關於 chiang kai-shek memorial hall history ，我們在網路上蒐集到這些相關的討論、資訊與評價

【文化部雙北防疫閉館公告】

文化部所屬位於臺北市、新北市場館自明日起全面閉館至6月8日。

文化部表示，文化部自中央流行疫情指揮中心11日宣布提升疫情警戒標準及因應事項，當日即要求所屬藝文場館加強落實各項防疫措施。

文化部今（14）日宣布，配合臺北市、新北市政府防疫升級，文化部位於臺北市、新北市之所屬場館，自明（15）日起至6月8日閉館，並將依據指揮中心相關防疫措施，滾動修正並即時公告。

文化部強調，各館閉館期間各館所仍需維持行政正常運作，並配合指揮中心強化防疫整備，盤整業務及調配未來工作計畫，以因應提升未來之服務能量。

以下為文化部雙北地區場館：

臺灣戲曲中心、 國立國父紀念館National Dr.Sun Yat-sen Memorial Hall 、中正紀念堂 Chiang Kai-shek Memorial Hall、國立歷史博物館 National Museum of History（目前閉館中）、國立臺灣博物館 National Taiwan Museum（本館、土銀館、南門園區、鐵道部）、國立臺灣工藝研究發展中心（臺北分館、鶯歌多媒材研發分館）、國家攝影文化中心 National Center of Photography and Images（臺北館）、臺灣文學基地、臺灣漫畫基地 Taiwan Comic Base、國家鐵道博物館籌備處、蒙藏文化館、 國家人權博物館 National Human Rights Museum（白色恐怖景美紀念園區）、華山1914文化創意產業園區、國家兩廳院 NTCH, Taipei、空總臺灣當代文化實驗場 C-LAB、 國家電影及視聽文化中心 Taiwan Film and Audiovisual Institute（圖書館）。

昨日山海原力開幕！
能有這麼棒的展覽要感謝 學長 楊子弘 ，蔚龍藝術 與其策展團隊，與策展人 王昱心老師。感恩昨日還看展的所有朋友，咪咪感恩在心。
展覽菜鳥日記成功！

山海原力

Ceoa．Pusu．Wawa 土地．根源．海洋』

展覽時間：2019/11/21~2020/03/22
開幕茶會：2019/11/21 10:30
地點：中正紀念堂中央通廊舉辦
策展人：王昱心（Tanivu Tapari）
（國立東華大學 原住民族樂舞與藝術學士學位學程 副教授）

參展藝術家：
夏曼藍波安、安聖惠、王綺穗、潘朝成/Lalaban新社香蕉絲工坊、哈拿．葛琉、林介文、東冬．侯溫、伊祐．噶照、柯林．歐佛、巴豪嵐．吉嵐、林戎依、陳安琪x余欣蘭、曾秉芳、鐵木．巴紹、高敏修

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

策展概念：

這次「山海原力-原住民族藝術展」，特別以南島語族的古語Ceoa．Pusu．Wawa（土地．根源．海洋）為策展主軸，在中正紀念堂跨年度展出，試圖說明從古老智慧與當代對話，才能在面對曾經歷史不公義的情境下喚起最初始的生命記憶。

土地滋養了原住民族文化的樣貌、多樣性與傳統智慧，記錄著生命精彩與豐厚度，鄒族古老語言Ceoa（土地），揭示了藝術創作生產的轉向與再現。

太魯閣語Pusu（根源）說明了從家族的根源與脈絡深思，由遙遠年代天災人禍的「真經驗」構築自我認識與嘗試解說週遭事物的詮釋系統，其創作充滿對於大地與生命的疼惜與反省，倡議由古老的生態哲理尋找救贖之路。

達悟族語Wawa（海洋）意涵著海洋的寬廣、包容、深邃與神秘，乘載了島嶼民族的寄望，海洋即是希望、道路可以連結其他島嶼邁向更寬廣的世界。

　　原住民族的文化與藝術隨著環境的變動而產生形式與內涵上的變化，那是有機生命企求存續的能量釋放與極力追索。口述傳統／神話的蔓延與再蔓延，正伴隨著原住民族生存的景況與藝術的發展與開疆闢土持續。

Ceoa．Pusu．Wawa （Land．Root．Ocean）

Wang Yu-Hsin (Tanivu Tapari)
Associate Professor, Undergraduate Program of Indigenous Performance and Arts, College of Indigenous studies, National Dong Hwa University

Strength from the Mountain and Sea Indigenous Art Exhibition adopts the curatorial concept based on the ancient Austronesian terms, “Ceoa” (land), “Pusu” (root) and “Wawa” (ocean), to create a cross-year exhibition at the National Chiang Kai-shek Memorial Hall that aims to initiate a dialogue between ancient wisdom and contemporary society so that the primal life memories can be recalled when facing injustice in history.

The land nourishes the appearance, diversity and traditional wisdom of the indigenous culture, and records the wonderful richness of life. The ancient language of the Tsou language - Ceoa (land) reveals the shift and representation of artistic creation.

The Truku language - Pusu (root) explains the nature and origin of the family. The "true experience" of natural disasters and man-made disasters in the distant ages constructs an interpretation system of self-recognition and attempts to explain the things around us. The creation stemming from it is full of cherishment for and self-contemplation on the earth and life, forming the initiative to seek the path of salvation from the traditional knowledge.

The Tao language - Wawa (Ocean) means the broadness, tolerance, deepness and mystery of the ocean. It is the hope of the islander. The ocean is the hope and path that can link with other islands worldwide.

The culture and art of the indigenous people have produced a variety of forms and connotations because of the changes of the environment. This indicates the release of energy and the pursuit of one’s deepest urge in life. The passing down and spreading of indigenous oral history/mythology empowers the people, the development of art and the sustainability of the land.

展覽菜鳥不免俗還是要自己宣傳自己一下，我帶了三顆頭，和五張照片去那邊，11/21 來找我玩！

山海原力
Ceoa．Pusu．Wawa 土地．根源．海洋』

展覽時間：2019/11/21~2020/03/22
開幕茶會：2019/11/21 10:30
地點：中正紀念堂中央通廊舉辦
策展人：王昱心（Tanivu Tapari）
（國立東華大學 原住民族樂舞與藝術學士學位學程 副教授）

參展藝術家：
夏曼藍波安、安聖惠、王綺穗、潘朝成/Lalaban新社香蕉絲工坊、哈拿．葛琉、林介文、東冬．侯溫、伊祐．噶照、柯林．歐佛、巴豪嵐．吉嵐、林戎依、陳安琪x余欣蘭、曾秉芳、鐵木．巴紹、高敏修

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

策展概念：

這次「山海原力-原住民族藝術展」，特別以南島語族的古語Ceoa．Pusu．Wawa（土地．根源．海洋）為策展主軸，在中正紀念堂跨年度展出，試圖說明從古老智慧與當代對話，才能在面對曾經歷史不公義的情境下喚起最初始的生命記憶。

土地滋養了原住民族文化的樣貌、多樣性與傳統智慧，記錄著生命精彩與豐厚度，鄒族古老語言Ceoa（土地），揭示了藝術創作生產的轉向與再現。

太魯閣語Pusu（根源）說明了從家族的根源與脈絡深思，由遙遠年代天災人禍的「真經驗」構築自我認識與嘗試解說週遭事物的詮釋系統，其創作充滿對於大地與生命的疼惜與反省，倡議由古老的生態哲理尋找救贖之路。

達悟族語Wawa（海洋）意涵著海洋的寬廣、包容、深邃與神秘，乘載了島嶼民族的寄望，海洋即是希望、道路可以連結其他島嶼邁向更寬廣的世界。

　　原住民族的文化與藝術隨著環境的變動而產生形式與內涵上的變化，那是有機生命企求存續的能量釋放與極力追索。口述傳統／神話的蔓延與再蔓延，正伴隨著原住民族生存的景況與藝術的發展與開疆闢土持續。

Ceoa．Pusu．Wawa （Land．Root．Ocean）

Wang Yu-Hsin (Tanivu Tapari)
Associate Professor, Undergraduate Program of Indigenous Performance and Arts, College of Indigenous studies, National Dong Hwa University

Strength from the Mountain and Sea Indigenous Art Exhibition adopts the curatorial concept based on the ancient Austronesian terms, “Ceoa” (land), “Pusu” (root) and “Wawa” (ocean), to create a cross-year exhibition at the National Chiang Kai-shek Memorial Hall that aims to initiate a dialogue between ancient wisdom and contemporary society so that the primal life memories can be recalled when facing injustice in history.

The land nourishes the appearance, diversity and traditional wisdom of the indigenous culture, and records the wonderful richness of life. The ancient language of the Tsou language - Ceoa (land) reveals the shift and representation of artistic creation.

The Truku language - Pusu (root) explains the nature and origin of the family. The "true experience" of natural disasters and man-made disasters in the distant ages constructs an interpretation system of self-recognition and attempts to explain the things around us. The creation stemming from it is full of cherishment for and self-contemplation on the earth and life, forming the initiative to seek the path of salvation from the traditional knowledge.

The Tao language - Wawa (Ocean) means the broadness, tolerance, deepness and mystery of the ocean. It is the hope of the islander. The ocean is the hope and path that can link with other islands worldwide.

The culture and art of the indigenous people have produced a variety of forms and connotations because of the changes of the environment. This indicates the release of energy and the pursuit of one’s deepest urge in life. The passing down and spreading of indigenous oral history/mythology empowers the people, the development of art and the sustainability of the land.

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