrodes up to 3,072 poles which connects 96 neural bonds.

The next step is to implant devices in paralyzed patients, allowing them to control their phones or computers with their brains.

Importantly, Elon Musk hopes this happens by the end of 2020, which is soon.

And the latest Neuralink progress revealed this Saturday.

Follow this story at the Investman page.
Those who haven't hit See First or Star, you can press it so that you don't miss it..

And meet a new world that we on yesterday may say is just a fantasy.

In the future..
We may not have to type letters on keyboard.
We may not have to talk on the phone to communicate.
Because all we do is just think..

If you think you will eat something, someone will send me.
Thought I would find the missing. Just looking back on my memories.

All this seems like future humans are turning into another kind of creature that even humans can't imagine..

′′ Blending with AI is probably the best choice
If we can't overcome it, we just combine it.."
-Elon MuskTranslated

Anak atau adik kau orang ada banyak anak patung atau binatang mainan tak di rumah? Kalau ada, baca cerita ni, supaya tak kena “gangguan” macam aku kena.

Suatu malam, dalam jam 2 pagi, tekak aku haus bukan main. Jadi aku pun turun ke dapur. Masa aku nak teguk air, aku terdengar bunyi macam ada orang hempaskan punggung atas sofa di ruang tamu. Terus terbantut aku nak minum. Aku letak gelas dan pergi tinjau ruang tamu.

Ruang tamu gelap. Nak buka lampu ruang tamu, malas. Suisnya...
Continue ReadingDoes your child or sister have a lot of dolls or toys not at home? If there is, read this story, so that you don't get "distractions" like I got it.

One night, in 2 am, my throat is thirsty not playing. So I went down to the kitchen too. When I was about to drink water, I heard the sound of someone agains the back of the sofa in the living room. I'm getting cancelled, I want to drink. I put a glass and went to review the living room.

The living room is dark. Want to open the living room lights, lazy. Are on the front side. So expect a blur from kitchen lights only. See no one there. So I went to the kitchen again for a drink. When I was drinking water, suddenly heard a little boy laughing in the living room.

" auni?" I called my child's name while stepping into the living room. Can't see anyone there, but this time I'm not satisfied. Who knows my child is playing hide. I walk across the dark living room to go to the light switch. Click!

The light illuminates the living room. Glare, so I put my forehead and eyes on my eyes. In the my I put the back of the sofa, behind the tv cabinet. Behind The Curtain. Peh! My heart stops for a second when I see what's behind the curtain!

I can also have my child's toy snake behind this curtain. I'm already a phobia of snakes. Eish! Just shocked! This must be my 3 year old child's job. So annoyed, I was football that plastic snake until it was blown by the tv cabinet.

After that I continue to review again. Nothing is suspicious. So I close the living room lights and the way back to the room. When I was up the stairs, I heard the voice of the kid laughing in the living room.

When I look back and see what's below, my heart feels like exploding! My Feet are weak, but I also strengthen my spirit and run up. I went to the room, looking at my wife's child in bed. Finished, who put that thing there?

Did I see it wrong? I guess it's just my fantasy. Because I'm not satisfied, I'm going back to the stairs to check! It turns out that it was there. My hair got goosebumps. I took a picture to confirm not my wrong eyes. (picture below)

I bought this things hopper thing for my child, because he said it's good for a little kid's train vestibular function. It is important to train the balance of people. Even my child loves animals so much.

When I said i brought back a toy, my child was so excited, but when I took this horse out of the box, he kept crying out of fear. I didn't expect that he would be scared like that. Maybe because the color of this horse is red. Always in a book, horse is brown or white.

Since my child doesn't like it, I put this horse on the side of the tv cabinet. I put it on my child, I always play in the front of the TV. Who knows one day he lost his fear and wants to try to ride, he's easy to take.

Unfortunately after a week, he still didn't touch the horse that I bought for him. The horse became tukun on the TV. Be like jewelry. Where did I put that before, that's where it was after a week. Not moving at all.

In fact, when I was a plastic snake, my child was on the side of the tv cabinet, I noticed that the horse was still there. Now how can it be in front of the stairs? Who moved it? Where there are people at the bottom floor.

That was the first incident. After that, there are more strange things going on. This time it's more scary. I'm sleeping. My phone was vibrating, and it made me awake. Time to go to the side to reach my phone from the top of the lights table, I'm jerks.

The Red horse is on the table of sleeping lights. His face is really facing my face, and my phone screen lights are on the floor. His eyes eyes make me not able to sleep until morning. I don't think my child put it there. He was scared of the horse too.

The next day, I threw the horse in the store under the stairs. Key. After that, there was no obvious distraction. Only I still feel uncomfortable when I'm home. Feeling everything wrong. So, one day, I told my friend. He gave advice, who managed to solve my problems.

" Kamarul, any statue, don't ever keep it if we don't use him as a game. Don't put statues in high places. Don't keep it in a box or a mirror. If not, we are considered the puja of the statue, and the statue that is adored will be inhabited by a fine creature."

" don't be enjoy. Let it be dirty. Let him have flaws. If you don't want to play, be careful to those who want to play. After all that is the purpose of being created, to be played oh yes! Never be afraid of toys. Later the devil will take advantage of lost and weaken our faith."

Went home I pulled the red horse out of the store and beat him enough. I asked my child to play the horse football. After that I took a marker, asked my child to doodle. My child is so happy. The toy dolls that my kids don't play anymore, I give them.

Since then, my house is peaceful. No more distractions. The Red horse is still in my house. Just clumsy, Black, and his face and body have a doodle. My child is not afraid of the horse anymore. He has become the material of his sandbags.

So, order on all-toys is to be played, don't keep it as a jewelry.

#ulangsiar #ceritalama #kisahseram #cerekaseram

Note: please follow if you like scary stories.

Credit: Dr Kamarul Ariffin nor sadanTranslated

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The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris

Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.

According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.

According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.

When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.

Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.

Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.

‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.

This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article

Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.

During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”

Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.

In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.

In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.

"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."

The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.

At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.

The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.

Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.

The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened

From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.

Location: If you keep in touch with Shinra intern Chadley during Chapter 8, he should provide you with a VR combat scenario that pits you against summon creature Shiva to earn its respective Materia. Chadley can be found standing between a healing bench and the Materia shop in the Sector 5 Slums.
As a note, you'll have whoever's in your party when you take on this fight, so if you try it with just Cloud, it'll be tougher than if you tackle it with Aerith in your squad. We recommend that you bring Aerith along, though.


Boss Strategy: Shiva is an Ice summon, and thus weak to Fire. Give Aerith your best Fire Materia, and make sure you have the Ifrit summon equipped, then head into the battle. Cloud can pretty much take care of himself, so you're better off controlling Aerith to run up her ATB bars as quickly as possible; the more Fire or Fira spells you can cast on Shiva, the faster you'll manage to stagger her. Make use of Aerith's Arcane Ward ability, which automatically makes you cast two spells for every ATB bar you spend, to maximize your damage. A good Fire spell will knock Shiva to the ground, offering Cloud a chance to lay down some melee attacks. Make sure you're not too close when she gets back up, though, because she'll use the Icicle Impact area attack spell around her when she's back on her feet.
You'll want to keep laying down spells on Shiva while working to keep Aerith alive. You'll need to be on top of dodging her attacks to stay clear of incoming danger, which include Blizzara spells that Shiva will shoot your way and a bunch of ice crystals to shoot at you in a group. Dodging the ice crystals attack is a losing battle because there are so many of them, so guard against it and power through.

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- We got to visit our friends in LA again and this time I did some sugar plum fawn/winter queen fantasy modeling looks! This photoshoot was SO fun and I absolutely love the gowns!!

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引用；
BGM：
https://www.youtube.com/watch?v=MZ5l0inDpuk
https://www.youtube.com/watch?v=dd6EJ-2Ongs

画像・映像：

https://www.youtube.com/watch?v=PrdSal9uH28
https://www.youtube.com/watch?v=3bztcDL5v3I
https://www.youtube.com/watch?v=ExgAbZV6RuA
https://commons.wikimedia.org/wiki/File:Bundesarchiv_Bild_183-S62600,_Adolf_Hitler.jpg
http://locklip.com/the-6-alien-species-currently-fighting-for-control-over-earth/3/prettyPhoto/1/
http://tall-white-aliens.com/
https://commons.wikimedia.org/wiki/File:Edward_Poynter_-_Orpheus_and_Eurydice.jpg
https://de.wikipedia.org/wiki/Gilgamesch-Epos
https://en.wikipedia.org/wiki/Hollow_Earth
https://ja.wikipedia.org/wiki/%E3%82%B7%E3%83%A3%E3%83%B3%E3%83%90%E3%83%A9_(%E3%83%81%E3%83%99%E3%83%83%E3%83%88)
https://en.wikipedia.org/wiki/Arcadia_(utopia)
https://commons.wikimedia.org/wiki/File:Hopi_Indian_maiden_in_the_village_of_Shonguapavi,_ca.1901_(CHS-1081).jpg
https://en.wikipedia.org/wiki/John_Cleves_Symmes_Jr.
https://commons.wikimedia.org/wiki/File:US_Navy_Project_High_Jump_Phantom_record_pilots_1962.jpg
https://commons.wikimedia.org/wiki/File:US_Navy_Antarctic_Expedition_Helicopter_returns_from_survey_of_South_Pole_waters._The_Coast_Guard_helicopter_is_shown..._-_NARA_-_196475.jpg
https://commons.wikimedia.org/wiki/File:Douglas_R4Ds_in_the_Antarctic_c1947.jpg
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