Company Description
Trove Brands (formerly known as BlenderBottle) is a privately-held house of brands including BlenderBottle®, Owala™, Avana®, and Whiskware™. Our patented and best-selling products are designed to simplify and improve everyday life with leading-edge innovation, incomparable quality, and aspirational style.
A career at Trove Brands is not about punching the clock. It’s about embracing exciting and fast-paced opportunities that sharpen your skills, drive innovation, and play an integral role in growing our global reach. Your work will not only impact the company, it will impact the lives of millions of people around the world. When you step up to a career at Trove, you step up to cutting-edge excellence. You sign up for bold action and invigorating synergy. You agree to face—and break through—new challenges every single day.
Job Description
As a Warehouse Associate at Trove Brands, you will coordinate the receiving, preparation, and shipping of product. You’ll play an integral role in the efficiency of our inbound and outbound supply chain.
But that’s not all.
You’ll become part of the Trove Brands family, which means being a part of a fun, fast-paced, and team-focused work culture. We work hard, and we play just as hard. We have the facilities for it, too—like our state-of-the-art fitness center, yoga studio, basketball/pickleball/volleyball court, and golf simulator. We host fitness classes, team-building activities (think pickleball, volleyball, and dodgeball tournaments), wellness challenges, and more.
Once you’ve worked up an appetite working and working out, you’ll enjoy our onsite marketplace with subsidized food and drinks, monthly catered lunches, and company-wide birthday treats (and with a company of 180+ team members and growing, there are bound to be treats a few times each week.)
You’re sure to love the culture at Trove, where entrepreneurial thinking is encouraged and you and your colleagues share an eagerness to learn. Your hard work will be recognized and you’ll feel that your contributions matter. You’ll be surrounded by kind, creative, interesting people with a zest for life—which is perfect, since you’re one, too. At Trove, we’re big on creating lasting friendships and making work feel less like work and more like a great way to spend the day.
Career-wise, your role will be a starting point, with plenty of potential to learn and grow. We’ll support you with coaching, mentoring, personal development, cross training, and leadership opportunities. You’ll benefit from twice yearly pay increase reviews and structured career ladders. You’ll never be bored, because we have plenty to do and it’s certainly fast paced; you’ll also enjoy a reasonable work/life balance (unlike many warehouse jobs, our schedule is primarily M-F during standard business hours). We even offer some flexibility with student schedules.
Yes, you’ll find all that in an extremely clean, well-organized environment that’s flooded with natural light, and filled with team members dedicated to workplace safety.
Now that we’ve caught your attention, here’s a bit more about what this particular role entails.
As a Warehouse Associate, you’ll be expected to be a leader in all aspects of the Fulfillment Team's job duties. You’ll apply your relentless drive and strong work ethic to encourage solid production numbers from yourself, as well as from others. While every role at Trove Brands is critical to our successful functioning as a whole, your specific responsibilities will include:
• Direct the general fulfillment of orders by example
• Strategize inbound receiving procedures
• Lead varying warehouse team projects, ensuring maximum group efficiency
• Manage warehouse organization, general cleanliness, and safety procedures
• Verify outbound shipments and coordinate documents to guarantee vendor compliance
Qualifications
We’re looking for team members who are adept at contributing their personal expertise to a collaborative work environment. We want people who are ready, willing, and eager to jump into the working world, learn new skills and apply existing ones, and grow in their careers. For this role, we’re specifically looking for someone with the following skills and experience:
• General Warehousing experience
• Strong communication skills
• Enjoy working in a fast-paced environment, proactive and highly motivated
• Keen attention to detail
Additional Information
Our culture is passionate, entrepreneurial, and energetic. We value innovation through collaboration. And while we work smart and hard, we also connect and celebrate with equal gusto. We host team-building activities, athletic events, and seasonal celebrations to foster community and reward accomplishments. Bottom line? You’ll love it here.
Among the many benefits our team members enjoy are:
- Full indoor basketball/volleyball court
- Fully equipped fitness center and yoga studio
- Meditation/Nap Room
- And more!
同時也有5部Youtube影片,追蹤數超過8萬的網紅seanlje,也在其Youtube影片中提到,Please subscribe here: http://www.youtube.com/c/seanlje?sub_confirmation=1 Music: Lover's Isle - Guy Latham Melbourne snapshots: Carlton Gardens is ...
bound state 在 葉峻榳醫師。慢性病&體重管理 Facebook 的最佳解答
《肌少症》慢性腎衰竭會惡化肌少症!淺談危險因子、機轉、治療原則💉
肌少症不但是中高齡族群的常見問題,許多研究指出,洗腎跟慢性腎衰竭的病人,大多都面臨肌少症的威脅而不自知。
💡肌少症 & 慢性腎衰竭
Sarcopenia and Translational Aging Research in Taiwan (START) study 這篇文章,是由中國醫藥大學附設醫院所做的研究,研究結果指出『慢性病越多,肌少症風險越高』。
這篇研究提到,病人合併的慢性病愈多,在握力(grip strength)、行走速度(gait speed)、起身行走測試(TUG test)等項目,運動表現就愈差 ; 若合併低肌肉質量,情況更不理想。
☑️可能肌少症:肌力下降,肌肉質量正常、體能表現正常。
☑️肌少症:肌力下降、肌肉質量下降,體能表現正常。
☑️嚴重肌少症:肌力、肌肉質量、體能表現皆下降。
肌少症診斷,主要參考「肌力、肌肉質量、體能表現」三項指標。在洗腎跟慢性腎衰竭的病人身上,我們觀察到他們普遍處在『分解代謝狀態』(Catabolic state),容易出現肌肉質量下降、肌肉萎縮的問題。
為什麼會有這種情況?根據研究,慢性腎衰竭可能會有以下問題,最終導致「肌肉蛋白質分解」(Protein Degradation in Muscle)!長期洗腎的患者,更會因為蛋白質合成降低、蛋白質分解加速,肌少症問題雪上加霜。
1⃣️Oxidative stress
2⃣️Inflammation
3⃣️Protein-bound uremic toxins
4⃣️Parathyroid hormone
5⃣️Glucocorticoid
6⃣️Angiotensin II
7⃣️Defective insulin signaling
幸好,藉由運動,我們可以對抗慢性腎衰竭的『分解代謝狀態』,藉由 Peroxisome proliferator-activated receptor gamma coactivator 1α (PGC1α),強化 mitochondrial biogenesis,改善肌少症。
📖更多內文請點 🔜 https://www.yehclinic.com/sarcopenia-in-chronic-kidney-disease/
bound state 在 文茜的世界周報 Sisy's World News Facebook 的精選貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
bound state 在 seanlje Youtube 的最佳解答
Please subscribe here: http://www.youtube.com/c/seanlje?sub_confirmation=1
Music: Lover's Isle - Guy Latham
Melbourne snapshots:
Carlton Gardens is a World Heritage Site located on the northeastern edge of the Central Business District in the suburb of Carlton, in Melbourne, Victoria, Australia.
The 26-hectare (64-acre) site contains the Royal Exhibition Building, Melbourne Museum and Imax Cinema, tennis courts and an award-winning children's playground. The rectangular site is bound by Victoria Street, Rathdowne Street, Carlton Street, and Nicholson Street. From the Exhibition building the gardens gently slope down to the southwest and northeast. According to the World Heritage listing the Royal Exhibition Buildings and Carlton Gardens are "of historical, architectural, aesthetic, social and scientific (botanical) significance to the State of Victoria."
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bound state 在 JeaenのYouTube再生リスト Youtube 的最佳貼文
2014年10月1日、東海道新幹線は開業50周年を迎えました。本動画は東京駅での開業50周年記念式典の後半でテープカット・くす玉開披と東京駅長の発車合図による6時ちょうど発の博多行きのぞみ1号発車の様子です。
October 1, 2014, the Tokaido Shinkansen has celebrated its 50th anniversary. This video is a state of the bound for Hakata Nozomi No. 1 departure of the calling just 6:00 departure signaled by the Tokyo Station and length tape cut Hiraki decorative banner dropped from the ceiling in the second half of the 50th anniversary ceremony opening.
のぞみ1号発車時、東京駅19番線先端にある第四代国鉄総裁 十河信二の記念碑も撮影していますが、十河信二も天国から新幹線を見守っていることでしょう。
前半の様子は以下のURLにて
before Movie:
http://www.youtube.com/watch?v=R74ECS9vobQ
bound state 在 pennyccw Youtube 的精選貼文
J.R. Smith made so many boneheaded plays in last year's postseason that he got a benching and a public scolding from his coach.
After working his way out of George Karl's doghouse this season, the new and improved Smith has led the Denver Nuggets to the cusp of a return trip to the NBA playoffs.
The super sub's 23-point performance sparked Denver to a 111-94 rout of the Houston Rockets on Sunday night that both clarified and cluttered the wild Western Conference playoff race.
"That's all he's got to do is come into the game and the energy is there," said Allen Iverson, who scored 33 points. "It hypes us up. You look at the things he does on the floor, it excites us as teammates. Just see the way he can shoot the ball, the way he can dribble the ball, the way he can jump, he has the whole package.
"There's nothing on the court he can't do."
It was the 13th time Smith has come off the bench to score 20 or more points, most in the NBA among players who haven't started a single game.
"He's been a big spark for us, bringing that energy and excitement we were looking for," Carmelo Anthony said. "He's come around for us. It's just great to see him out there playing the way he's playing and knowing he's a big part of our success."
Now all the Nuggets have to do to reach the playoffs for the fifth straight time is beat lowly Memphis on Wednesday night at home.
Denver (49-32) moved a half-game ahead of Golden State for the eighth and final playoff spot. The Nuggets might even be able to catch Dallas for the seventh seed if the Mavericks lose at home to New Orleans on Wednesday night.
As for the Rockets (54-26), they can still secure the top seed in the West, but they're going to need plenty of help to do it.
First off, they need to win their last two games, at Utah on Monday night and at home against the Los Angeles Clippers on Wednesday night. They also need the two teams ahead of them to lose Tuesday night: the conference-leading Los Angeles Lakers host Sacramento and New Orleans hosts the Clippers.
McGrady was flabbergasted that the Rockets played so poorly with so much to play for on this night.
"That team needed a win badly and we played like it really didn't matter to us," McGrady said. "And at this point in the season, although we clinched, we still have to bring it every night."
The Rockets fell 1½ games behind the Lakers atop the crazy conference, where Golden State could become the first team in NBA history to win 50 games and miss the playoffs.
"I'm not so concerned about the No. 1 spot," McGrady said. "I'm more concerned about how we're playing right now."
Bouncing in and out of the eighth and final playoff spot for a month, no team has had more of a roller-coaster ride than the Nuggets, who won a huge game at Golden State only to lose at Utah on Saturday night before bouncing back against the Rockets.
"It's impossible to feel good because for three weeks we've been feeling stressed," Karl said. "You never play three playoff teams in three games in four nights in three different cities that had huge, huge ramifications. We survived it; we won two out of three, but we're still not out of the woods."
To have a shot at keeping the Nuggets out of the postseason party, the Warriors need to win at Phoenix on Monday night and beat Seattle on Wednesday.
But even that won't matter if the Nuggets handle their business against the lottery-bound Grizzlies, who will be playing the second game of a back-to-back against a Denver team that will have had two days off.
Iverson said the enigmatic Nuggets certainly won't blow it now that they finally have their postseason destiny in their own hands.
"We understand what's at stake, and we don't underestimate them because we know they have talented guys on their team," Iverson said.
This was a surprisingly easy win for the Nuggets, who raced to 43 fastbreak points as the Rockets shot 34 percent. Denver pulled away with a 10-0 first-half run sparked by consecutive 3-pointers from Smith.
Luther Head lead Houston with 19 points and McGrady scored 16. Marcus Camby grabbed 14 rebounds, all but one of them off the defensive glass, and blocked seven shots for Denver, which led 61-44 at halftime and never looked back.
"We didn't have any energy at all," Houston forward Chuck Hayes said. "They were the team that played the night before, but we played like we had. Maybe it meant more to them and we paid for it."
Game notes
Anthony was held to 11 points on 3-of-14 shooting despite the absence of Rockets defensive specialist Shane Battier, who missed his second straight game with a bruised left foot and ankle after playing in 221 consecutive games. ... Houston G Bobby Jackson (left knee) also sat out.