關於 electrical cable ，我們在網路上蒐集到這些相關的討論、資訊與評價

MEA x ลงทุนแมน
กรณีศึกษา ภารกิจของ MEA การไฟฟ้านครหลวง /โดย ลงทุนแมน

“ผมเดินทางไปเยือนหลายเมืองที่มีสายอะไรพันกันยุ่งเหยิงบนเสาไฟฟ้า
อย่างในรูปนี้คือประเทศไทย”
...Continue ReadingMEA x invest man
Case study of the mission of MEA. Nakhon Luang electricity / by Investing Man.

′′ I traveled to many cities where there was a wire tangled mess on the electric pole.
As in this photo is Thailand ′′

This is the message of Bill Gates, the founder of Microsoft Company.
The reason he posted to Facebook himself in 2559 that time there were 18 million followers.

Just a moment... Become a serious ripple that everyone talks about.
The wire that is tangled. Bitches on the pole are actually not electrical wire but other cables such as telecommunications cable. Some people pay for rent. Some cables are smuggled.

When there is a wide range of trends, it causes relevant agencies to rush all types of lines into all underground.

Communication line. Office of Kor Sor. Will be responsible for this
The electrical wire that is aligned at the top. It will be the duty of Nakhon Luang electricity or MEA electricity.

This is interesting because of it. Did you know?
In fact, the electrical cable mission began from 2527 and ends in 2564, which routes 215.6 kilometers.

But... it's been 36 years. MEA can bring electrical cable underground for just 46.6 kilometers.
Or think only 21.6 % of target flagged.

So why is this mission delayed
So how much needed to put electrical cables underground
Investing man will tell you about it.

First of all, I need to tell why MEA wants all electrical cables to be buried underground.

First thing is if the electrical cable is underground. If there is a wind, there is a storm. Car crashes into electric
It's not going to make houses blackout like old electric pole.
Including electrical wire technology to support increasing amounts of electricity.
And finally, without wires will make the view around Bangkok beautiful as the future Metro. Smart Metro.

The next thing that many people ask is why it's so delayed to bring electrical cable to the ground.
The answer is that MEA is facing many obstacles and problems.

In fact, the budget invested in 10 times higher power cables compared to building electric poles on earth. The plan must pass consensus from each government cabinet.

And when it's approved, we have to plan to design construction both a pond and a hundred electrical cables to bring electrical wires underground. Each route will be different difficult and easy.

When you go through this process, you have to install an underground electrical wire. Then change the system from an air cable until the last step is to demolish the electric pole.
You will see that each action must go through many steps and still have to use cooperation from other agencies to work. Let's move forward together.

It's not easy to do construction work because it's limited by 22.00 hrs. - 05.00 pm That's all
To not affect traffic

And in some routes where at night are filled with shops and tourists, construction will be more difficult until delays.

I have to say this is a brutal task, not a little.
For electricity system to be stable, it can support the need for more electricity in urban areas than the original electric pole.

For Covid-19 crisis that causes everyone to stay home, distance and avoid touch.
This point becomes the main reason that people's behaviors change to online more.

Many government agencies have tried to implement online service system. Many people hope to reduce the burden in the situation. It is considered to be a refund policy, electricity insurance and electricity bill assistance measures that many people hope to help reduce the burden of the situation. COVID-19

MEA is also a top cuddle government agency that develops application and takes full advantage of IT system to provide online service.

MEA Smart Life Application. This app was developed to support unified electrical services since 2556 Guaranteed by ICT Excellence Awards in Thailand ICT Excellence Awards 2016, the main process development project (Core Process Improvement Project). And the cuddle digital government awards at the Digital Government Awards 2019

By this app, we can use to check electricity bill to pay electricity bill online. Notice of electricity losses including electricity announcement in our area. It is an app that meets all electrical issues.
Free download at http://onelink.to/measmartlife

MEASY Online Electrical Services via website https://eservice.mea.or.th/measy
To facilitate electricity anytime, anywhere. No need to travel anywhere. Know the cost immediately. You can pay online and follow the status at any stage.

MEA e-Bill is the latest online service to receive documents online via SMS or email.
e-Invoice: Electricity bill statement
e-Receipt / e-Tax Invoice: Receipt / Tax invoice
e-Notification: A book to pay electricity bill.
Sign up for service at https://ebill.mea.or.th

And another service that is indispensable in the New Normal era. That's MEA e-Payment. Electricity bill service via electronic system.
Did you know that during the COVID-19 situation, people pay electricity bill through online channels. It's increasing continuously during normal events in high school months. July 2563 at 54.6 % move up to 61.94 % in May. Oh my god. In the past or up to 7.34 %

In addition to paying via e-Payment, it's safe, no hassle, no paper touch and no travel, it's also free fees which can be paid through MEA Smart Life Application, bank account or credit card automatically, Mobile Banking and Internet Banking.

However, in the long term, when the crisis goes through, more people leave the house, we need to follow whether people's behaviors are the same. Or in the future, MEA will seek new features to meet customers, including the mission of MEA or the electricity of Nakhon Luang. How fast can the electrical wire be accomplished and how will the communication cable be progress? Everyone would dream of seeing Bangkok with a landscape of cuddle, wireless, electrical, mess in the future.

And when it's that time, Bill Gates visited Thailand again. He might take another photo and say that Bangkok is one of the most beautiful cities in the world..

References
- Annual Report 2562 Nakhon Luang Electricity
- Press release of Nakhon Luang electricity.
-https://www.mea.or.th/content/detail/87/4286
-https://www.mea.or.th/content/detail/82/3131/3963
-https://mgronline.com/live/detail/9590000064631
-https://mgronline.com/politics/detail/9620000092138Translated

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

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Ref. 10 送 美國 Nordost Blue Heaven Digital BNC 1m Cable

Luen Hing Electrical HK Ltd

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Hey, how's it going? I'm Brenda. Born and raised Singaporean, very artsy, a lil fartsy, kinda weird but in general very chill and happy.

I make a crap ton of videos on anything and everything - fashion, beauty, skincare, vlogs, storytimes etc. If you like my videos and want to see more, hit the subscribe button to catch my videos hot off the press! You have no idea how much your support means to me. If you've got any requests or questions, please leave them down below and I'll get back to ya. Thanks again for watching my videos!


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▻ FAQs ◅

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☺ Music by: birocratic

前陣子整理發現自己竟然擁有十幾種不同的導線，
年少輕狂(買)才有這樣難得的集合，
也常被問說線材真的有差嗎?
於是拿幾條比較愛用的線，
做個測試分享給大家聽聽看。
依序是
A-Shock SP
Analysis Plus
George Ls
Mogami 3368
Shark
Monster AC
Monster AC with A shock 頭
Armor Gold
因為想要全頻率所以使用木吉他Line in(有mic的雙系統)沒掛其他效果，
加上頻率響應的EQ圖應該可以清楚發現每條的音質跟特性都不一樣，
非常有意思，希望敗家之餘也可以為大家帶來一些參考。
你最喜歡哪一條的聲音呢?
我錄音喜歡用
Analysis Plus，Mogami3368。
Live常常用
A-Shock SP。


Cable Test with Acoustic Guitar:A-Shock SP, Analysis Plus, George Ls, Mogami 3368, Shark, Monster AC, Monster AC with A shock , Armor Gold.

more info:
https://www.facebook.com/kenchouguitar/